this place isn’t haunted it is the ghost

dean & children | 7.10 death’s door

—got confused about why I’d never been a boy scout because he forgot i was trans

—told me he was gonna get top surgery scar tattoos to match me after i get mine

—laughs at all my trans jokes, even if they’re supremely unfunny

—calls me big dog (and him little dog) even though he is about as tall as two of me

Then he said "You know, I completely forgot you weren't always this way. Femininity really suits you" and let me tell you I started tearing up

He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.

Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.

In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.

Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. It’s so catchy though, I’m doubling up on calls to action but please listen now:

John, casually purifying it by dropping a charm no bigger than his pinkie into the water and then walking away: call me again when you’ve turned an orphanage into inside-out land sharks or something

John, who specifically chose this partner because he was a serial killer and therefore expendable, and was also planning to feed him to Dagon tomorrow anyway: aw thanks mate, you’ve saved me an arseload of trouble

Joker: …

John: haha I’m dating King Shark so good bloody luck