Eva Stratt, the world's whipping boy.
---
π Available as an artprint (A4 and A5) here!

η₯ζ₯ / Permanent Vacation

Andulka
πͺΌ
RMH
YOU ARE THE REASON
Stranger Things
Today's Document
DEAR READER

Origami Around
hello vonnie
$LAYYYTER

he wasn't even looking at me and he found me
Monterey Bay Aquarium

@theartofmadeline
art blog(derogatory)
One Nice Bug Per Day
styofa doing anything

#extradirty

seen from Malaysia
seen from Netherlands

seen from Malaysia
seen from United States
seen from United States
seen from Venezuela

seen from Venezuela
seen from Venezuela
seen from India

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from France
seen from United Kingdom
@transcarlo
Eva Stratt, the world's whipping boy.
---
π Available as an artprint (A4 and A5) here!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
A runaway trolley is quickly approaching planet Earth, threatening to kill over 8 billion people. There is a lever that can be pulled to redirect the trolley. On the other track is a singular man. You are the trolley operator. Do you pull the lever?
But suppose the problem is not that simple. First, pulling the lever will most certainly kill the man but it will not guarantee the survival of Earth. In fact, the chance Earth will be saved is slim, and many of those 8 billion will die in the process. You are the trolley operator. Do you pull the lever?
It still isnβt that simple. The man tied to the other track isnβt tied down at all, in fact he does not know he is part of the dilemma. You will have to tie him down yourself. You are the trolley operator. Do you pull the lever?
But wait, thereβs something you are forgetting. The man you must tie down and murder is your second in command, your best friend, your platonic soulmate. You love him. You know he will refuse to be the sacrifice. You watch as he begs and pleads for another way, betrayal in his eyes. He writhes as you give the command to sedate him, and prepare to tie him to the tracks. He goes limp, and you do not cry. He will hate you for the rest of his short life, and you will deserve it. Even so, you know you are doing the right thing.
You are Eva Stratt. You will pull the lever.
Iβm starting to get a hang of this stupid vector program
Earthβs Scapegoat and her Sacrificial Lamb
I think the core difference between the book and movie versions of ryland grace is that, while both are desperately afraid of taking action, book!grace's fear stems from the fact that he doesn't want to be hurt, whereas as for movie!grace it's that he genuinely thinks he's incapable of doing anything meaningful.
compare how they react to remembering they were forced onto the ship:
in the book, he stands around in numb ashamed shock at his cowardice for a minute before deciding, against rocky's better judgement, that they should voluntarily subject the hail mary to a six g force again to get the lab equipment up and running instead of just waiting eleven days to get back to the blip-A, and it hurts him a lot and he ends up passing out from it. he locates the problem in his memory as being that he was too caught up in concern for his own wellbeing, so he tries to counterbalance it by opting to do something bizarrely personally risky so they can get back to work more quickly. his refrain in his memories is "I don't want to die."
in the film, he remembers it all and then he's back to his old self when saying his farewells to rocky. his emotional vulnerability is gone, his walls are back up, he tries to leave without saying a real goodbye before rocky continues the conversation, and he rejects being called "brave." all his weeks of learning to do the scary thing so he can care for someone and be cared about are just gone. he locates the problem in his memory as being that he as a person is simply not brave; he lacks the gene for it and isn't capable of real accomplishment; he'd thought he could grow and change and he was wrong. his refrain in his memories is "I can't do it."
the same thing shakes out in the two versions of the scene where he convinces stratt to let him stay on the project after the "astrophage are water-based" fiasco, or, as I like to call it for short "watergate." let us examine:
in the book, he suddenly gets terrified that a good portion of students are going to literally die of starvation in twenty years, so he storms back to the lab and demands that stratt (the most powerful person in the world, has all possible authority, commands the actual US army) give him some astrophage to study. stratt initially thinks this is because he's upset that his one original idea / thing he staked his whole career on got disproved and that he wants to soothe his ego by doing further high-profile work, and while she's sympathetic, it doesn't make her budge. what actually convinces her is when he says he doesn't care about his ego or the fact that he was wrong and that he's really just here to try and save his students. the last time he got publicly shot down he just retreated from the source of humiliation so he wouldn't have to face it, so being willing to square up with the scariest woman alive and go back into this field for the sake of others despite being known as infamous within it is a big change in form for him.
