love fanfiction? have opinions about story craft? time to tell me your thoughts!
eeeeeeeeekkkkkk hi everyone!
i have a really fun academic project coming up and i need YOUR HELP! info under the cut as it will be a long one
I am looking for volunteers to participate in my upcoming interview research project on the conception of story ‘ownership’ in fandom spaces.
The research:
I am looking for a few people to participate in semi-structured interviews for no more than 60 minutes through an online platform (tbc, might be discord or zoom). Questions will concern your views on the value of fanfiction, its relationship to canon texts, the idea of story ‘ownership’ and correlated copyright laws, and both the use and training of generative AI in relation to online digital works such as fanfiction. The interviews will be transcribed and compiled into a research essay on this contentious intersection between fanfiction, copyright, and gen-AI.
Ideal participants:
I am keen to interview people with various perspectives so as to understand any shared values which might inform our approach to gen-AI usage in fandom in future. Ideally this will be people who write fanfiction and actively participate in fandom. I am specifically focused on the Marauders and the Bards of New York fandoms, but depending on numbers I might be open to members of other fandoms as well!
If you are also a creator of original works (especially of a form of collaborative storytelling such as actual-play!), this is even better, but not required.
You must be over 16 years old to participate in this study.
Process:
If you are interested, please send me a DM on Discord (@caitlin_2048) and we can discuss this in more detail! From there, those interested will have the opportunity to review the schedule of planned questions before being asked to complete a few consent forms.
Please note: the nature of academic interview research and its correlated ethics requirements mean it is not possible for either myself or participants to preserve anonymity. However, the identities of those interviewed will be confidential. (I ask that this goes both ways, and you do not discuss my own personal details further either.)
DMing me to express interest DOES NOT mean that you have agreed to be interviewed or that you need to share identifying information.
Given this there are a few more details about the project which I will share only in DMs, because they share more about my location than I am comfortable doing on Tumblr specifically.
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I think part of getting better is complete ego death. Like you’re not above setting a timer for 5 minutes and focusing on a task. You’re not above doing a very simple 3 minute workout to start. You’re not above reading for 10 minutes a day when you first get out of your reading slump, even if you used to read for hours. You’re not above starting slow and then building up to where you want to be/where you once were. What you are above is total inertia. Doing something really is better than doing nothing. Radically accept where you are, radically accept your limits, and go from there. Don’t let your ego get in the way.
i know its pointless to debate meaningless tumblr litcrit terms but "haunting the narrative" as a concept gets thrown around all too much for my liking. you can't use haunting the narrative to describe absolutely any character who was grieved over (especially if the character functionally exists within the narrative to die i.e. the dozens of dead dance era targs)
i think to truly haunt the narrative the central thread of the story needs to be a clash of interpretations over what the characters intentions or feelings were (or at least a clash of perceptions). the first one i can think of is Suddenly, Last Summer by Tennesee Williams
in this story, cathy is a young woman who witnessed the death of her cousin sebastian last summer, and she wars with sebastian's mother violet over what exactly happened, who sebastian was, if cathy is or isnt mad. it's revealed that sebastian was queer and also kinda a predatorand also catherine was super into him, and obviously violet doesn't want this getting out. cathy and violet both mourn the versions of sebastian they each have in their heads: as a mommas boy or a sexy older cousin, while they both aim to stamp out the secret they both hold about him. but sebastian is slowly revealed to the audience in a careful peeling back of his character, in a way that his ghost physically occupies so much of the page
the other example is the titular rebecca from rebecca by daphne du maurier, who's character the audience and narrator have to uncover entirely posthumously through mr de winters or mrs danvers or whoever else. the narrator is literally haunted by rebecca, but the narrative form is too - it is deciding what her intentions are, and how this untimely death with resolve itself in the characters
its why i balk at the idea of robb stark "haunting the narrative" (no hate to robb we love robb here). first of all hes alive for 2.5 books but second we don't really uncover more about him after his death. his siblings mourn him but theres hardly a question of what his legacy/intentions/or character were like before his death that is reshaped afterwards
I actually do think it’s better for abusers and abusive characters to realize the harm their past actions caused and seek to do better than be literally or metaphorically executed for their crimes
I think it’s better for abusers and abusive characters to realize the harm their past actions caused and seek to do better than be literally or metaphorically executed for their crimes.
