Lacy

It's this piece, titled The Banality of the Banality of Evil. Because on first glance, you're like. Yeah, okay, it's obvious what it's saying. Even nazis, even evil people can appreciate beauty, too. But then you learn its name, and suddenly the interpretation shifts a bit. The idea that evil is banal has in itself become banal. my first response to seeing a nazi on a bench is "oh it's about the banality of evil" and not "jesus christ there's a nazi on the bench."

what I find really interesting is how the way this is drawn (especially considering who drew it) the art style seems extremely deliberate. This type of nostalgic landscape painting is very reminiscent of nazi art and specifically, Hitler's art.

Nazis were extremely judgmental of "entartete Kunst" (degenerate art). Bansky's usual work very well fall into this category! So for him to go for this style of painting in particular is another choice I find very interesting, because I can see some people react to this painting with some variation of "oh, I didn't know he could actually draw! I thought he is a hack but he is a real artist!" - and that is where they would agree with the Nazis.

African American Studies

An Appeal in Favor of That Class of Americans Called Africans, Revised and Updated Edition

Disrupting Colonial Pedagogies: Theories and Transgressions

J. A. Rogers: Selected Writings

The Race for America: Black Internationalism in the Age of Manifest Destiny

African Studies

Ethnicity, Identity, and Conceptualizing Community in Indian Ocean East Africa

Lagos Never Spoils: Nollywood and Nigerian City Life

American Indian Studies

Book Anatomy: Body Politics and the Materiality of Indigenous Book History

The Urgency of Indigenous Values

Anthropology

Graceful Resistance: How Capoeiristas Use Their Art for Activism and Community Engagement

Lacandón Maya in the Twenty-First Century: Indigenous Knowledge and Conservation in Mexico's Tropical Rainforest

Maya-British Conflict at the Edge of the Yucatecan Caste War

Neobugarrón: Heteroflexibility, Neoliberalism, and Latin/o American Sexual Practice

Our Hidden Landscapes: Indigenous Stone Ceremonial Sites in Eastern North America

Power and Place: Preservation, Progress, and the Culture War over Land

Voices of Indigenuity

Archaeology

Living Ceramics, Storied Ground: A History of African American Archaeology

New Deal Archaeology in the West

The Cretan Collection in the University of Pennsylvania Museum, volume III: Metal Objects from Gournia

Violence and Inequality: An Archaeological History

Architecture

Waterhouses: Landscapes, Housing, and the Making of Modern Lagos

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Hong Kong Public and Squatter Housing: Geopolitics and Informality, 1963–1985

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Covid and…: How to Do Rhetoric in a Pandemic

Hillary Clinton's Career in Speeches: The Promises and Perils of Women's Rhetorical Adaptivity

Influential Machines: The Rhetoric of Computational Performance

Migrant World Making

Nuclear Decolonization: Indigenous Resistance to High-Level Nuclear Waste Siting

Serial Mexico: Storytelling across Media, from Nationhood to Now

Stories of Our Living Ephemera: Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907

Unsettling Archival Research: Engaging Critical, Communal, and Digital Archives

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Cultural History of British Alternative Cabaret (1979-1991)

Middlebrow 2.0 and the Digital Affect: Online Reading Communities of the New Nigerian Novel

Reconstructive Memory Work: Trauma, Witnessing and the Imagination in Writing by Female Descendants of Harkis

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Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

Surgery and Salvation: The Roots of Reproductive Injustice in Mexico, 1770–1940

Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848-1918

History

Captivity's Collections: Natural History and the British Transatlantic Slave Trade

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Abraham Lincoln and the Bible: A Complete Compendium

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Ethical Crossroads in Literary Modernism

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Genre Networks and Empire: Rhetoric in Early Imperial China

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Understanding Agatha Christie

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Outcasting Armenians: Tanzimat of the Provinces

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Fantasies of Music in Nostalgic Medievalism

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Remaking the World: Decolonization and the Cold War

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Sonic Strategies: Performing Mexico's War on Drugs, Mourning, and Feminicide

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Phenomenology in an African Context: Contributions and Challenges

Violence and the Mimetic Unconscious: Vol. 2 The Affective Hypothesis

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Beyond Othering: A Gandhian Approach to Conflict Resolution in India and Pakistan

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Central American Migrations in the Twenty-First Century

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Ferenczi Dialogues: On Trauma and Catastrophe

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The Souls of Jewish Folk: W. E. B. Du Bois, Anti-Semitism, and the Color Line

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Transnational Families in Africa: Migrants and the role of Information Communication Technologies

Urban Studies

That said... anyone who's worked in any book-related business quickly learns that books getting recycled or destroyed is a necessary part of life. Physical books take up space, and more stock is needed all the time.

Ever wondered, "Why can't I just donate old books to the library?" Because library editions are made to take a beating, and regular editions aren't. No, not even your hardcovers.

Every so often you see someone posting a photograph of books in a public library's dumpster, and people will have the vapours about how OH MY GOODNESS THEY'RE THROWING OUT SHAKESPEARE! Hamlet is not going out of print in the foreseeable future, FFS. Nobody needs that water-stained copy with annotations from the 1970s. Don't do this.

I should probably also mention that any book that's had EVEN BRIEF CONTACT with book mold needs to be discarded. Oh, you put one musty-smelling, black-speckled book from your flooded basement in with your box of perfectly clean ones? Sorry, that entire box needs to be trashed now. It's not like the clerk at the thrift shop or used book store can clean each page with bleach or vinegar, ok?

Spoilers under the cut:

I was trying to track down a non-soundcloud version of Chords of Humanity, the song he wrote that when he was 17 was used by Doctors Without Borders, and instead found that it was used in a Fallout New Vegas mod that he may also have made at 17?

which is a sequel to another mod that's also credited to a Dylan Hollis, which I'm not necessarily assuming is him. Could have been a different Dylan Hollis who happened to have found the song by searching his name--oh, wait, there's a video of game play (with the song as background), and there's a tiny bit of voice acting...yeah, that's him.