ajñāta.

This was forwarded to me by a former colleague who attended a course on how to publish/edit a book. You probably already know most of these tips, but there might be something you’ll find helpful, who knows…

QUESTIONS TO ASK DURING FIRST PHASE OF EDITING

GENERAL STRUCTURE OF THE BOOK (what the story is and how it is being told):

What is the book about? What is the driving force behind the narrative?

Who is the audience for this book?

Is it based on real experience?

Does the story work? Are there any parts that feel unconvincing or where the narrative drags? 

Are there any parts I don’t understand?

What is the trajectory or the shape of the story?

Does the story start in the right place?

How quickly do I become immersed in the book?

Are there any points where my immersion in the story is broken, or I lose interest?

Do I believe in what I’m reading?

How satisfying is the ending? Does it feel inevitable?

Does it feel like anything is missing?

Is there anything extraneous (characters, detail, unnecessary plot points)?

What is the narrative point of view (first person, second person, third person)? Does it change? Is it consistent? Does it work? What might be lost or gained if the story were told another way?

Is the tense consistent? If it changes, is it necessary?

Does coincidence feature as a plot device? If so, is there another way to engineer the same events?

Download all your sources or print them so you can turn off your wifi

Give your phone to someone

Just. WRITE. Writing is analysing, you’ll get more ideas as you write. It doesn’t need to be perfect, for now you can just blurt out words and ideas randomly. You can fix it later.

Create a skeleton/structure before writing.

Stop before you get exhausted. It’s best to stop writing when you still have some energy and inspiration left, this will also motivate you to get started again next time.

Make a to do list

Work in bite sizes. Even if it’s not much, as long as you put some ideas on paper or do some editing.

Simple language =/= boring language, simple language = clear language.

Own your words. If they are not your words, state this clearly in the text, not just in the footnotes.

how arcane taught me to outline — on character

inspired by @/schnee1 on youtube ; i’ve learned a lot from what he talks about in his arcane analysis video series and took inspiration from him to outline my wip, here are some of my notes on them! i’m also a film student so it might lean not so writeblry!

psa: this is my interpretation of arcane and the many helpful resources i found along the way + the things i learned from the show but i hope you find this helpful xx

i’m sure many of you have seen the award-winning hit netflix series arcane, league of legends fan or not. if you have to seen it, spoilers ahead if you keep reading and GO WATCH IT! whether or not you liked it, surely you’ll agree that its plot, characters, worldbuilding, conflict, etc, are on the next level. to say the least, i’m obsessed. so here’s a small writing help series of the many things arcane has taught me (with the help of the internet + youtube). this series is all thanks to you guys who said “yes do it” to me <3

A Quick Guide to Writing Anger

It’s the hot-blooded, ever-challenging, angry character that often steals a scene and captivates readers’ hearts. From the brooding protagonist to the volatile villain, anger introduces a heightened element of emotive dynamism. Anger is a powerful emotion that can define a character's behaviour, interactions, body language, and attitude.

How Do They Behave?

Make impulsive decisions

Have a short fuse and react explosively

Hold grudges

Be physically aggressive

Be motivated by revenge

Exhibit self-destructive tendencies

Speak at an increased volume

Speak unexpectedly fast or slow

How Do They Interact?

Have issues with authority

Struggle to follow orders or instructions

Confrontational or verbally abusive

Overuse of swear words or insults

Struggle to focus or listen to others

Dominate conversations and interrupt often

Become isolationist

Short-tempered and accusatory

Describe Their Body Language

Clenched fists and tight jaw

Rigid and defensive posture

Maintained eye contact

Pacing or fidgeting

Aggressive movements

Increased muscle tension

Point and jab when speaking

Invade others’ personal space

Describe Their Attitude

A sense of dissatisfaction and frustration

Overly sceptical and distrustful of others

Impatient and easily annoyed

Confrontational and arrogant

Feelings of powerlessness

Motivated by vengeance or justice

Hostile and irritable

Blunt, direct, and stubborn

A lack of empathy

Positive Outcomes

Be a motivator for change

Inspire others with their passion for justice

Can be a motivator for personal growth

Learn to articulate their needs and set boundaries

Develop resilience and strength by managing their anger

Increased assertiveness

Experience catharsis and emotional release

Improved problem-solving skills

Negative Outcomes

Damaging to their relationship with others

Can lead to chronic stress or health issues

Become isolated, leading to loneliness and depression

Develop a reputation for being difficult or aggressive

Can cause legal troubles or social rejection

Lower self-esteem and sense of self-worth

Become violent or cause physical harm

Exhibit impaired judgement or decision-making

Useful synonyms

Furious

Enraged

Wrathful

Incensed

Infuriated

Livid

Raging

Fuming

Irate

Outraged

Vexed

Irritated

Resentful

Indignant

Seething

Mad

Hostile

Incensed

Cross

“They felt sick.” — Vague. “They threw up.” — Sometimes, but not always.

