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@achillesappho
courting his vampire boyfriend [oc]

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Known as an "emancipated duel," it was a private event for women only. Baroness Lubinska, physician for the famous 1892 duel between Princess Pauline Metternich and Countess Anastasia Kielmannsegg suggested they duel topless to prevent infection. It was feared that if the swords pierced their clothing, fabric fibers could enter the wound and cause infection. By removing their tops, they ensured cleaner cuts and easier medical care.
I love you. I love you more than I love myself. I know it doesn’t say a lot but you’re the only thing I love this much.
@lesdemonium | @/mariokartdwi on twt | james baldwin | @starei | @plangentia | @/SyzygEle on twt | @/possumfan777 on twt| @/valawakened & @/omgsidewalks on twt
From the Daily Mirror, 1914. The curse of the moving waistline....

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Ninette de Valois, founder of the Royal Ballet, as Papillon in Carnaval, 1923
Ellen Bass, “The Thing Is”, Poetry of Presence: An Anthology of Mindfulness Poems
Song (1928) Dir. Richard Eichberg
Daughter (2026), oil on linen by Filip Mirazovic
Part 11 in my weekly poster series for 2026

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Armband with Bells, Rings, and Thimbles, One of a Pair. late 19th century. Credit line: Gift of Marshall and Marilyn R. Wolf, 2022 https://www.metmuseum.org/art/collection/search/455325
Merle Oberon in “Temptation” - 1946
Costumes by Orry-Kelly
I was working on a history paper today and found a book from 1826 that seemed promising (though dull) for my topic, on an English Catholic family’s experience moving to France.
And it ended up not really being suitable for my purposes, as it goes. But part of the book is actually devoted to Kenelm, the author’s oldest son…and man, his dad loved him.
Kenelm seems to have had a fairly typical upbringing for a young English gentleman, although he is a bit slow to read. At twelve he’s sent to board at Stoneyhurst College—often the big step towards independence in a boy’s life, as he’ll most likely only see his parents sporadically from now on, and then leave for university.
When he’s sixteen, however, his father moves the whole family to France, so Kenelm gets pulled out of school to be with them again. Shortly after the move, his dad notices that he seems depressed. Kenelm confides in him that he’s been suffering from “scruples” for the last eighteen months—most likely what we’d now call an anxiety disorder.
And his dad is pissed—at the school, because apparently Kenelm had been seeking help there and received none, despite obviously struggling with mental health issues. So his dad takes it seriously. He sets him up to be counseled by a priest—there were no therapists back then—and doesn’t send him away to be boarded again, instead teaching him at home himself.
And his mental health does improve. His dad describes him as well-liked, gentle, pious, kind and eager to please others; at twenty he’s thinking about a career in diplomacy or going into the military—which his dad thinks he is not particularly suited for, considering his favorite pastimes are drawing and reading. He’s excited about his family’s upcoming move to Italy, and he’s been busy learning Italian and teaching it to his siblings.
Henry Kenelm Beste dies of typhus at twenty years, four months, and twenty-five days. That’s how his dad records it. That’s why his dad is telling this story. It’s not an extraordinary story—Kenelm’s story struck me because he sounds so…ordinary, like so many kids today. And he was so, so loved. His dad tried hard to help him compassionately with his mental health at a time where our current knowledge and support systems didn’t exist. You can feel how badly he wanted his son to be remembered and loved, to impress how dearly beloved he was to the people who knew him in life.
I hope he’d be glad to know someone is still thinking of Kenelm over 200 years later.
Anyway, that’s why I’m crying today.
@istradion
Irving Ramsey Wiles — The Sonata. detail. 1889
MarĂa Casares, from a letter to Albert Camus, featured in Correspondance, 1944-1959

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i like when fiction treats love as a more complicated force and not something that is inherently pure or redemptive. portray it as flawed and complex as any other human impulse. give me love as prejudice, love as possessive stasis, love as addiction, love as blindness, etc.