terrible comic day terrible comic

Love Begins

Kiana Khansmith
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
will byers stan first human second
icyghini twinkie
Claire Keane
One Nice Bug Per Day
Noah Kahan
we're not kids anymore.


izzy's playlists!
I'd rather be in outer space šø

@theartofmadeline
The Bowery Presents
Stranger Things
Xuebing Du
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Today's Document
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@arrakeen
terrible comic day terrible comic

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āØtrans people have always existed āØ
enjoy this keith haring-inspired doodle. happy pride to all my trans and nb siblings, near and far.
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print inspired by queer online friendships
creature i like to doodle
before we move forward with these blueprints i just wanna make absolutely sure the vents and air ducts are perfectly adult xenomorph size

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NEVERWAY ( OCT 2026 ) dev COLDBLOOD INC. / do not reupload
Ralph Fiennes as Dr. Ian Kelson 28 YEARS LATER: THE BONE TEMPLE (2026)
poem i foubd in a book at work recently that im completely obsessed with
My soul cannot rest I hunger and thirst
The Testament of Ann Lee (2025) dir. Mona Fastvold
Alessandro Busci (Italian, 1971), Power Station rosso, 2020. Enamel on steel, 160 Ć 160 cm.

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Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
reblogging for Black History Month!
how is a little freak like me supposed to make it in this world
BRANDON LEEĀ asĀ ERIC DRAVEN
THE CROW 1994, dir. Alex Proyas
hereās a fuzzy version for you FIENDS
seriously tho, thank you for all the appreciation!
Iām a busy man. Got two caution signs to remind me to slow down sometimes. Got a vibrating megaphone. Clocks. Radiation. Four goats. Got half a tank of simple columnar epithelial tissue. 60% through my day. Half a tank of gas. And itās only 10:50.

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Today's Card Is: Slime Toad
not many people know about āgoldilocks codeā from the 80s where queer men would have hot porridge in their left pocket if they were a papa bear and cold porridge in their right pocket if they were a mama bear