Apollo Art Exchange

Created by proxima centauri b, this divine AI Generative piece presents an altar amidst stained glass in the Gothic style as countless purple flowers invigorate the scene with the divine harmony of our natural world.

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Although the artist is unknown, this divine piece of pixel art presents two contrasted regions of the culture and the cosmic as a small frog waves curiously to the candid viewer.

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Created by Prince Fuego, this Glitch Art edit presents a lone skull set shattered amidst the ethereal scenes of distorted digital light.

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Created by Zombtendo, this Glitch art edit in Photoshop presents a single subject being struck by a spike as countless crystalline pixels shatter to immense vibrancy.

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Created by Prince Fuego, this Glitch art edit presents a lone subject set in striking motion as countless torn pixels possess the piece with a vivid visual energy.

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Created by Zombtendo (@zombtendo), this striking Glitch art edit presents a lone subject replicated endlessly in contrast against a midnight void.

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Created by FromSinking, this AI Generative piece presents a chorus of jagged icebergs set under warm tones amidst the ethereal shimmer of countless stars.

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Created by proxima centauri b, this powerful AI Generative portrait presents a lone feminine subject framed by a beam of light as deep blue flowers convey the sacred status of our natural realm.

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Created by Kate Bjarno, this divine AI Generative piece presents a lone hummingbird surrounded by countless golden chrysanthemums conveying the sacred status of our natural world.

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Created by Will Toulan, this divine AI Generative piece presents a lone mountain casting an ethereal beam of light into the golden heavens.

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#1 | “the garden #5" - proxima centauri b

#2 | "Having a long think..." - Peter Mohrbacher

#3 | "cryptofish" - AXIS | PSD

#4 | “JUST A DIP" - Beeple

#5 | “Reaching Up" - Donglu Yu

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Deep within the boiling bowels of the darkest subconscious order is a piece which endlessly shifts out of articulation as it dwarves its viewers in every set sense

In its initial introduction we note the immense space which the building of The Basilika occupies as it demands the highest degree of attention from its viewers; When one looks at this piece they are seeing The Basilika as it is impossible to do one without the other

The fractalscape is a medium within the world of surrealism; It depicts both euclidean and non-euclidean geometry in a realm which endlessly shifts and changes from its viewer's perspective

We see the immensely intricate facade comprising of rustic-green fractal geometry which appears incredibly surreal and brutalist in comparison to the mundane constructs of our mortal world

A brilliantly flared and boiling sky ignites the top of the work in ascendant fashion; It's energy casts itself across the digital canvas only to be interrupted by the building of The Basilika

Our canvas presents a stunning opportunity for lessons on near-symmetry as the piece may be divided across a center axis to a very high similarity on both sides

There exists a single open and darker space in the lower center of the spatial composition which gives us the illusory sense of depth upon the two-dimensional canvas. It’s almost as if its inviting us within and igniting our natural curiosity to let the mind wander to wonder, contemplate and conceptualize

What lies within The Basilika?

The Basilika was a set of laws during the late 9th century within the Byzantium or The Byzantine Empire

Before its passage there was a large level of inconsistency on which laws were meant to be followed as Justinian's Codex collided will more recent additions to the legal culture in The Eastern Roman Empire

Previously the nature of the law and culture was shifting endlessly like a face which one fails to recognize; The Basilika created more unity and clarity of what the identity of The Byzantine Empire really was; From the fractalscape of cultural chaos emerges The Basilika in solid and concrete form

Mitchell Flautt once again demonstrates his immensely diverse skill in the world of surrealism as he presents each and every fractalscape as if llives within him personally

Overall this fractal digital rendering displays The Basilika in concrete contrast to the ascendant flare of a boiling sky as its copper-reddish facade follows an immense intricacy amongst the dark entrance which invites its viewers while inciting curiosity to wander and wonder deeper within 

"Enter The Basilika"

