Reblog and put in the tags which bands/artists you've listened to the most, lately
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn

❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me

ellievsbear

Product Placement
art blog(derogatory)
Monterey Bay Aquarium

if i look back, i am lost
NASA

⁂
𓃗
Keni
noise dept.
"I'm Dorothy Gale from Kansas"
h
official daine visual archive

roma★

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@antoine-triplett
Reblog and put in the tags which bands/artists you've listened to the most, lately

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
just saw pictures from mike flanagan carrie
okay serious fucking question, must he de-fang every female character he touches?
mike, it's actually more interesting for audiences that margaret is an abusive religious fundie (and also a victim of marital rape) who tries to literally beat the idea of sin into her daughter, it is actually TIMELY to adapt that correctly at this particular american moment. WHY is he so scared of every piece of source material that has ever been handed to him? i MUST know
you're laughing, mike flanagan wants to do gilmore girls with telekinetic rage and you're laughing
Perhaps that is why he's adapting the religious angle out? For fear of right-wing pressure?
he made a whole religious horror series that was quite popular
Anyone remember this scene from World Wharf II: The Warfening?
You can find @zazatur’s commission info here! Thank you for this beautiful piece!
BAILEY’S 3K CELEBRATION —👀 (make me choose) + yellowjackets or stranger things for @stars-bean
"I really am very grateful that your hobby seems to be figuring out how to be a perfect serial killer." "Why does everyone keep saying that to me?"
Christina Ricci & Sammi Hanratty as Misty Quigley in Yellowjackets (2021-)

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It’s okay to not want to have sex ever. It’s okay to never even try it.
I was 23 before it even occurred to me that not starting with sex ever was an option. The feeling of relief was so great I actually cried.
You don’t have to if you don’t want to. You can have a fine live without ever having sex, I promise you.
Also, it’s okay to never date anyone ever. It’s okay to never even try it if you don’t want to.
I wrote a master’s thesis on intentionally single people, and the number of them that said in various ways, “I didn’t know not dating people was even an option at first” was absolutely tragic. They honestly thought they had no choice and it never occurred to them that opting out was even a possibility available to them.
People honestly believe these are life experience you are required to have AND THEY ARE NOT.
You can just not have sex. You can just not date people. You can completely by-pass one or both of those things. Neither of those things are required to be healthy, happy, normal, mature, fulfilled, or any of the other bullshit notions that get attached to these things.
Sex positivity is about bodily agency which includes the choice to NOT/NEVER have sex, so inclusion of asexual/celibate/sex repulsed people will always be a pillar of any real discussion of sex positivity and sexual freedom.
Next up someone is going to claim that the Narnia series isn't kids books.
Kids books is probably not the best way to word it, you can enjoy them at every age, including your childhood, as you get older you may find new truths in them, but they're still good for any age.
I want you to understand this. I NEED you to understand this. My mother read me the hobbit as bedtime story, and I started pushing myself to read before pre-school so I could in fact read the hobbit for myself instead of having to wait for bedtime.
I didn't do so right away but jesus wept I PUSHED myself to learn to read SPECIFICALLY so I could read The Hobbit! It is, in fact, a children's story! And children only see page count as 'there is a lot of this fun story to read!'
Out of all the human stuff I've been able to experience in this neighborhood, nachos number one. Easy. Really? Yeah. I mean, salty, crunchy, cheesy, little bit of a kick. Name one better thing humans have created. The Sistine Chapel? Pfft. Paint on a ceiling. I mean, it's fine, but can you eat it at the movies? Touché.
THE GOOD PLACE | 4.04, "Tinker, Tailor, Demon, Spy"
Truthfully… I have never seen him laugh the way he does when he is with you.
MASALI BADUZA & VICTOR ALLI as MICHAELA & JOHN STIRLING in BRIDGERTON (2020 - )

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US
2019, dir.Jordan Peele
You are given a short-lived curse in which you have a song stuck in your head for a week. On the bright side, you get to pick the song. Which do you choose?
American Pie (Don Mclean)
Bad Romance (Lady Gaga)
Cotton Eye Joe (Rednex)
Bohemian Rhapsody (Queen)
Dancing Queen (ABBA)
Happy (Pharrell Williams)
Hot n Cold (Katy Perry)
Single Ladies (Beyonce)
Take Me Home Country Roads (John Denver)
Wannabe (Spice Girls)
We Didn’t Start The Fire (Billy Joel)
9 to 5 (Dolly Parton)
DANAI GURIRA as Michonne The Walking Dead — 4.15, Us
Abbott Elementary (2021—) Girard Creek (S04E12)
hello digital artist do you name your layers
yes i name each and every single one
only some layers get named
i do not name any of my layers
not a digital artist, just wanna know (show results)

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one man's hyperfixation is another man's blocked tag
Sometimes a beloved mutual transitions and starts frequenting places you wouldn't go yourself, yk?
when your beloved mutual suddenly joins a fandom you have no interest in