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More of The Magician's Nephew, Polly and Digory in the Wood Between Worlds. (And the guinea pig that lives there nowđ)

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narnia headcanons: queer + romance edition
hey are we still posting queer narnia headcanons. these have been floating in my notes half-finished for ages; I figured now was as good a day to post them as any
when the Pevensies are ruling in LWW "these two Kings and two Queens governed Narnia wellâŚAnd they made good laws and kept the peaceâŚand generally stopped busybodies and interferers and encouraged ordinary people who wanted to live and let live" (ch 17, emphasis mine). Add to this that Narnia is a very natural land, and nature is diverse af. Like. I'm thinking about how many plants aren't split by gender and thinking about bigender and intersex dryads. Agender naiads because what gender does water have? Genderqueer stars. Those fish that change gender sometimes and the possibilities of trans and genderfluid merfolk. All sorts of queer talking animal relationships. Basically Narnia is so full of different orientations and genderfuckery and letting people live their own lives that no one bats an eye if a satyr is ace or a naiad decides they want a gender.
the pevensies are a bit shocked by it all when they first arrive, the older ones more so, but is it really so much strangerâor any less wondrousâthan talking animals or trees? They're busy running a kingdom (and only ~8-13; they're not thinking about romance much yet); they've got more important things to worry about than that boy dwarf wearing dresses. Between the tunics and robes and cotes and surcotes, they're all basically wearing dresses themselves. Mr. Tumnus and the Beavers aren't wearing anything. Yeah, those two lady-fauns kissing would be unheard of back home (and is making Susan's stomach feel funny), but can someone tell them the proper form of address for this letter they're writing? Is a Tisroc an excellency or a majesty or something else? How do you even spell Tisroc?
the pevensies grow up surrounded by variety (helped by their memories of England fading), and learning about themselves along the way. soon they don't think queer relationships or genders are any stranger than the narnians do
You are the outsider here, this is clear enough. The seven who have come before you have known each other a long while, have seen the beginning of a world, the first spring after the century it stood frozen in ice and time, have sailed to the end of its seas. You helped save a lost prince, it's true, but you have never sat atop a Horse with fresh wings, you have never been to the centre of a world or its edge or liberated a country twice over. They are Kings and Queens and myths and you are just a girl who goes to Experiment House and tries not to cry behind the gym.
From my new Jill fic outsider
⨠DESIGNING CHARACTERS IN NARNIA: The Magician's Nephew⨠(scroll for a breakdown of the design)
I bet there's going to be a bunch of people who'd hate me if I reveal who the face claim was, but I'd love 'till the end of time whoever guesses it.
One of my headcanons in Narnia is that Polly Plummer's family is rich. She was described to be living in a terrace house in London and for some reason, I've associated that with being rich (maybe because of Annie in The Parent Trap). And that was the design that I aimed for in this one.
Here's the complete breakdown of Polly's design. It contains the explanation to some of the changes I did to her book design.
And to everyone who's been wondering how the exam went: IT WENT WELL! I PASSED THE EXAM! I am now a licensed architect and I want to thank you all for helping me pay for the review. You were all a part of this journey! â¤
Coming soon: The Magician's Nephew Characters
C đ S đ LEWIS đ WAS đ NOT đ MISOGYNISTIC
IM SO SICK OF THIS TAKE
âBut he said girls shouldnât fight in battlesâ" No, actually. What he said was âBattles are ugly when women fight.â Which literally translates to âin a war where women are required to fight to help win it, it means the war itself is really bad.â And this literally just means that the war has gotten so bad that women have to fight, not that women shouldnât fight. Just that they shouldnât be forced to. Anyway, remember Lucy?? Lucy who rode to battle in The Horse and His Boy?? Lucy who fought as an archer?? âBut Susan didnâtâ" Yeah. Because she didnât want to. No one was forcing her not to fight. She had free will to fight or to not fight, and she chose not to because she didnât want to, not because a man made her stay home.
âHe punished Susan for growing upâ" S i g h. This is the one I see the most often. âHe did Susan dirtyâ âhe made her suffer because she liked lipstickâ âetc etc blah blah blahâ First of all Narnia is a childrenâs book series. For CS Lewis to delve into why Susan forgot Narnia, talk about her dealing with the death of her entire family, discuss her grief, and write about her eventual return to Narnia (more on that in a second), it wouldâve made for a pretty dark and heavy childrenâs book, and Lewis said that he didnât think that was something he wanted to write. But he also encouraged people to finish Susanâs story themselves, and said she might eventually make her own way back to Narnia. Not only this, but Susanâs name means lily, and the waters around Aslanâs country are covered in lilies. Coincidence? I think not. I think it symbolizes she was going to go back. (Especially considering I think Lewis was very careful in choosing each of the Pevensieâs names, since they all relate to their character).