Mitchell Flautt

Far within the ravaged rusted wastelands of an industrial megacity is a lone ship making its daring escape from the daunting desert

In its initial introduction this rusted color palette floods every inch of its hosted screen in a highly commanding bid for attention to its viewers 

We see one single element which stands in contrast to this immense sea of sand;

NEXUS 6

Its powerful ion thrusters provide a sole sense of rest in the form of a blue fluorescence which fights its surroundings by nature of its contrast in juxtaposition against this rustic red

These endless highrises craft a lane of framing which emphasizes and accents the center subject masterfully to its viewers

This piece of digital art almost feels like it exists in the medium of virtual paint with the amount of natural blur across the subject and its surrounding buildings

Huleeb can be found hosted in a wide range of galleries within Apollo Art Exchange, most notably within our "Sci-Fi" , "Surrealism" and "Unsettling Emotions" gallery rooms

What do you think has happened here? 

Is it possible that our subject has escaped the repressive confines of a prestiged prison?

What do you see when you view this piece?

Overall this science fiction digital rendering displays the scene of a lone NEXUS 6 in a daring escape from the tyrannical reach of an endlessly rusted industrial wasteland

"NEXUS 6 ON THE LOOSE”

There is no love without the fall; There are few feelings on this earth which compare to that of love; Many times even written and spoken language isn't enough to explain the ineffable experience; Vulnerability is key to trust in all lasting relationships

In its initial offering this work introduces two main skeletal subjects in juxtaposed contrast against a brilliant flaming sun; A divine energy radiates from the sol-source to bathe every inch of the foreground in its blessed bounties

One may find this circular sun as highly reminiscent of a traditional nimbus or halo as its influences continually echo far past its 4th century origins

Textures in this piece display a heavily fluidity as every inch of the digital canvas conveys a sense of continual motion from one pixel to the next 

This style of paint application appears most similarly to the method of traditional post-Impressionism as visible brushstrokes further reinforce this heavily chaotic yet carefully crafted visual experience 

When we consider the role which this sourced-sun plays in the realm of pictorial space one must recognize the brilliant frame provided for both skeletal subjects 

Although their side-profiles contrast themselves against the sourced-sun we must note with high relevance that they appear to take-on this divinity to an even further degree as their skulls are possessed by its ethereal energy 

These side-profiles and sourced-sun promote a secondary contrast in conjuncted harmony against the voided black-backdrop which, in totality, emphasizes the subjects in complete ascendancy

Love is the anchor in a raging storm; Life is full of tragedy and its best to bear that across two sets of shoulders than to hold up the weight of the world all alone

Overall this divine digital painting presents the scene of two skeletal subjects embraced in each other's arms as a sourced-sun reminiscent of the nimbus radiates its ethereal energy of love across every pixel of our spatial composition

"Until the very end."

James Suret

Set in the medium of colored pencil on photographed paper is a piece displaying timeless lessons on contrast, texture and artistic consistency

In its initial introduction the viewer is encapsulated within a display of juxtaposed color which notes its brilliant mixture of salmon, red and pink against the lighter value of its cream backdrop. This contrast allows the plant to convey a sense of elevation and emphasis which stands reinforced by these even greater marks of depth and dense detail. We note an intelligent trim on the silhouette which gives our piece an even deeper conveyance of objective depiction which feels very natural and matter-of-fact

Our artist has always been fascinated with the complex and diverse oddities of the natural world. This can be seen in the choice of a mushroom, offering a brilliant opportunity for practice on the intricacy of every flap, fold and face of the studied subject. The artist notes that the "wild layerings" and "grotesque features" of the subject are what intrigued him heavily in the approach of this artistic study

The artist created this piece with the intention of a study mixing and blending the medium of colored pencil. We note the iconic texture of this medium across every part of the botanical subject at hand. These textures do vary often as they oscillate from the softness on most surfaces to the roughly shadows around the delta-esc ridges before us

We'd like to direct the viewer's attention to the masterful use of shadows to display an illusion of depth and density upon its two-dimensional hosted screen. These intricate grooves may remind some of the natural appearance of a river delta, further echoing the influence which nature plays in every resulting region of our lives

Artist's are always studying their surroundings; Consistency is that which grants rise to the most talented artists we admire day in and day out!

