Someone mentioned that all the merchandise in the GO HQ was of dead characters and I had a realization

DEAR READER
Sade Olutola

PR's Tumblrdome
Keni
Three Goblin Art
hello vonnie
Stranger Things

❣ Chile in a Photography ❣
occasionally subtle
Misplaced Lens Cap
he wasn't even looking at me and he found me
almost home
"I'm Dorothy Gale from Kansas"
d e v o n

#extradirty
we're not kids anymore.
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast

Love Begins
seen from Canada

seen from T1

seen from South Korea
seen from India
seen from Hungary

seen from Türkiye
seen from Malaysia

seen from Iraq
seen from United States

seen from United States

seen from Türkiye
seen from United States

seen from Poland
seen from United States
seen from United States

seen from Türkiye

seen from Malaysia

seen from Malaysia

seen from United States
seen from Türkiye
@ambeeuk
Someone mentioned that all the merchandise in the GO HQ was of dead characters and I had a realization

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
that raw self-examination wherein you realize that part of the reason Good Omens has so thoroughly reclaimed your soul is how desperately, how deeply, how viscerally you have needed - how for such a long, long time, you have needed - a story with a happy ending
no strings attached, no bittersweet victories, no happiness tempered by loss or uncertainty or ephemerality or complications or ‘realism’
just a story where people love each other and do, actually, get to live happily ever after
Well this didn’t age well.
basically the ending
This is really funny on dark mode
On dark mode this is like a clown trying to hide behind a light pole.
In my heart, Crowley and Aziraphale are sitting in that lovely yet slightly jaded bench in St. James's Park.
Crowley is marveling at the sight before him, a mother duck carefully guding her ducklings whom are following close behind. The mother puts herself infront of her children, but she cannot help constantly looking back at her own creations. They are flowing aimlessly in the vast body of water. One with nature. Basking in what it really means to just live.
Aziraphale on the other hand, has his eyes trained on another wonder of the world.
A young girl sits on a nearby bench, though she carries herself as if life has placed burdens upon her far heavier than her years should allow. There's another girl next to her, it's a friend, prehaps? She wraps her arms around the troubled one and holds her close, offering the comfort of her presence while the other feels whatever she needs to feel.
The wind blows softly, stirring loose strands of hair and carrying with it the distant sounds of laughter, birdsong, and the gentle lapping of water against the shore. Neither girl seems to notice. For this brief moment, the rest of the world has faded into the background.
Aziraphale sighs softly, "Extraordinary, isn't it?"
Crowley follows his gaze, his sunglasses reflecting the image of the two girls sitting together.
"Yeah," he says quietly, a softness creeping into his voice. "Funny thing is, they probably don't even realize they're doing it."
"Doing what?"
Crowley looks back toward the lake, where the mother duck nudges a wandering duckling back toward the group, "Saving each other."
The angel smiles softly at that, scotting closer to Crowley.
"Well, it's a beautiful sight to see indeed," he let's out a breath he has been holding for far too long, "but it wouldn't be as beautiful without you by my side."
Crowley sits with those words quietly. He slowly puts an arm around the angel.
"I mean, ducks are nice and all. Tiny feathery weirdos." He gestures vaguely toward the lake, "But I've seen ducks before."
Aziraphale looks at him, utterly perplexed.
"My dear, what on Earth are you talking about?"
Crowley snorts.
"I'm getting there."
"Getting where?"
"Angel."
"No, really, you've lost me."
Crowley shakes his head fondly before looking back out at the lake.
"I've seen sunsets. Meteor showers. Nebulas. Mountains. Oceans." He glances at him, "The thing that makes them worth remembering is having someone to turn to afterward."
Aziraphale's breath catches.
Crowley shrugs, as though he hasn't just said something monumental.
"And I have to say..." A small smile tugs at the corner of his mouth, "If there's one thing I could spend an eternity marveling at, it's you."
Aziraphale is stunned to silence. Not an uncomforble one, the opposite actually. The kind of silence that is at art galleries, where people gaze at something beautiful and find that words would only diminish it.
Crowley shifts slightly under the angel's gaze.
"Oh, don't do that."
"Do what?"
"Look at me like that."
Aziraphale's smile is small and impossibly fond.
"How am I looking at you?"
Crowley opens his mouth, then closes it again. Because he doesn't have a name for it.
Above them, the branches sway gently in the afternoon light. Around them, life continues in all its strange, fragile beauty.
A child happily screams somewhere in the distance, the sound carrying across the park as they race through the grass.
The girl who had been crying earlier is no longer hiding behind her hands. She sits a little straighter now, a small smile breaking through as her friend says something that sends them both into laughter. Whatever burden she had been carrying has not vanished, but for the moment, she does not carry it alone.
The ducklings continue to swim along. The breeze carries the scent of grass and warm earth.
It's all terribly ordinary, really. And yet, these were the very things Aziraphale and Crowley had spent six thousand years fighting for.
Aziraphale leans into Crowley, his face only inches away.
"I love you so," he breathes. Then, he closes the distance between them.
The kiss is soft, tender.
Crowley smiles against it, one hand coming up to cup Aziraphale's cheek. He leans in without hesitation, knowing exactly where he belongs.
The world continues to turn around them. You can hear faint noise in the background. Laughs shared. The rustling of leaves. Somewhere nearby, a dog barks, and a child answers with a delighted squeal.
Then, without warning, a raindrop lands on Crowley's nose.
He blinks.
A second follows, splashing against Aziraphale's coat.
Then a third.
The sky opens.
Within seconds, rain begins to pour over the park, sending people running for cover and prompting a chorus of surprised laughter from every direction.
The girls on the bench scramble to gather their things, one of them grabbing the other's hand as they attempt to dash toward the nearest shelter.
The ducklings, meanwhile, seem entirely unbothered by the development.
Crowley looks up at the sky.
"Really?"
The rain answers by becoming even heavier.
Beside him, Aziraphale laughs.
"Well," he says, beaming, "I suppose that's one way to cool off a warm afternoon."
Crowley stares at him.
"Angel."
"Yes?"
"We are getting soaked."
"I had noticed."
"And you're smiling."
"Of course I am."
Crowley shakes his head, utterly helpless against his own fondness.
"I think this is a sign to head back to our bookshop. Warm up with some hot cocoa before dining at the Ritz?"
Aziraphale's eyes brighten at the sound of that.
Before answering, his gaze drifts across the park.
The two girls from earlier are huddled together beneath a tree, trying and failing to shield themselves from the rain. They're laughing now, but neither seems particularly successful at staying dry.
With a subtle flick of his fingers, Aziraphale performs a small miracle.
A large umbrella suddenly appears over their heads.
The girls blink in surprise.
One looks up at the umbrella.
The other looks around in confusion.
Then, deciding not to question their good fortune, they scoot closer together beneath it and continue talking.
Aziraphale watches them for a moment, satisfied.
Only then does he turn back to Crowley.
"That sounds lovely," he says warmly. "Though I think perhaps a pot of cocoa. One mug hardly seems sufficient."
Crowley snorts.
"Naturally."
"And perhaps a few pastries?"
"Of course."
"And then the Ritz."
"Obviously."
The rain continues to fall around them, drumming softly against the lake. the water nurturing the trees around them.
Crowley rises from the bench and offers his hand, "Come on, angel."
Aziraphale takes it without hesitation.
Together, they start toward the bookshop, leaving behind the ducks, the lake, and the rain-soaked park.
Behind them, the girls sit beneath their mysterious umbrella, laughing.
Ahead of them waits a warm bookshop, hot cocoa, and a dinner neither of them will ever admit they had been planning all along.
The afternoon had been beautiful. The evening promised to be even better. And tomorrow would be just as lovely.
Ordinary days.
The sort of days that, when strung together, become a life.
As they disappeared down the rain-slicked street, hand in hand, neither Heaven nor Hell watched from above, no prophecies awaited them.
Just tomorrow. And the world. The same world they had chosen, time and time again.
A world of shifting weather, of second chances. A world where ducklings finding their way home. A world were people hold each other when life became too heavy to bear alone. A world where tears give way to laughter, where old wounds heal slowly, and where kindness survives despite everything.
.......
The Aziraphale and Crowley I know would've never given up on humanity, or on the humanity that lives within them. Crowley would fight for Aziraphale the same way Aziraphale would fight for Crowley.
The answer to a broken world is not to abandon it, but to keep caring for it. That is the Aziraphale and Crowley I fell in love with, and the ones I will always carry with me.
To me, Good Omens is about finding the courage to build out a life your heart wants, even when the people in power and systems try to decide who you get to be.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
remember how Terry Pratchett used to write little New Year's resolutions for Aziraphale?? does anyone have these?? 😭
incidentally, the notion of an ageless immortal being committing to something like New Year's resolutions so perfectly encapsulates what Good Omens is all about. what could be flimsier, more subjective, more human than accounting for who you are now--and who you might become in one trip-round-the-sun?
Good Omens is about the ephemera of being human: lignin-infested shelves and James Bond memorabilia, filigreed snuffboxes alongside stickers and potting soil and whatever pomade the barber recommended last Tuesday. it's a story that understands that all life happens in the incidentals; that stuff becomes something more for being cherished.
Crowley and Aziraphale are doggedly, determinedly materialistic. that's not a bad thing! and it's not just a part they're playing, like Gabriel in his off-the-rack suits. they're able to understand each other--to love each other--because they love the world: selfishly, joyously, materially.
glory, victory, all that jazz? they're abstracts. but love is a thing made of atoms.
this is something the S3 writers, headed by that evil man, don't acknowledge: love doesn't cave in the universe. it stores up every trifle, because those vacant wine glasses (still streaky with a long-legged red) and half-emptied teacups (tannins softened into something algal)--they're the things we share to build a life, a world, an us.
the idea of an ageless immortal being devising little nitpicky changes for himself!!! the ritual of marking time by choosing what you'll do with it!!! (and failing! and trying again! and forgetting about it all entirely until next year, when you try again!!!)
I guess what I'm trying to say is, remembering how Terry saw these characters--how he set them loose in the world--makes me so happy. it reminds me that part of why I love Good Omens is that it makes me want to be a better person--a hopeful person.
this blue marble is the best of all possible worlds for being ours. there's so much I want to do; not all of it will come to pass, and not all of it should. but isn't it wonderful, getting to try?
Endless gifs of Ilya Rozanov 18/∞
Shane chasing Ilya's lips: 🤌
Rewatched the final fifteen kiss tonight and was struck by how "I forgive you" works when you don't think about them as an angel and a demon in a cosmic plot and just think about them as two queer people who know that loving each other openly is terribly risky. I forgive you for making it impossible to pretend anymore that what we have is all we want. I forgive you for putting the real stakes on the table. I forgive you for asking me to put you in danger. I forgive you for opening a door and forcing me to shut it. It's not a brand new observation in the fandom, but it really hit me tonight.
The thing about South Downs that gets me is that it was the promise of them being retired. Good Omens started as a comedy about beings (celestial, human, and occult) who are bad at their jobs, and none more so than Aziraphale and Crowley. The two of them invent the entire Arrangement as a way to skive off work and have more time to hang out together! They mouth the party line, but neither one of them more than one-quarter believes it. They always just wanted to quit and hang out and day drink and putter around and goggle at the things humans get up to and occasionally get mixed up in them. The mistake everyone around them made was assuming that being an angel and a demon said something about their nature, but really it was just their job description. And it would have been such a fitting character arc, and perfect send-off, if the ending had gotten things to where they could have said "we are not those jobs anymore, we are just us" and gotten to spend the rest of eternity being themselves. And not working. Which they are very bad at anyway.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Do you ever think it's coming back? All that shit from the '90s? We were despised, but you read the stuff online now, it sounds just the same. Do I think it's coming back? Yeah. It's back, you fucking idiot. Right now, it's here.
