âHöðr and Baldrâ And two sides of the same story.
There are two widely divergent versions of this story.
Prose Edda by Snorri Sturluson
The most familiar of the two comes from the Prose Edda of the medieval Icelandic  Snorri Sturluson. As Snorri says, the god Baldr, who here is presented as a charming, loved and innocent sufferer, had dreams that predicted his imminent death.
His mother, Frigg, turned around and got oaths from around the world that they would not harm her son. The only thing he omitted was the mistletoe, since he thought it was too small and harmless to have a real consequence in this matter. When the clever cheater Loki discovered this neglect, he made a spear of mistletoe.
While all the gods had fun throwing all the projectiles available to Baldr and laughing while things bounced on their uninjured companion, Loki approached Hodr, here portrayed as blind and quite gullible, with the spear of mistletoe. He convinced Hodr to throw the spear to Baldr to contribute to the game and honor the strength of his brother. (Hodr and Baldr were children of Odin.) With Loki guiding his hand, Hodr threw the spear towards Baldr. The weapon went through him and, to the surprise and horror of everyone present, he fell dead on the spot.
Later, Hodr was killed by the avenger of Baldr, Vali, who seems to have been conceived specifically for this purpose and whose origin is also controversial (Iâll talk about this in another post)
âGesta Danorumâ"The Danish history" by the medieval Danish historian Saxo Grammaticus.
Here, Hodr is far from the passive pawn that Snorri makes him see. Hodr de Saxo (latinized as âHotherusâ) is a character whose personality and actions best match his name, means âwarriorâ.
Hodr and Baldr were two great war leaders who organized their armies against each other because of a dispute over the hand of the beautiful maid Nanna. Baldr was nourishing himself with a special spiritual food that gives him invincibility, and Hodr knew he could not beat Baldr by normal means. Then Hodr undertook a long and dangerous journey to the underworld.
There, he obtained a weapon that had been charged with magical powers that would allow him to overcome the magical force induced by Baldr. (It is likely that at this point Loki was able to inform Hodr about how to kill Baldr, because he was angry about Odinâs actions, but this does not make him Baldrâs killer) Soon after, Hodr wounded Baldr in combat, and Baldr died of his wounds a few days later. However, Hodr was killed by the avenger of Baldr, who is called âBousâ.
These two stories are similar enough that they should point to the same basic story. However, they also differ in several definitive aspects, one of which is the character of Hodr.
In the first, Loki is the evil one who has the express intention of murdering a poor defenseless child (Bladr was not such a child and if we read in the same Edda when the gods torture and mock Fenrir Wolf, Baldr laughs cruelly for see him). Fenrir suffers) In the second Loki is not mentioned, not because he was not present in the story but because he was not the real murderer of Baldr.
Imagine for a moment that the version of Snorriâs story was the only one that survived to this day. This is, in fact, the case of many of the stories told by Snorri. His version of Baldrâs death is clearly far from the complete picture, and his story can not be taken literally.
Of course, the same must be said of Saxoâs version. Saxo and Snorri had superimposed but divergent objectives, and whatever their own additions to the story, and whatever the motives behind their additions, they might have been drawn from different versions of the story in the first place.
 Regardless of the reasons behind the differences between the two narrations, however, it is clear that we have two versions as different in spirit as in the details, and that none of them gives anything like the complete picture.
 This example should serve to prevent us from taking the primary sources too literally, as if they were outright stories of how the pagans of northern Europe saw the world, or how they heard stories told by someone who was clearly on one side in this story . They point to the old world view of northern Europe, yes, but that worldview is often visible only in an opaque way and hidden beneath layers of later creations.
The sources are the starting points for our knowledge of the pre-Christian Germanic world, but they are not the final points. A âstick to sourcesâ approach will only lead us astray and allow us to be tricked by Snorri and others, just as Hodr de Snorri was too confident by Loki. To fill in the gaps, to restore much of what has been lost, we need an approach that is both more critical and intuitive at the same time. We must identify the elements that are common to multiple sources, unite them to form a more integral framework.
Here are the two versions, you decide which of them you want to believe.
Sources:Â https://mitologia.top/dioses-nordicos-y-criaturas/dioses-y-diosas-del-aesir/hodr/
https://www.bookdepository.com/Saxo-Grammaticus-I-History-Danes-I-Books-I-IX-Saxo-Grammaticus/9780859915021
https://www.britannica.com/biography/Saxo-Grammaticus