Beware the darkness of dragons

I do feel like Oliver Cuthbertson did a great job with the cover of Princess and the Scoundrel

Ahmed has been verified by @90-ghost for years now, but still he suffers in the Gaza Strip for as long as the occupation denies Gazans their independence.

Now, Ahmed’s need has worsened. He and his mother are in dire need of medical attention, and his brother (may he return safely) will also need your support.

We are urgently trying to raise $400 for Ahmed’s basic needs and, long-term, a minimum of $25,000 for his mother’s evacuation to and treatment in Egypt. Given the cuts taken out by G/F/M and the banks, $25,000 is likely underselling the true costs.

Ahmed needs your help. His family needs you. The most direct way to help him is to donate to the Pay/Pal he uses, as he will receive the full monetary amount this way. If you cannot donate to his Pay/Pal, there is a G/F/M that you can send the money to. And if you cannot send him money, then please share so that his plea can reach someone who can.

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"Without a tub of wax for my ears – which Himesh Patel’s ever anxious Eurylochus, Odysseus’s doomed right-hand man, uses to sail safely past the Sirens – I was exposed to the full din of thumping sticks, staffs, swords and clashing armour, thunderbolts, crashing waves, grunts, screams, toppling palaces and burning temples. But unlike Matt Damon, the wax-free Odysseus who is tied to the mast as he is conveyed past the Sirens (naked ladies reclining on some uncomfortable-looking rocks), I gazed at the shipwrecks and bloodbaths without any agony of emotion."

and

"There are more female characters than in most Nolan movies, thanks to the source material. But none of them has much to say, in contrast to the characterisations in the poem."

Well, that tracks for a Nolan film -

"The couple have no chemistry and nothing in common. Throughout his wanderings, the uxorious Odysseus clings to a little doll figure, intended to represent his wife (like the spinning top clutched by Leonardo di Caprio in Inception); the real woman is barely more interesting."

Yikes -

"If you’re not going to compose a script in Homeric Greek, or even in metrical English verse, you might as well use something like conversational American English. But writing dialogue is not one of Nolan’s talents. The language is relentlessly expository, humourless and flat."

The lines she calls out in this section will probably make a least a couple of my friends laugh incredulously -

"I was humbled to learn that Nolan has read at least the first line of my translation of The Odyssey into iambic pentameter. In at least one interview, he cited my version of the first line of the poem: ‘Tell me about a complicated man.’ But I would be ashamed to have written any part of this script."

....oh my GOD, EMILY -

"The most troubling ethical problem with Nolan’s Odyssey concerns the decision to film part of the movie in the occupied territory of Western Sahara, thus normalising the ongoing violence against the indigenous Sahrawi people. It is particularly galling that Nolan used this land simply as a visually striking backdrop for a film that centres, aggrandises and redeems the hero of a territorial war on account of his belated and partial acknowledgment of his own guilt."