I think it’s better for abusers and abusive characters to realize the harm their past actions caused and seek to do better than be literally or metaphorically executed for their crimes.
I think it’s better for abusers and abusive characters to realize the harm their past actions caused and seek to do better than be literally or metaphorically executed for their crimes.
is now a good time to say that obviously orbiter in nz is my biggest hope and dream but also if noah plays anything and i mean anything from Cape Elizabeth lives will be fucking changed. my life specifically.
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you think that you're so alone in the world then you read literature from hundreds of years ago and you realize that other people have always felt this way
This is a very charming illustration and I do approve of Accidental Latin, but unfortunately, that is not what this (Fake) Accidental Latin actually says. Google Translate seems to think "temu" is identical to "timor" (infinitive, "to fear"), which would then be conjugated in first-person singular as "timeo" ("I fear"). "Temu" is not a word in Latin. So that is a very weird leap on Google Translate's part to turn gibberish into... something vaguely etymologically similar sounding? Hmm.
Next, "die" does mean "day," though nominative singular is "dies," i.e. "dies irae." It could be conjugated "die" if it was in ablative or locative case, but "die ad die" would mean something more like "day to day." "Ad" is in a "to" direction and "ab" is from, i.e. "ab urbis," and ablative case is used to indicate the movement of a thing. In short, "by" is not really a way to translate "ad"; we might want "per" here? (Through, by means of, etc.)
Not to mention, it would be weird to put one "die" at the start and another at the end The verb also usually goes at the end in Latin sentences, just for that extra bit of fun. So yes, in short, this is not actually Latin, and Google Translate is very bad at Latin in particular. Nonetheless, still charming.
Agree, @qqueenofhades, except on the matter of breaking “die ad die” apart. It’s a common structure in poetic and oratorical Latin to jam one phrase in the middle of another. I can’t think of an example exactly parallel to this construction, but I could believe a Roman poet would write it!
Ah, that is true. My Latin is of the reading-medieval-documents (particularly charters and/or chronicles) variety, where the sentence and usage structures are often more formulaic and there is less poetic license to move words around. There is obviously far less fixity for word order in Latin, since the conjugations explain how they grammatically relate to each other rather than placement in the sentence. (Coincidentally, this is why I used to say that the best feeling in the world was walking past a Latin classroom and not having to go inside it. Ahem.)
So yes: true that poetical Latin might be more at liberty to split the "die"-s up that far, though "timeo" (verb) is still more likely in most cases to go at the end, which would place them together anyway ("die ad die timeo," "day to day I fear" if translated in strict word order, which would make sense to an English speaker and sound more poetic anyway). Keep in mind, however, that my Latin is a) fairly rusty and b) mostly used for said formulaic legal document reading rather than freeform verse, so don't super-hard quote me on this.
I saw that ablative “die” and that final -u on “temu” and thought of the ablative supine (as in “mirabile dictu”) but as you observe, there isn’t a verb that “temu” could be, and then also, the ablative supine requires an adjective, as far as I know.
But perhaps “temu” is a hapax legomenon (in which case we would need the rest of the text to gloss it) or a scribal error for temeratu, from temero, “I defile or disgrace”. In that case, and in true Tumblr form, I might translate it as “daily I disgrace, in the manner of the day”, with some errors attributable to the scribe.
....oh my god. You might be a genius. Because what else does Tumblr do but daily disgrace [itself, oneself, and/or numerous others] in the manner of the day, and make numerous scribal errors.
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