Hyperia, Who Shakes the World

Bend Your Knees To The Brain Tease

@thelightfury290

CALL YOUR REPS!

IF THE USA REPEALS NET NEUTRAILY THE COMPANIES IN YOUR COUNTRY WILL LIKELY WANT TO FOLLOW SUIT AND SAY “IF AMERICA CAN CHARGE FOR CONTROLLING THE INTERNET, WHY SHOULDNT WE?” 

Other fun facts about prison labor corporations:

-Federal and state-run prisons usually pay their slaves minimum wage; some states, however, like Colorado, pay $2/hour.

-Private prisons pay $.17-.50/hour. The highest paying private prison is in Tennessee, which pays $.50/hour for “highly-skilled labor.”

-You think that hasn’t affected wages in the US? You think that hasn’t removed manufacturing jobs from the economy?

-Companies that contract with private prisons for their slave labor include: IBM, Boeing, Motorola, Microsoft, AT&T, Wireless, Texas Instrument, Dell, Compaq, Honeywell, Hewlett-Packard, Nortel, Lucent Technologies, 3Com, Intel, Northern Telecom, TWA, Nordstrom’s, Revlon, Macy’s, Pierre Cardin, Target Stores. Many, many products that say “Made in USA” were made in prison.

-Private prisons often have quotas with the states, wherein the states contractually guarantee that they will provide a certain number of prisoners to fill the beds of a private prison, and if they don’t then they owe the private prison millions of dollars. I’m not making this up. It happened in Colorado after they legalized weed.

-States have a financial incentive to lock up their citizens.

-All of the above corporations have a financial incentive to see citizens get locked up.

-This is why Jeff Sessions is going after weed. The prison industrial complex needs slaves.

-To the shock of absolutely no one, private prisons have even more disparate racial demographics than federal/state prisons.

-Where do you think they send undocumented immigrants who have been rounded up? That’s right, private prisons. That’s why so many of them are in the South. So they take immigrants who are earning some kind of comparable wage and paying income tax to the government, and put them in prison where the wages are absurdly depressed and the prison pays virtually nothing in taxes.

-Oh yeah: private prisons pay virtually nothing in taxes. Because they technically manage real estate (prison as housing), they get all sorts of tax breaks and subsidies.

Tl;dr the prison industrial complex removes jobs from the economy, depresses wages, cheats the tax system, and ENSLAVES PEOPLE, usually people of color.

Sources:

http://www.globalresearch.ca/the-prison-industry-in-the-united-states-big-business-or-a-new-form-of-slavery/8289

http://www.motherjones.com/mojo/2013/09/private-prisons-occupancy-quota-cca-crime

http://mfgtalkradio.com/s7-e15-manufacturing-jobs-lost-prison-slave-labor/

http://www.huffingtonpost.com/2013/09/19/private-prison-quotas_n_3953483.html?1379606057

http://www.npr.org/sections/codeswitch/2014/03/13/289000532/why-for-profit-prisons-house-more-inmates-of-color

https://www.wsws.org/en/articles/2017/02/27/immi-f27.html

Does your character have siblings or family members in their age group? Which one are they closest with?

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Has your character ever fired a gun? If so, what was their first target?

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In what situation was your character the most afraid they’ve ever been?

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How easy or difficult is it for your character to say “I love you?” Can they say it without meaning it?

To put it as concisely as possible, it’s very similar to Stardust Crusaders in some ways - it’s focused on a long journey and pretty much just hops from one member of the rogues gallery to the next, showing off cool stands and their applications.

In that way, I’ve heard it being described as very back-to-basics, considering Diamond is Unbreakable’s relaxed structure before it.

However, Vento Aureo offers a departure from Stardust Crusaders in its pacing, which seems to run at a breakneck speed in comparison, despite actually running one volume longer than SDC.It takes place over approximately a week, rather than 50 days, and it spans a singular country rather than over continents, which generally makes it feel much more compressed.Battles are also fairly fast paced, and almost always involve some sort of ‘race’ to a goal, and a fair few are on-board moving vehicles, which gives the sense of constant progression, as well as upping the stakes on a play-by-play basis.

Another standout factor is the tone of this part; especially if you’re coming fresh off of part 4, Vento Aureo is startlingly dark, dire, and introspective in comparison, dealing with some pretty heavy themes. It’s probably got the highest (on-screen) deathcount of all the parts.

Don’t take that to mean that there’s no light moments in the series, because there are plenty - just that that’s the predominant tone.

Also, one thing I appreciate which isn’t necessarily integral to pitching the part is the fact that most of the focal group in this part are already established friends, as opposed to them all being gained along the way.

It’s a pretty nice change of pace, and I think it comes through in character interactions really nicely.

In conclusion…