Illness isn’t a switch you flip. Fever and nausea creep, spike, ebb, lie to you, then come back worse. They live in the body first, and that’s where your writing should live too.

Below, I've written a lil' cheat sheet for you. Reblog so you can come back later.

so, ways to get around this:

turn off AI results. they're literally nonsense to us

don't use pinterest because the sources/provenance is often hard to trace

a standard internet search can be okay, but museum collections are the top tier (list of collections below this list)

instead of broad terms like victorian, regency, tudor, renaissance etc. try using the decade you're looking for. if you're not sure of what decade it is but have a vague image in your head, look on the fashion history timeline and just jump around until you find it. but even changing to e.g. 19th century will give better results than victorian

including terms like womenswear/menswear, daywear, formal wear, evening wear, court dress should increase the value of your search too

including "fashion plates" in your search can give you a nice impression of the intended silhouettes of the era. some of these might be a little stylised but will show you what was considered in vogue

for pre-fashion plate eras or things like makeup and styling, you'll have to look at portraiture or manuscripts. these are harder to actually find what you're looking for, but searching museum collections and limiting results to specific date ranges will be your friend

when looking at art, do bear in mind sometimes artists would paint fabric extra flow-y to show off their skills. it might not have been exactly like that in terms of fabric weight or drape. so, a pinch of salt required!

if you find something on image search where the provenance is dubious, reverse image search and you might find a source! i've been able to trace random pinterest images to real sources, but this does take a lot of time and effort and is often not worth the headache

some online resources and museum collections:

fashion history timeline is an invaluable resource if you're trying to get a feel for everything and should be your first port of call. it'll also link to good examples

the met has a vast number of extant examples of clothing, as well as fashion plates

costume institute fashion plates is a subcollection of the met for fashion plates (1800s-1922)

v&a also has many extant garments, fashion plates, and incredible articles on clothing and aesthetics. read the details of the objects because they'll often reveal a lot about the piece

lacma is good for C19th-20th pieces

nypl digital collection for photographs

national portrait gallery or similar for portraiture, or literally any museum in your country that has historical art

national museums scotland can be useful situationally but might be oddly specific

stout style history is a great collection for finding image references for fat people wearing historical clothes. survival bias of a lot of museum pieces tends towards smaller clothing that couldn't be repurposed, but this aims to counter that. it's not sortable, but is still a really nice resource

wikimedia commons is surprisingly handy! and the images, if you should need to link/repost them, are public domain

auction websites sound like a funny one to recommend. some won't have mannequins and some will. just look up historical garment auctions and you'll find some!

If you want your setting to be accommodating, change the environment more than the person.

i.e.: On a worldbuilding level, if you want to portray a society that keeps disabled people in mind, then that needs to be reflected more broadly, even without your disabled character on screen. Because this means that your society was considering disabled people as part of itself when it was figuring out what's necessary.

If your computer takes voice commands, it should also have an optional keyboard in case someone can't speak.

If your magic school has multiple floors, it should have a teleporting rune circle for those that can't take the ever-changing stairs.

Whenever you have a feature you're adding, ask yourself—"If my character couldn't use this, what would they do instead?" And if the answer is "they'd have to wait until they could" or "they need someone else to use it for them," then your setting isn't accommodating. An accommodating setting always has an actionable answer to that question.

And as a bonus, if you follow through with it, oftentimes you'll end up with a more interesting world and story overall. Spells most people can speak can be written in ancient elven instead? That means you can have a character sneak a spell into a magic-banned city by writing it on their hair ribbon, and that it's possible that a book might be a self-generating spell on its own. Your spaceship has textured lines on the walls to let blind people navigate without guidance? Not only can you make it look artistic (different colored paints, glowing patterns), but now your engineer can make it to the warp core when the power's out and oxygen's finite.

Don't limit yourself just to what's needed in the moment. Figure out interesting alternatives to your setting's features, and your world will automatically feel more alive.

Cheat Code 1: How to avoid eliminating disability in your setting

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