Overall this botanical study in the medium of colored pencil shows a mushroom subject in a reddish-pink contrast against its cream backdrop as the piece displays the vital importance of daily consistency to an artists constant journey towards skillful mastery

"Red Brilliance”

Jonathan Tom 

(Faces Are Friends)

Far within a constructed chamber is a simulated bioscape hosting a titanous volcano which two travelers freeze over in ascendant awe and amazement

In its initial introduction one can't help but notice this gigantic cylindrical disc which radiates an immense diversity of color in contrast to its neutrally-gray scientific surroundings

This neutral grey allows the earthscape to contrast itself heavily by nature of its vibrant luminescence 

We note this titanous volcano which demands a dense degree of attention from its viewers through its naturally vivid tone of red in conjunction with its peaked crest

This cylindrical stage hosts an immense intricacy on its base, creating implied lines towards the disc to place an even greater emphasis on the bioscape. Our main cylinder stands surrounded by this complex scientific lab which appears to host the natural scene before us. We see this massive platform originating from the left side of the canvas which disrupts the harmonious scene of our bioscape by nature of its light-on-dark contrast

When viewing this piece one may feel as if they’re viewing concept art for a high-budget film or cartoon

What do you see when you view this piece?

We note a great diversity of texture which allows a high degree of contrast to catch the viewer's eye. Even within the bioscape we note the juxtaposed texture of the rocky volcano against these light and fluffy clouds. In totality this mountainous volcano and these fluffy clouds display a high difference in comparison to its hosted smooth and glossy chamber

Artists hold the ability to dream up entire worlds with extreme ease; It's almost as if it happens subconsciously while longing to be recorded before fading to distant memory

Overall this Sci-Fi digital painting presents an illuminated bioscape deep within a complex technological chamber as two small subjects freeze in awe and amazement over the titanous volcanic landscape

"Other worlds."

Alyn Spiller

Five untold sorcerers march and mark their presence in the spatial composition as their combined form guides our attention to the darkest cloaked figure who guards us from the framed boundary of a highly intense redscape

In its initial introduction we note the immense degree of attention which the single source of red demands despite a major imbalance in the amount of pictorial space which its green opponent holds. This attention is reinvigorated once again by the cloaked figure whose silhouette makes its malevolent mark through a secondary-contrast of black on red.

We note the green as the foundation of the piece at hand while red, purple and black provide an accented contrast against this base color. This can be seen everywhere in the cloaked form of our five sorcerers to the same path which they walk upon. Moebius displays a masterful utilization of space and color value to emphasize the light green path in such a subtle yet highly commanding way

The World of Edena began as a routinely-commissioned advertisement for the French carmaker Citron. Over time the French concept artist Moebius fell in love with the story, revitalizing it for his own personal projective endeavours 

Edena begins with two characters placed within a seemingly untouched environment which offers a chance to relive and rediscover humanity's initial beginnings

To their extreme disappointment this world had already been ravaged by the greedy hands of technological development and its insatiable demand for resources

They flee to a region of unspoiled forestry where they engage in the foundational driving desires of sexuality and feast

A civilization which has mined these resources is plagued by a mass hysteria causing their surreally-shaped peers to be unpredictable, feverish and psychologically unstable, even to the point of suicide

Moebius continues to hold a titanous influence over the medium of Graphic Novels as his style still echo in inspiration to this very day

Overall this surreal shot from The World of Edena presents the interstellar refugees in a highly mystical scene of colored contrast which peaks to the punctual placement of a striking red reaper

"The World of Edena” / pg. 185

Moebius