Russian fashion model, socialite and actress.
Lady Abdy (08.08.1903 - 24.11.1992)
When Iya was still a child, her parents divorced. At the beginning of World War I, Iya and her mother were in Germany, from where they managed to move to Switzerland. After the war, Iya wanted to return to Russia, but, on her way there, in Finland (then part of the Russian Empire), she met her first husband, Dutch entrepreneur Gerrit Jongejans. There, in 1917, their son was born, the future Broadway actor George Gaines, also known for his role as Commandant Lassard in the ‘Police Academy’ franchise. The 1917 Revolution and the Civil War in Russia then followed in quick succession, so Iya didn’t return home. Very soon, she divorced her husband and, leaving the son to him, left for Western Europe.
In 1921, Iya came to Paris. She needed money - and worked as a tapper in a cinema for a while. “One day, a Russian acquaintance <…> told me: ‘You have a good shape, go to a fashion salon, you’ll probably find work,’” Iya recalled. So she went to the famous ‘Callot Soeurs’ fashion house. She was offered a job as a “mannequin” for 450 francs and breakfast. Although this occupation did not interest her much, she had no other ways to earn money.
One day, some Englishmen came to Callot’s salon and one of them wanted to get to know Iya better. He turned out to be a collector by the name of Sir Robert Henry Edward Abdy… So, Iya soon became Lady Abdy. From then on, all doors were open to the “it” lady in Paris. She got to work with Paul Poiret, the most influential fashion designer of the time, as well as the Meinbocher fashion house, couturier Edouard Moline and other famous fashion designers.
Abdy herself experimented with style, shocking the public with unconventional outfits and looks that were just as unconventional as her appearance.
Vogue published Abdy’s photographs made by Paris’s most fashionable photographer, George Hoyningen-Huene (who was also of Russian descent). “Lady Abdi, one of the beauties of foreign society in Paris, always dresses in a strictly personal style. Her taste is undeniable and uninfluenced. She can awaken inspiration in the makers of women’s toilets,” Vogue wrote about Lady Abdy.
After several years of marriage, Sir Abdy, a keen antiquarian and collector, left his wife, but Abdy retained her Lady status. Moreover, she mortgaged the expensive jewels presented to her by her husband and the income from them enabled her to live comfortably the rest of her life. By this time, she was already a famous model, leading a luxurious life, renting expensive apartments and socializing in a circle of bohemians, rich people and famous Russian emigrants. In addition, she had already tried her hand as a designer and was sketching handbags for the fashion house her mother had opened in Paris.
Once at a reception, Abdy met Coco Chanel and told her about the new idea of “bucket bags”, even showing her sketches. Chanel invited the Russian to work as a designer in her fashion house. But, to Abdy’s big surprise, she saw that Chanel had already begun to sell bucket bags based on her design, without her permission! Coco replied indifferently that she didn’t see the problem, because now Abdy was working for her. Unable to put up with Chanel’s difficult character, Iya soon stopped cooperating with her.
In 1936, Abdy made her debut as a theatrical actress. To the delight of the audience of the ‘Oedipus Rex’ performance, she wore a sumptuous suit by Chanel.
In 1937, at the peak of Stalin’s repressions, Iya came to the USSR to visit her already very sick father. “Then, I saw Moscow for the first time - a very sad sight! It was winter, everything was covered with snow and my hotel Metropol was not far from the Kremlin. There was a black crowd walking along the streets and I looked out the window and saw the Kremlin all covered in snow. I was very sad. A Hungarian journalist asked me: ‘What do you want, Moscow to show you bathrooms in workers’ hostels or in communal apartments?’” Alexander Vasiliev quoted Lady Abdy in his book. However, rumor says that there was another reason for her trip, a more romantic one. Lady Abdy is credited with an affair with Soviet writer Aleksey Nikolayevich Tolstoy. And it was she who allegedly became the prototype of the colorful character in his sci fi novel, Hyperboloid of Engineer Garin (a.k.a The Garin Death Ray), the ballerina and adventuress Zoe Montrose. However, Vasiliev writes that we can only wonder who really accompanied the fashionista on her trip back home and, more importantly, why she was released from the Soviet Union back to France.
A new adventure awaited Lady Abdy in Paris. Because of her close contacts with an Italian from Mussolini’s government, she was suspected of spying for Italy and was expelled from the country. After her marriage to Sir Abdy, she was a citizen of the UK - so she had to move there. During World War II, she was called to serve as an interpreter. Fluent in Russian, French and German, she not only translated military negotiations, but also negotiated the return home of Soviet prisoners of war.
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