in the film, he tells stratt he's the kind of annoying self-advocating person she's looking for, but then he shies away from it when she asks directly if he wants to be on the project. that's not a question she really needs to ask, obviously he wants to be on the project, he wouldn't have started this conversation with her if he didn't, so her asking isn't actually a measure of his desire but rather a test of if he really has the backbone he's claiming to possess. his first response of "if you think I can help..." is very true to form, he's shrinking back from admitting his own want by asking someone else if they think he's competent enough to be worthy of what he wants, but when prompted again he says "yes, I want to." it's uncharacteristic for him because willingly engaging in something challenging and high-stakes implicitly says he desires it and thinks he can handle it.
and--this is the fun part--him saying that in the movie is what lets stratt accept him onto the project, but it isn't what convinces her; she's already left him the samples at that point, she already knew she wanted him as an asset, but she needed him to prove his want to confirm that he is the kind of person she thinks he is, which he does.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
pure passion for this movie has overtaken me, so here is some art with an aggressive amount of symbolism, to mitski of course πββοΈ
Sacrifice for human kind
book data points for the Adrian Gender Situation:
grace lands on calling rocky "he" because he has a split second of panic in one of their first interactions and thinks "uhhh he or she or oh gosh this species might have a dozen sexes and use pronouns I don't even have words for um uh okay I'll just use 'he' because using 'it' for a sapient creature feels wrong. why does no one talk about how to use pronouns in first contact." personally I find this hilarious because it characterizes grace as being just about Gender Aware enough to conceive of and be cool with the idea of sex and gender existing outside of the socially constructed binary and is probably even down to use neopronouns for people, but also a) he still opts for "he" over "they" and b) is completely unaware that zillions of people are absolutely having fifth dimensional discussions about pronouns and first contact.
grace never refers to adrian by pronouns.
grace thinks of adrian as rocky's spouse specifically, not husband or wife.
there's a tiny bit at the end where grace says if he shined a light out of the clear xenonite of his dome then he could "see an eridian going about his business," meaning he's probably just using "he" as the pronoun for all eridians.
bonus round that doesn't actually come up in the text but is a metatextual thing I think some people are probably missing: "adrian" as a name on its own has a masculine connotation but grace 100% picked it because rocky balboa's girlfriend/wife in the rocky movies is called adriana "adrian" pennino. this genderless rock whom grace probably thinks of as being a he/him married to another genderless he/him is named after a female character who goes by a masculine nickname.
like, do I think andy "I don't do politics" "socially liberal fiscally conservative" weir was knowingly and deliberately doing queer gender things with eridians? no, and it would feel especially absurd to say that when the contemporary scifi novel scene is so full of authors who are doing queer gender things on purpose. I think what's happening here is that weir is competent enough to make his characters gnc agender intersex gay men by accident as a result of being committed to worldbuilding an alien species that feels genuinely alien in its social and physical norms, which is the opposite tack to the "how do I create a scifi allegorical representation of an already existing human queer experience" approach that a lot of other authors take. and I can't say I don't enjoy the idea of a gay little he/they genderless rock spouse with a tomboy name who according to the movie apparently works in aquatic habitat maintenance.
rocky is both touched by the sentiment and disturbed by human medical practices
inspired by this grace quote:
stratt

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Project Hail Mary // Incorrect quotes 1/?
Bonus:
The thing about Ryland Grace and Eva Stratt's dynamic is that they're very much "leopard who eats peoples faces" x "guy who claims not to endorse this but has hung out with the leopard for years and when she eats people's faces he's like 'ah yeah she does that βΊοΈπ«β¨'."
K!ll your science lapdog
This is some of the most straightforward characterization Grace gets in the book and it's hilarious
Project Hail Mary - Phil Lord & Christopher Miller

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Okay, real talk now. People love to tag male characters in posts about women, but this post is gonna take this seriously. Is there actually a canonically male character you believe is a trans woman? Or at least has made into a trans woman for a fanart or a fanfic? Excluding the ones canonically implied.
Sound off in the tags! Link to the fanart or fic if available. Do it. Give me the girls. Make more women.
Stratt: tries to make a going-off comfort gift and instead creates the most insensitive thing possible
Also Stratt seeing Grace wear the shirt in the video logs: oh good he likes the shirt