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@adelindschade

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someone once said that Irina might told young Ilya those words before and I could not help but make this little scene
The quote from 1x06 «The Cottage»
I know I said Iād stop talking about these fucking novels, but I need to no-so-nicely roast Rhysand and Feyre as a couple because somebody has to say it! And it will be me! (I need everyone to know I keep writing about these books after midnight and deranged.)
Firstly, I need everyone to know that I ADORE Feyre. For all her chaos, trauma responses, artistic spiral moments, and āgirl, what are you doingā decisions she is still my beloved confused-queen protagonist. But the storyline she got? The relationship arc she was locked into? Rhysand and Feyre is, objectively and not respectfully, one of the most boring, predictable, isolation-heavy, codependent bundles of glitter Iāve ever seen marketed as an āepic romance.ā
Insults aside, the dynamic feels less like a partnership of equals and more like Feyre being absorbed into Rhysandās pre-existing world, family, politics, moral structures, and basically everything except her own independent identity. This woman literally crosses into the Night Court and suddenly... who is she allowed to know?
No one outside his Inner Circle. His court. His family. His people. His opinions. His goals. His friends. His mansion. His trauma processing schedule.
Iām sorry, but if your relationship eliminates your entire social universe and repopulates it with your partnerās handpicked entourage, thatās not romance thatās onboarding. And donāt get me wrong. Rhysand is pretty, purple-eyed, and very emotionally literate when he feels like it. Great for him, love that. But he also manages to dim Feyre the way a bad lighting washes you out, she becomes smaller, quieter, more reactive. Less Feyre, more āFeyre, Rhysandās live-In symbol of his personal growth.ā
And listen if (hear me: IF) she has to have a romance at all because truly, Feyre thriving single in her own home, painting in a sunlit room free from everybodyās Schemes would have been a fascinating, underrated route, there were better options in plain sight.
And if Sarah J. Maas wanted Feyre to be a High Lady so desperately? Tarquin was right there, sparkling like a politically convenient tide jewel, offering her the chance to build something new instead of moving permanently into her boyfriendās pre-furnished power structure. (ALSO NO WEIRD FAE AGE GAP!) With Tarquin, Feyre wouldnāt dim. Sheād expand.
They look good on paper and in practice! Tarquin and Feyre actually complement each other. Heād respect her autonomy without drowning her in purple sparks and destiny speeches. Heās curious about her. She inspires him. He challenges her worldview without needing to dominate it. Tarquin is the one man in Prythian who talked to Feyre like she was a partner, not a project, not a symbol, not a destined cosmic puzzle piece. A partner. He sees her talent, her power, her trauma, her ambition and he doesnāt want her to fold her into his pre-existing family drama or centuries-old secrets. He asks her questions. Heās curious, open-hearted, politically intelligent without being manipulative, and genuinely interested in what she stands for. Calm meets creative, idealism meets practicality, ambition meets gentleness. He would have offered her newness. A new court, new friendships, new identity and zero pressure to become the emotional backbone of his entire entourage.
And then thereās Lucien, my personal favorite for Feyre. Their personalities donāt just complement each other, they pressure test each other. Lucien challenges Feyre in ways that actually force her to grow outward instead of inward. Thereās friction, accountability, emotional honesty, banter that doesnāt feel pre-scripted, and zero āmy entire world must revolve around your court politicsā energy.
Lucien is the exact combination of grounding energy, emotional honesty, and āI will call you out but also hold your hand through the meltdown afterwardā that Feyre desperately needed but absolutely never got. He doesnāt pedestal her. He doesnāt treat her like a prophesied ornament. He doesnāt enfold her into a ready-made social bubble. He sees her as a person, messy, imperfect, stubborn, occasionally feral, and he respects the hell out of that. Heās warm where sheās cool, sharp where sheās soft, diplomatic where sheās brash, and chaotic where sheās trying to hold it together. They balance each other in that āweāve survived trauma and we refuse to let it define usā way.
Plus? The chemistry potential is absolutely feral. Opposites attract. But only when the writing allows both sides to remain themselves. They share survivor energy, accountability, maturity, and the ability to argue without reenacting a Shakespearean tragedy. The tension? Immaculate. The potential growth arc? Delicious. The chemistry? INSANE.
At the end of the day, Feyre deserved a storyline that let her be more than the Night Courtās artistic emotional-support emissary. She deserved relationships, romantic or otherwise, that expanded her instead of shrinking her. She deserved a life of her own, not a curated friend group pre-approved by her love interest. She deserved a romance that let her breathe. She deserved a narrative that let her shine. And yes, she is still my favorite. My sweet, chaotic, self-sacrificing, savior complex, half-feral, paint-splattered queen. I just wish her character hadnāt been written into a corner labeled of āRhysandās forever soulmate.ā Because she had a real, compelling, narratively rich potential with characters like Tarquin or Lucien, who would have let her grow into something expansive rather than ornamental.
why are all the actual real human jobs like baker and florist and childcare worker barely paying livable wages but the fake jobs like ai specialist boot licker or marketing campaign dick sucker making six figures
I still think that my favorite urban legend/folklore fact is that there are certain areas in New Orleans where you cannot get a taxi late at night not because it isnāt safe, but because taxi companies have had recurring problems of picking up ghosts in those areas who are not aware that they are dead and disappearing from the cab before reaching the destination and therefore stiffing the driver on the fare causing a loss for the company.
An occupational hazard of cab driving I had not previously considered
I love that the nola problem here is not āghosts in my taxi cab,ā but āghosts are FUCKING BROKE DEAD BASTARDS & I GOT BILLSā
Horror is when ghosts get into cabs and scare drivers Magical realism is when cab companies have to develop policies to prevent ghastly fare-theft
In a book about the tsunami in Japan in 2011, the writer talked about how there was a huge increase in reports of ghostly activity. Apparently in Japan treating ghosts rudely is basically considered the stupidest thing you could possibly do. For months after the tsunami, taxi drivers would pick up a passenger only to have them give an address in one of the devastated areas. The cab driver often looked up halfway to the destination to find their fare had disappeared. Not wanting to be impolite to the person (even if they were dead) theyād drive to the address, open the door to let them out, then drive away.

