my blog which i mainly use for nin, music, fandoms, sharing random posts i like, find funny or relatable and yeah basically my brain on the internet. might go on long breaks of not using Tumblr then obsessively using it
More consistent stuff below the cut;3
Expect:
Music(especially NIN(a nin fanpage at this point))
as said, nin, depeche mode, chappell roan, Los campesinos, and whatever artists i decide to obsess over next, overall rock and metal and electronic music but also kpop sometimes(barely)
art!! (digital and traditional, possibly gcse/alevel art!!!1!11!11! Also fanarts)
games (tomb raider, TLOU, sonic, rdr2)
shows(whatever im watching really)
BUT shows im obsessed with and ull prob see:
hannibal, good omens, doctor who, stranger things, gravity falls
also movies i love bones and all(fav), fight club and interstellar
random ppl i obsess with like hugh dancy, david tennant or trent reznor(especially him)
idk shit posts and me complaining ig
in conclusion, all my interests that come and go in phases LMAO
my spotify
tt : whosrumaiq or rumaiqs.archive
i do art! heres my linktree
anyone can dm at any point they want about anything 😽 i am awkward as fuck but always open to new ppl and interactions are VERY welcome, annoy me all u want cuz its not annoying to me <333
ask me anything button is also for anything, questions, silliness, doodle requests, anything
tag me in anything u want or think i'll enjoy, especially u moots i love interacting with all of u<3
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Tonight I am thinking about how during the performance of Piggy in And All That Could Have Been, someone jumped up past the barricade and reached out to touch Trent’s hand, and instead of ignoring them, he took their hand and later in the song climbed off of the stage and sang to the crowd. And about how everyone was frantically grabbing onto him. And about that specific girl at the front of one shot who was very obviously screaming his name even though his microphone never picked it up.
i cant help but think about how trent said during the fragility tour, he’d find himself envying and even hating the crowd because they got to have fun outside of the concerts and he didn’t. so to be trent, in this moment, dozens upon dozens of hands reaching out for you, belonging to young people (mainly women, it seems) who don’t quite understand what you’re going through and maybe never really can, but they still love you anyways. and maybe they’re going through something too; maybe that’s why they’re so desperate to reach out to you, to feel you, to know you. you make yourself vulnerable, and so they make themselves vulnerable. or they make themselves vulnerable, so you make yourself truly vulnerable, too, and allow yourself to connect with them in the most literal sense. i have to wonder what he must have been thinking in that moment
important reminder that most people you follow online are significantly lamer than you think they are including me. and if you feel insecure comparing yourself to someone online: DON'T. theyre probably also lame and weird. most people on the internet are
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i really love A Warm Place. it's so significant. out of context it feels peaceful and relaxing, almost, but in context it feels wrong. you know it’s going to get worse. you know this is the last glimmer of hope. you know we’re experiencing the quiet before the brutal storm. but you just have to sit with it, feel simultaneously comforted and nauseated by it.
and I’m not even sure what it represents, exactly. it could be a lot of things. it could be a brief instance of clarity, sobering, profound, all that, following the absolute height of the narrator’s mania (“what have i done”, etc etc). it could be false hope. it could be an acceptance of the fate to come. it could be the momentary bliss of a heroin high. it could be a shred of humanity clinging to life. it could be like being in the womb. I don’t know. but it really is beautiful
i really love A Warm Place. it's so significant. out of context it feels peaceful and relaxing, almost, but in context it feels wrong. you know it’s going to get worse. you know this is the last glimmer of hope. you know we’re experiencing the quiet before the brutal storm. but you just have to sit with it, feel simultaneously comforted and nauseated by it.
and I’m not even sure what it represents, exactly. it could be a lot of things. it could be a brief instance of clarity, sobering, profound, all that, following the absolute height of the narrator’s mania (“what have i done”, etc etc). it could be false hope. it could be an acceptance of the fate to come. it could be the momentary bliss of a heroin high. it could be a shred of humanity clinging to life. it could be like being in the womb. I don’t know. but it really is beautiful
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the “pelvis” making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.
The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.
It’s also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.
I have a theory about the colors that I’m not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the two– the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk