
#extradirty
Today's Document
YOU ARE THE REASON
Cosmic Funnies
cherry valley forever
art blog(derogatory)
TVSTRANGERTHINGS
i don't do bad sauce passes

❣ Chile in a Photography ❣

if i look back, i am lost
Not today Justin
Mike Driver

titsay
let's talk about Bridgerton tea, my ask is open

ellievsbear
Xuebing Du

Andulka

Discoholic 🪩
wallacepolsom
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@adelindschade

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someone once said that Irina might told young Ilya those words before and I could not help but make this little scene
The quote from 1x06 «The Cottage»
I know I said I’d stop talking about these fucking novels, but I need to no-so-nicely roast Rhysand and Feyre as a couple because somebody has to say it! And it will be me! (I need everyone to know I keep writing about these books after midnight and deranged.)
Firstly, I need everyone to know that I ADORE Feyre. For all her chaos, trauma responses, artistic spiral moments, and “girl, what are you doing” decisions she is still my beloved confused-queen protagonist. But the storyline she got? The relationship arc she was locked into? Rhysand and Feyre is, objectively and not respectfully, one of the most boring, predictable, isolation-heavy, codependent bundles of glitter I’ve ever seen marketed as an “epic romance.”
Insults aside, the dynamic feels less like a partnership of equals and more like Feyre being absorbed into Rhysand’s pre-existing world, family, politics, moral structures, and basically everything except her own independent identity. This woman literally crosses into the Night Court and suddenly... who is she allowed to know?
No one outside his Inner Circle. His court. His family. His people. His opinions. His goals. His friends. His mansion. His trauma processing schedule.
I’m sorry, but if your relationship eliminates your entire social universe and repopulates it with your partner’s handpicked entourage, that’s not romance that’s onboarding. And don’t get me wrong. Rhysand is pretty, purple-eyed, and very emotionally literate when he feels like it. Great for him, love that. But he also manages to dim Feyre the way a bad lighting washes you out, she becomes smaller, quieter, more reactive. Less Feyre, more “Feyre, Rhysand’s live-In symbol of his personal growth.”
And listen if (hear me: IF) she has to have a romance at all because truly, Feyre thriving single in her own home, painting in a sunlit room free from everybody’s Schemes would have been a fascinating, underrated route, there were better options in plain sight.
And if Sarah J. Maas wanted Feyre to be a High Lady so desperately? Tarquin was right there, sparkling like a politically convenient tide jewel, offering her the chance to build something new instead of moving permanently into her boyfriend’s pre-furnished power structure. (ALSO NO WEIRD FAE AGE GAP!) With Tarquin, Feyre wouldn’t dim. She’d expand.
They look good on paper and in practice! Tarquin and Feyre actually complement each other. He’d respect her autonomy without drowning her in purple sparks and destiny speeches. He’s curious about her. She inspires him. He challenges her worldview without needing to dominate it. Tarquin is the one man in Prythian who talked to Feyre like she was a partner, not a project, not a symbol, not a destined cosmic puzzle piece. A partner. He sees her talent, her power, her trauma, her ambition and he doesn’t want her to fold her into his pre-existing family drama or centuries-old secrets. He asks her questions. He’s curious, open-hearted, politically intelligent without being manipulative, and genuinely interested in what she stands for. Calm meets creative, idealism meets practicality, ambition meets gentleness. He would have offered her newness. A new court, new friendships, new identity and zero pressure to become the emotional backbone of his entire entourage.
And then there’s Lucien, my personal favorite for Feyre. Their personalities don’t just complement each other, they pressure test each other. Lucien challenges Feyre in ways that actually force her to grow outward instead of inward. There’s friction, accountability, emotional honesty, banter that doesn’t feel pre-scripted, and zero “my entire world must revolve around your court politics” energy.
Lucien is the exact combination of grounding energy, emotional honesty, and “I will call you out but also hold your hand through the meltdown afterward” that Feyre desperately needed but absolutely never got. He doesn’t pedestal her. He doesn’t treat her like a prophesied ornament. He doesn’t enfold her into a ready-made social bubble. He sees her as a person, messy, imperfect, stubborn, occasionally feral, and he respects the hell out of that. He’s warm where she’s cool, sharp where she’s soft, diplomatic where she’s brash, and chaotic where she’s trying to hold it together. They balance each other in that “we’ve survived trauma and we refuse to let it define us” way.
Plus? The chemistry potential is absolutely feral. Opposites attract. But only when the writing allows both sides to remain themselves. They share survivor energy, accountability, maturity, and the ability to argue without reenacting a Shakespearean tragedy. The tension? Immaculate. The potential growth arc? Delicious. The chemistry? INSANE.
At the end of the day, Feyre deserved a storyline that let her be more than the Night Court’s artistic emotional-support emissary. She deserved relationships, romantic or otherwise, that expanded her instead of shrinking her. She deserved a life of her own, not a curated friend group pre-approved by her love interest. She deserved a romance that let her breathe. She deserved a narrative that let her shine. And yes, she is still my favorite. My sweet, chaotic, self-sacrificing, savior complex, half-feral, paint-splattered queen. I just wish her character hadn’t been written into a corner labeled of “Rhysand’s forever soulmate.” Because she had a real, compelling, narratively rich potential with characters like Tarquin or Lucien, who would have let her grow into something expansive rather than ornamental.
why are all the actual real human jobs like baker and florist and childcare worker barely paying livable wages but the fake jobs like ai specialist boot licker or marketing campaign dick sucker making six figures
I still think that my favorite urban legend/folklore fact is that there are certain areas in New Orleans where you cannot get a taxi late at night not because it isn’t safe, but because taxi companies have had recurring problems of picking up ghosts in those areas who are not aware that they are dead and disappearing from the cab before reaching the destination and therefore stiffing the driver on the fare causing a loss for the company.
An occupational hazard of cab driving I had not previously considered
I love that the nola problem here is not “ghosts in my taxi cab,” but “ghosts are FUCKING BROKE DEAD BASTARDS & I GOT BILLS”
Horror is when ghosts get into cabs and scare drivers Magical realism is when cab companies have to develop policies to prevent ghastly fare-theft
In a book about the tsunami in Japan in 2011, the writer talked about how there was a huge increase in reports of ghostly activity. Apparently in Japan treating ghosts rudely is basically considered the stupidest thing you could possibly do. For months after the tsunami, taxi drivers would pick up a passenger only to have them give an address in one of the devastated areas. The cab driver often looked up halfway to the destination to find their fare had disappeared. Not wanting to be impolite to the person (even if they were dead) they’d drive to the address, open the door to let them out, then drive away.