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The enduring female friendships of the women of Grimm will always make me happy (that, and their casual, all the time drinking š·)
Nick: My dog dug a hole in my backyard.
Monroe: I didnāt know where else to hide the body, okay!?
I forgot just how much big sister-little brother energy Nick and Rosaliee have. And it's so fitting because Rosaliee just lost her brother and Nick never had siblings (I wouldn't be surprised if he always wanted them considering his family situation). It's just so endearing how Rosaliee is like: Fuck, this bitch, in the middle of the night, every time. Yes Nick I will help, I can't get a second of peace-
And then absolutely saves his and Monroe's ass when they inevitably get themselves in over their heads because they never do any research ever before doing anything.
This also makes Rosaliee/Monroe a pseudo "friend of my brother's" romance.
I love Clair Coffee sm.
Watching s3e18, and just after thinking about how she and Nick realistically never wouldāve ended up together,
Then she gives Rosalee the āI donāt want to be alone š„ŗā with her sad, precious eyes.
And itās like you forget the fact that sheās like. The devil from the Bible.
GRIMM MOVIE ANNOUNCEMENT IN THE YEAR OF OUR LORD 2025?!!,!,?!!? WE ARE SO BACK

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Hank: and what do we call breaking the law?
Nick and Trubel: a hobby.
Hank: ...
Nick and Trubel: that we do not engage in.
I guess you donāt need to be a Hexenbiest to be a witch. - Nick
You donāt have to be a witch to work this kind of magic. - Adalind
Because under different circumstances, i think you and i could have really had some fun. (Adalind)
ŠŃимм/Grimm (2011-2017)
The Grimm writers were so real for making a wesen whose name directly translates to ābloodbathā and then giving us the softest cardigan wearing, cello playing, vegetarian clockmaker.
Rosalee: how many times have I told you not to list me as your emergency contact?
Nick, stuck on a roof: you're not! It's Monroe... who is stuck up here with me.
Monroe: sorry

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š GRIMM REWATCH -> 2x12 season of the hexenbiest
It's amazing how Cassian and Feyre throw a pity-party for themselves, questioning whether Nesta hates them or not. Did Nesta say she hated everybody? No. Cassian told Nesta that everybody hated her.
This narrative is constantly trying to gaslight readers into thinking Nesta is the cruel one when really it's Cassian.