i’m sick of ppl trying to equivocate that claudia could’ve been that hateful and mad at louis without the racism. no she wouldn’t be. the entire thing is out of character for the iwtv canon, stop trying to give an inch when none of it even matters anymore. even in the books it’s clear that it’s not fully claudia and louis was shittier to her there. or accepting that he was a pimp after all even if that’s not ~all he was. no he wasn’t. we have long since traced back to the exact real life brothel owner the s1 writers transferred 1:1 to louis. missing and honoring the black writers who made iwtv also means respecting the story THEY wrote, and we don’t have to concede some bullshit about louis having been selfish or cruel or equally at fault for claudia’s abuse. it’s still victim blaming to say the seance was right that louis didn’t change bc he’s taking the abuser back. it’s victim blaming to equivocate that he and armand equally couldn’t consent to the bdsm and that louis was a bad dom even if he still didn’t need to apologize to armand. that antiblack torture scene has nothing to do w louis’ relationship with armand, it has no basis in canon at all, they just wanted the nbpoc to torture louis bc of the optics bc why the fuck would fareed even be there lol? don’t internalize this white supremacist revisionist bullshit, this show used to mean a lot to jacob for a reason, he and delainey came back for a reason, and we know they were lied to. louis was never selfish or a pimp or cruelly culpable for withholding to the powerful men who hated and battered him, that’s not softening his agency for perfect victimhood. claudia came back to see him because she loved him and loved him until her very last breath. we know what we saw
(tags via @greedydemands) this is another important point bc while folks have rightly pointed out the palpable sense of resentment and contempt the nonblack writers room seems to have for louis and claudia, it's important to think about how this show did have some black writers working on it during s1-s2 and it was an intentional choice to remove all black talent from the writers room and how white creatives often have a chip on their shoulder about their work being popular with a marginalized audience they didn't intend or feeling like their own work and ideas are being outshined by the work of black collaborators. iwtv s1-s2 was loved by black viewers and was praised largely as a black show, with louis and claudia (despite their unpopularity among nonblack viewers and in predominantly nonblack fandom) being celebrated as iconic figures in the small but beloved pantheon of black vampires in pop culture in less than 4 years. omar benson miller and jack o'connell (who knows jacob) cited and recommended iwtv on the sinners press tour and as the original post points out, iwtv s1 was clearly a visual and conceptual reference for ryan coogler when he was making sinners. (and sinners was both a box office and awards success despite the antiblackness of the industry so anyone justifying amc's efforts to distance tvl from iwtv as a purely business/financial decision is being seriously bad faith.) reddit and tumblr, and we know rolin lurks on both, might have been shoulder-deep in antiblack abuse apologia to excuse fan favorite nonblack characters, but iwtv was entering pop culture as a black show, as centering and valuing blackness. and we see now more clearly than ever that none of those aspects of the show- not the compassion and nuance for louis and claudia, not the immersive and lyrical dialogue and narration, not the thoughtful engagement with themes of race, racialized violence and domestic abuse- came from hannah or rolin. they wanted to make a "everyone is evil and nothing matters" vampiric-violence-excuses-all ironic shlockfest where any gesture toward sincerity gets undercut by a self-aware quip and where compassion is only reserved for nonblack people. and the seeds of that are there in the earlier seasons, like hannah always writing episodes that are extremely, disproportionately detailed about the brutalization of black bodies, but there was just enough care, thought and interest in the black leads to make the show seem like it was critiquing the nature of this kind of violence instead of punitively reveling in it. and that part came from the black writers (and likely also some of the nonblack women who worked on s1-s2 but were fired before s3, bc while the show has always been misogynistic, it wasn't cartoonishly misogynistic where every single woman is reduced to a one-note stereotype) and the nonblack writers and producers likely deeply resented them for it.
think of how black fans are often framed as dour killjoys who hate fun and are trying to ruin the essence of fandom itself for centering black characters and talking about antiblackness in shared online spaces, even if we do it in a kind, gentle and conciliatory way. how black fans' analysis of media will be hated or ignored but embraced if a white fan makes the same points, including in discussions of racism. how black creatives often have their work copied or emulated by nonblack creatives who'll villainize the original creator even as they play in their sandbox. the iwtv subreddit is a great example of that where nonblack fans regularly screenshot, copy and repost analysis or even just silly memes made by black fans while the racist mods consistently ban or remove the posts of any black person who wants to talk about antiblackness there or share opinions deemed too sympathetic toward the show's black leads. fandom, even allegedly liberal fandom, is like this bc it's a microcosm of how society treats blackness and black people- there's no reason to think a cable tv writers room also populated by nonblack liberals would function any differently. people talk about the obvious antiblack spite behind a lot of choices this season and expressing concern for what the bts working conditions have been like for the black leads, and we should keep talking about that, but it's also important to consider how the antiblack backlash is likely also directed toward the black writers who used to work there and the white creatives wanting not only to overwrite their work but make a pop cultural impact that's completely disconnected from blackness, to make the show "their own" instead of sharing creative air with blackness. and in doing so ironically they've made sure this season will have a longterm legacy (like sleepy hollow, like the vampire diaries, like the star wars sequel trilogy- all were critically and fannishly beloved at first and now they're synonymous with racism and creative cowardice in pop culture) that's still all about blackness, remembered for embodying the mid-2020s whitelash in usamerican culture and for not adapting the book it was supposed to adapt in their quest to do a whitecentric rewrite of everything good or depthful or compelling about s1-s2.
