Aeon Changeling

that's not great. but it's not the whole story.

a few things got worse right before the vote too. the language that explicitly protected encryption, saying the bill couldn't be used to force platforms to weaken it, got quietly stripped out on Friday. that safeguard just doesn't exist anymore.

but this isn't over. it heads to the senate next, and the senate is genuinely not on board. blumenthal and cantwell, two of the senators who wrote the original KOSA, are saying they don't want this version near a markup. blackburn, a republican and the other original author, called the missing duty of care provision a red line.

worth being clear here, blackburn isn't on our side. she wants the policy stronger, not gone. but that's still a crack we can use. her opposition means the house version has zero guaranteed path through the senate as written, and a stalled bill is a bill that isn't law yet. use her objection, don't trust her motive.

senate commerce hasn't even scheduled a markup yet. that's the next pressure point. this thing has died or gotten majorly rewritten at this stage before.

contact your senators: find yours here. tell them you don't want the house version anywhere near a vote.

and remember, if you have to, contact your senators scared. anything helps.

If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.

The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.

This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!

Happy birthday to Lyudmila Pavlichenko (born July 12, 1916), Soviet sniper in World War II, with 309 confirmed kills.