TIP TOE • 1.01
thinking a lot about how over the years, that evil man (NG) has alluded to the fact that he identifies with Crowley. from the novel's description of the character's appearance (looks kind of like Lou Reed, proud of his cheekbones, etc), to his emotional state (Crowley's rush to the burning bookshop in S1 supposedly being representative of NG's desperation to save Terry Pratchett from death), even NG and Terry's wardrobe choices when Good Omens was first published (NG in black, Terry in Aziraphalean white).
to be clear, I don't think that NG (a bad man!) is Crowley, or even all that analagous to him. but his admissions, however coy, are interesting to me given what we now know: despite being revealed as a sexual predator, regardless of the fact that fans were told he'd not be involved in S3, NG fathered the "finale" with the help of his little horror pals. (notably, those very pals protest his innocence in the face of blindingly awful allegations of sexual abuse.)
the significance, for me, is that so much of the finale felt unbalanced. the push-and-pull between Aziraphale and Crowley, the playfulness and pettiness and overwhelming care, are absent. instead, we get an Aziraphale who is cold, removed, cowardly. Crowley, meanwhile, is something of a martyr: disgraced, publicly humiliated, stripped of his powers, yet somehow still the only really noble personality. it turns out, S3 tells us, Crowley wasn't just the Serpent of Eden who shepherded mankind toward knowledge. he was the best angel ever, and he's been right all along, and now he gets to decide what happens with the universe! spoiler alert: he wipes out everything, including himself and Aziraphale--his best friend.
so much here is inconsistent with the established story as to be ridiculous, and at first I attributed this purely to bad and lazy writing. but now I lean toward another reading: NG is using Crowley as proxy.
an author who's spent the last couple of years wallowing in self-pity and resentment, the back alleys of his mind, isn't interested in accountability. he chooses to broadcast how mean everyone has been to our poor hero, how patiently he's borne the scorn of lesser minds. and now, in his final act of creation, he chooses to nuke the known universe. he decides oblivion is preferable to his own abjection, and he won't go alone: he takes custody of his best friend's memory, his very name, with him.
… I think another thing that really hampers and harms the impact the GO3 ending tries to have is GO 2-3’s bad tendency to try and insert whatever paraphrased Book Omens quote had to be cut from GO1 into its dialogue… it’s kinda hard to see Crowley’s speech as this big meaningful climactic and uniquely insightful thing that totally justifies his and Aziraphale's sacrifice and sways God to change the rules of the game for the hell of it when he’s just repeating lines from the beginning of the original novel…
And mostly lines which are Crowley's inner monologue thinking about how little influence Heaven and Hell actually have on Humanity and how they already have free will!
And don’t get me started on how much it emphasizes the irony in having these four supernatural beings determine the fate of the universe and humanity with no feedback from Actual Humans and the irony in the story trying to pretend it has always been about humanity instead of underplaying this aspect of the novel in favor of the Ineffable Husbands Melodrama when Crowley starts using lines cut and stolen from Book!Adam.
lie to me

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Same Shitty Universe, Thanks for Nothing
That’s it, folks. The reason I can’t be excited about Crowley and Aziraphale’s sacrifice fueling the big bang that started a supposedly ideal, godless universe.
Because the universe I live in has always been one where evil so often triumphs, typically in the form of oppressive systems and toxic religious dogma that crushes any dissenters underfoot.
So I am forced to conclude that they gave up on their hopes, dreams, and one chance at happiness FOR NOTHING. Because either my universe is about to become confetti, or the ineffables already willingly became confetti for the Dumpster fire I’m currently living.
The adventures of Crow-ley and Aziradove! (went to a museum of zoology yesterday and all the taxidermy birbs gave me silly ideas lmao)
Part 2 - part 3 - part 4 - part 5 - part 6 - part 7 - part 8