Also, Lewis did not condemn Susan simply for growing up and liking makeup and clothing and boys. If so why would he have written about Aravis and Shasta/Cor, or Caspian and Liliandil? Why would he have written about Susan and Lucy being beautiful and having many suitors? So no, he wasnât condemning her for that, and in fact he wasnât condemning her at all. Itâs extremely probable that her familyâs death would have brought Susan back to her senses. Because hereâs the thing: she forgot. She threw herself so much into the world and approval and convinced herself that her life as a queen and her acquaintance with Aslan was all a silly game they played as children, that it wasnât real. But, she very well could remember again, and I 1000% believe she did.
âAll his female characters were weak and did nothingâ" My friend. Lucy Pevensie was a female. She discovered Narnia. It was because of her. Her siblings would never have found it without her. Lucy is one of THE most important characters in the entire series. And her title? The Valiant. Lucyâs very title as queen denoted her bravery and fortitude without one even knowing her. As for Susan, she was not any weaker for being âThe Gentle.â I would say gentleness is honestly one of the strongest traits a person can have, because it takes a lot to live and be gentle. Also remember Aravis? A major character in The Horse and His Boy and future wife of Shasta, Aravis literally nearly killed herself to escape an arranged marriage. She was not someone to be dictated to; she made her own choices and escaped rather than submitting. And in the end, sheâs still fiery, just a little more humble and with less of a chip on her shoulder. Then thereâs Polly, who is the more logical person in The Magicianâs Nephew and tries to stop Digory from ringing the bell that wakes the White Witch. A boy causes her to awaken, not a girl. It was Digoryâs fault she woke up, not Pollyâs!!
Also, Peter and Edmund do not ignore their sisters because theyâre girls. They listen to what they have to say and speak to them as equals. They donât forbid them from fighting; Susan chooses not to, but Lucy goes straight into the heart of the battle with them! So donât even say Lewis made his female characters weak. They were the backbone of much of the series and without them much of the plot would never have happened!!
So donât you ever say to me that CS Lewis was misogynistic because itâs the furthest thing from the truth

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Digory: my moms dying
Polly: Iâm sorry to hear that
Polly, thinking: well crap now heâs bringing the conversation down
Polly, thinking: I better say something to â¨lighten the moodâ¨
Polly: so is your uncle actually insane?
Fancasting some of Narnia characters throughout the series
I know some of them are too old for the characters corresponding ages in the novels but theyâre the closest to who my mind conjures while I read! Ideally any casting for the kids would be ânew/never been in anything beforeâ actors.
The Magicians Nephew-
Digory Kirked: played by Harry Collett Polly: played by Connie Jenkins Grieg Jadis The Queen: played by Kate Fleetwood Uncle Andrew: played by Bob Odenkirk (he plays pathetic men so well)
The Horse and His Boy
Shasta: played by Walker Scobell Bree: voiced by Jack O'Connell Aravis: played by Varada Sethu Hwin: voiced by Madeline Madden Prince Rabadash: played by Mahesh Jadu King Lune: played by Graham McTavish
Voyage of the Dawn Treader-
Lord Drinian aka THE MAN WE ALL DESERVE TO HAVE IN OUR CORNER: Andreas Pietschmann Lilliandil: played by Nanna Blondell Ramandu: played by Kevin Grevioux The Magician Coriakin: played by Anthony Head
Silver Chair-
Jill Pole: played by Abbie Hern The Lady of the Green Kirtle aka the Green Witch: played by Ruth Wilson Puddleglum: played by Dylan Smith Prince Rillian: played by Ismael Cruz Cordova
The Last Battle-
King Tirian: played by Tom Hopper Jewel the Unicorn: voiced by Sean Bean Shift the Ape: voiced by Charles Dance Puzzle the Donkey: voiced by Billy Boyd
One line I adore from the Magicians nephew is when Digory is arguing with Polly about something (I donât have the energy to find it exactly. I do remember Polly is in the right and the narrator makes a point that digory isnât.)
And at one point Digory dismisses her by going âoh you just think that because youâre a girl and girls donât care about anything other than gossip and dresses and etc.â and his rage bait doesnât even work on her.
Polly just goes âyou looked exactly like your uncle when you said that.đâ And Digory is PISSED.
C.S. Lewis wasnât perfect and definitely could be misogynistic at times but I love how he wrote his female characters and how in multiple instances the sexist characters are mocked by the story. INCLUDING when itâs the protagonist falling into misogynistic tendencies.