I am sorry. I have done you evil, and I cannot undo it. No. Unicorns are in the world again. No sorrow will live in me as long as that joy, save one. And I thank you for that part, too.
THE LAST UNICORN 1982・dir. Arthur Rankin Jr. & Jules Bass

★
RMH
Lint Roller? I Barely Know Her
Jules of Nature

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let's talk about Bridgerton tea, my ask is open

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I'd rather be in outer space 🛸
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will byers stan first human second
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@animationhabitue
I am sorry. I have done you evil, and I cannot undo it. No. Unicorns are in the world again. No sorrow will live in me as long as that joy, save one. And I thank you for that part, too.
THE LAST UNICORN 1982・dir. Arthur Rankin Jr. & Jules Bass

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You got the makings of greatness in you, but you got to take the helm and chart your own course. Stick to it, no matter the squalls! And when the time comes you get the chance to really test the cut of your sails, and show what you’re made of… well, I hope I’m there, catching some of the light coming off you that day.
TREASURE PLANET 2002 | dir. Ron Clements and John Musker
The Anne Shirley Opening dropped and Naoko Yamada has delivered yet another masterpiece.
Love everything about it, be it the song or the animation itself. It captures her personality so well, as well as the nature of the show. Just the way they captured her body language is perfect.
Some really strong openings this anime spring season, but this is a top contender.
I'm tearing up watching this because they've referenced the Green Gables historic site on PEI and the look of those fields and woods in summer. WOW, they care so much! And their Matthew! YES!
oh that looks wonderful!
Aww it’s her! Off you go Anne!
A friend of mine who was in PEI for business a few years ago said that apparently, according to locals he talked to, their largest AoGG tourism demographic is Japanese folks. Japan loves Anne for real. I'm not surprised there's an anime.
Japanese have loved Anne Shirley for at least the last fifty years; her most loyal fan base.
They love Anne so much they've done multiple anime! This is just the latest one, which is gorgeous.
Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.
thinking about this scene again

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Dear, sweet, Littlefoot, do you remember the way to the Great Valley? I guess so. But why do I have to know if you’re going to be with me? I’ll be with you. Even if you can’t see me. What do you mean I can’t see you? I can always see you.
The Land Before Time(1988) dir. Don Bluth
X-MEN ‘97 — To Me, My X-Men(S01E01)
They were insane to animate digivolving like this
Oh, to be a newly-sentient robot caressed tenderly by a strong, pretty butch who's concerned for you.
Who are you?
SPIDER-MAN: ACROSS THE SPIDER-VERSE

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₊˖✦ Time Trio Choreo ✦˖₊
Um.
i don't think "flex" is a strong enough word for whatever the last three minutes of my life was
That was one of the most beautiful sequences I have ever seen.
That’s because Marahute was animated by none other than Glen Keane, who storyboarded this magnificent sequence as well. He’s the legendary animator behind Ariel, Beast, Aladdin, Pocahontas, and Tarzan. Glen is famous for his extraordinary dedication to bringing his characters to life. For the Rescuers Down Under, he thoroughly studied eagle anatomy, and here are a few of his notes.
@todaysbird !!!
SINBAD: LEGEND OF THE SEVEN SEAS —2003, dir. Tim Johnson and Patrick Gilmore
Smile Bomb
Okay, how the hell. This is THE most crystal clear version of Smile Bomb I’ve listened to, and the creditless opening video is also like SHARP, like holy shit this is as if it were released TODAY type of clarity and it’s messing with me.

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TREASURE PLANET (2002)
a song from a slice of life comedy show has no right to go so damn hard