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The enduring female friendships of the women of Grimm will always make me happy (that, and their casual, all the time drinking 🍷)
Nick: My dog dug a hole in my backyard.
Monroe: I didn’t know where else to hide the body, okay!?
I forgot just how much big sister-little brother energy Nick and Rosaliee have. And it's so fitting because Rosaliee just lost her brother and Nick never had siblings (I wouldn't be surprised if he always wanted them considering his family situation). It's just so endearing how Rosaliee is like: Fuck, this bitch, in the middle of the night, every time. Yes Nick I will help, I can't get a second of peace-
And then absolutely saves his and Monroe's ass when they inevitably get themselves in over their heads because they never do any research ever before doing anything.
This also makes Rosaliee/Monroe a pseudo "friend of my brother's" romance.
I love Clair Coffee sm.
Watching s3e18, and just after thinking about how she and Nick realistically never would’ve ended up together,
Then she gives Rosalee the “I don’t want to be alone 🥺” with her sad, precious eyes.
And it’s like you forget the fact that she’s like. The devil from the Bible.
GRIMM MOVIE ANNOUNCEMENT IN THE YEAR OF OUR LORD 2025?!!,!,?!!? WE ARE SO BACK

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Hank: and what do we call breaking the law?
Nick and Trubel: a hobby.
Hank: ...
Nick and Trubel: that we do not engage in.
I guess you don’t need to be a Hexenbiest to be a witch. - Nick
You don’t have to be a witch to work this kind of magic. - Adalind
Because under different circumstances, i think you and i could have really had some fun. (Adalind)
Гримм/Grimm (2011-2017)
The Grimm writers were so real for making a wesen whose name directly translates to “bloodbath” and then giving us the softest cardigan wearing, cello playing, vegetarian clockmaker.
Rosalee: how many times have I told you not to list me as your emergency contact?
Nick, stuck on a roof: you're not! It's Monroe... who is stuck up here with me.
Monroe: sorry

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📔 GRIMM REWATCH -> 2x12 season of the hexenbiest
It's amazing how Cassian and Feyre throw a pity-party for themselves, questioning whether Nesta hates them or not. Did Nesta say she hated everybody? No. Cassian told Nesta that everybody hated her.
This narrative is constantly trying to gaslight readers into thinking Nesta is the cruel one when really it's Cassian.