✮˚⊹ whatever floats by ✧ ⋆.˚ @aboxofsky - Tumblr Blog

VHS night :~)

#the piano 1993 #whooo that film is strange #and powerful #vhs

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overdose-art

A SILK HERALDIC RUG, POSSIBLY KASHAN, CENTRAL PERSIA, EARLY 20TH CENTURY

caribbeanangel

Susan Meiselas.

lilium--bosniacum

children’s dreams / al-yarmouk, palestinian refugee camp in damascus, syria

little palestine; diary of a siege (2021) dir. abdallah al khatib

#scrapbook #cool breeze #fresh laundry #and a new chair i got for free :-)

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achillesinhighheels

academic-vampire

misscromwellsmonocle

The Lazy Italian Girl (1757) by Jean Baptiste Greuze

quendergeer

god, you take a five minute break and some asshole paints a picture

trans-lykanthropie

I bet Jean Baptiste wasn't helping with the washing up or doing the laundry

teaboot

Teen girls feeling the same for 269 years

indomie-fried-noodle

miamaimania

Beijing ~ China (1993) by Gueorgui Pinkhassov — Street scene with daily life activities and reflections

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hungwy

comfy bed. take me home. to the place. where i belong. pillow blanky. sleeping soundly. take me home. comfy bed

neueclear-deactivated20260325

“Out of Body” Artwork by Wani Souma

mybeingthere

Mantle, Peruvian, Paracas-Nasca, South CoastEarly, Intermediate Period, Phase 1AD 1-100, Peru, South Coast.

Design: rows of shaman figures with heads thrown back, worked solidly with wool.

Camelid fiber plain weave embroidered with camelid fiber in stem-stitch, 142 x 241 cm (55 7/8 x 94 7/8 in.)

https://collections.mfa.org/objects/36603

batbetbitbotbut

This textile is TWO THOUSAND YEARS OLD.

It looks like it could have been made last year. It is SO bright and whole. I am staggered.

newloverofbeauty

Louis Fratino: Yellow sleeper. (2019)

richardstabbert

Keith Haring's story is usually told as a solo rise, but that version leaves out Angel "LA II" Ortiz, a Puerto Rican artist from the Lower East Side who collaborated with Haring from the very beginning. Angel was a teenager when they met, already active in the neighborhood's graffiti culture. He taught Keith how tagging worked on the street, painted alongside him, and guided him through spaces Keith did not come from. Angel's tags, infill, and visual language appear across works that later became associated with Keith Haring's public legacy.

After Keith Haring's death, the story changed. Museums mounted exhibitions, publishers released books, and merchandise entered the market under a single name.

In that process, Angel Ortiz was framed as hired labor instead of a collaborator, even though his work remains visible on paintings, sculptures, and objects shown in major institutions today. Angel has said openly that race played a role in his erasure, and photographer Clayton Patterson has explained how institutions chose a simpler version of the story that centered one white artist and removed a Puerto Rican collaborator. Angel Ortiz is still working as an artist today, and the time has come for the art world to give him clear credit for the work he helped create…yuliaxgon

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