This blog may be haunted.

SINNERS (2025) dir. Ryan Coogler

Now twelve years later I spent some time this evening trying to track down that comment to give a very belated clarification. Whoever you were stranger, hey. I only said no because I based Carlos heavily on me, and since I wasn’t autistic, Carlos wouldn’t be either. Well. I’ve learned some stuff in the intervening decade that strongly support your literary analysis.

Dangerous Animals (2025)

via filmdreams

american psycho: i live in sweden

SINNERS 2025, dir. Ryan Coogler

When a coin is inserted, the doors open to reveal morticians working on bodies laid out on embalming tables, watched over by a nodding policeman, while the mourners outside bob their heads as if sobbing.

Dangerous Animals (2025)

Oh, cowardly bastard Bear, what have you done?!

"Moon Pie Mothman" by artist Ally Burke

Dangerous Animals (2025) | Hassie Harrison as Zephyr

"I was really obsessed with this Romeo and Juliet ending, actually. We shot both; we shot this ending that you see in the movie, and we shot the ending where she ends it all. We had shot a ton of different versions of the official ending, the one that's in the script, the one that I was excited about, and I was like, Okay, we'll do one ending where Nikki survives, but we'll just do one take of it, and then we'll move on. You see her coming to this realization that she's alive again, and she's looking around the room, and she looks so disturbed, and I just remember my dad and multiple people around me being like, 'Dude, I think it's way more disturbing if she just survives this thing.' I was like, 'Ah, you're right.' And so we switched it." – Curry Barker

OBSESSION (2026) dir. curry barker