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@zilabee

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I can’t get over how gorgeous your art is. It displays so much emotion and takes me straight to the scene of the fix you’re inspired by! Have you read anything by Tikk? If not I highly recommend everything they’ve written! Would you consider a John/Paul drawing from one of their fics? I’m not even picky on which one, you can’t go wrong! Thanks for considering!
(´▽`ʃ♡ƪ) thank you for your kind words!! i love tikk stories! φ(≧ω≦*)♪ i reread them a lot, and i think ways to love you the most! thanks for the request! o(>ω<)o
The long and winding road That leads to your door Will never disappear
If you even care
My cuties
I went to see EPiC and while I know that Vegas on some levels is not the best place for recuperation, I couldn't help but think... you know how the a-team book Murdock into the VA when they're not on a mission and he gets to decompress, with a bit of mental health care and three square meals a day, and then they break him out when he rings? I couldn't help but think that if Brian had been around during Get Back, he might have just checked Paul in at Vegas between albums, given him a gigantic band that knew the entire back catalogue of rock and roll, two shows a day, and a kindly older housekeeper to mother him a bit. The others could sleep and take drugs and pander to their depressive tendencies, and nurse their cool, but Paul could stock up on adulation, and let all his noise out, and then when he was sick of it, he could call them up and they'd break him out and bathe him in NATURE and take him into quiet darkened rooms to make albums. He'd have been so much happier, and so would Ringo actually, who would IMMEDIATELY go with him, because of jealousy, and John and George acted like playing shows to people that love them was some terrible end that must be avoided at all costs, when actually it's literally lifeblood to a Beatle. They're so riddled with audience*.
*the best thing MLH ever said about Beatles.

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This is so funny because first of all yes it does look like your writing and second of all I know that because I’ve seen your handwriting on some the nefarious postcards you’ve sent to your staff because you specifically have a history of sending ambiguously bitchy mail. Which is what this is.
Everyone saying he didn’t know what Palm Sunday is first of all he literally loves lying (confirmed) and second of all I would argue that out of everyone in that photo the one most likely to have ever heard of Palm Sunday is the guy with the Irish Catholic mother who was baptised in the Catholic Church and brought up Catholic for most of his childhood
»ageless children, sexes indistinguishable, tight-trousered, stamping about, only the smell of sweat intimating animality. Long-haired; weird feminine faces; bashing their instruments, and emitting nerveless sounds into microphones. In conversation rather touching in a way, their faces like Renaissance carvings of saints or Blessed Virgins.«
Malcolm Muggeridge about his first encounter with The Beatles at the Top Ten Club in Hamburg, 1961
(From One Two Three Four by Craig Brown)
There was, however, one serious doubter from the earliest beginnings in Wigmore Street: George. I met him in the reception area on his return from Rishikesh; we couldn’t talk in my office because it was already full of artefacts and people. Watched by the first of a number of beautiful receptionists, George and I talked quietly about the increasing number of poets, preachers, pirates, mendicants, sculptors, teen-agers, oldagers, middle-management schweinhunde, fixers, entrepreneurs, money-men, carpet-baggers, disc jockeys, transsexuals, travel agents, idlers, sidlers, time-and-motion men, models, molesters, inventors of gadgets and stories, singers, song-writers, serpents, Wasps, Jews, Catholics and Hare Krishnas slithering through the keyholes, along the window-sills, into our desks, our pockets and the canyons of our silk-lined minds. George said, in the simplest of statements: ‘I hate it.’ Enormously discouraged, indeed crushed, I rejoined with a feeble: ‘Oh, dear. I hoped you wouldn't notice.’ ‘Notice?’ he said. ‘It’s everywhere. Is all this ours?’ and he pointed at the hurrying, scurrying feet, retreating backs, watching eyes, out-stretched hands. ‘Yours and theirs and ours,’ I said, spreading the load of responsibility. What made it worse, for George, was that many of the people who were at the gates appeared to be ‘George People’: individuals with a religious or Indian hook to their needs or offerings (for many who came to Apple came to give rather than to receive). He said in I Me Mine: ‘I knew at the beginning in Wigmore Street, before Savile Row and all that madness, I knew after coming back from the Maharishi’s... that though we had all been plugging into the peace, things were splitting and racing off down a blind back alley. Again, other people’s trips. If everyone had “got it” in Rishikesh, they would have been meditating more and not getting into so many of the distractions. Or, if we had to get involved more with outside matters, meditation would have helped handle it. Then Apple might have turned into all the things it could and should have been. Instead, we all went crazy.’ Although Paul was the first to become disillusioned, John left in the mood of ‘OK, well, we tried, we surrendered to God but it wasn’t God, it was Maharishi and this God thing is proving itself to be a total fallacy’ - and then went back to being The Beatles. I left Rishikesh with John. Alex had been the naughty boy who’d stirred everything up. John was in a rage because God had forsaken him (although it was nothing to do with God, really). Then he went and completely reversed himself. He turned from being positive to being totally negative. I went to South India and got dysentery and everything that happened to me went wrong to the point that I felt, like John and Alex, that the Maharishi had put the heeby-jeebies on me. Then in South India they brought a priest from the mountains to me; he set fire to all the coconuts, did this big puja thing on me, gave me mantras to say, things to drink and ointments to rub on, so that by the time I got back to England I was no longer in the same frame of mind as John. But everyone else had been back far ahead of me and had already set up Apple and had it rolling. It was the depression which John experienced that helped cause the snowballing invitations of all come round, jugglers, muddlers, acrobats, Tarot cards, etc., which turned into the horror show of all time. So although I got over my depression in South India, the feeling that I had originally (which got me there in the first place) soon returned and I became very depressed after seeing that everything was all screwed up at Apple.
Fifty Years Adrift, Derek Taylor (1984) - with italicised commentary written by George Harrison
John was in a rage because God had forsaken him (although it was nothing to do with God, really).
this is literally what happened in India, they tell you what happened in india all the time and still every anon wants to know what happened in india. Is this george writing? Who forsook him George? Who left india and made John feel abandoned and without soul???
“There was actually [a dream] a couple of years ago where John… There was a song that I was listening to John do in the dream, and when I woke up, I thought, ‘I don’t know that song.’ It was like it was a new song, and I was going to write it with John. I did vaguely remember it and tried to put down a little demo of it, but it didn’t really click. But I still have a little demo.”
— Paul McCartney, Interview for TV Guide, May 5th, 2001
On the flight home from New York [after the Apple promotion trip], someone handed me some caviare and as I was eating it I wrote a note to Paul: ‘The last time I ate this I collapsed and had to be taken to...’ and just then my hand stopped writing and my eyes closed and in a blur of a thousand shooting stars I collapsed. Much later I found myself lying in the aircraft lounge with an oxygen mask over my face and feeling very ill. Paul - the least sympathetic of men to others’ pain, he would say - was sitting at my side; he stayed with me throughout the flight, talking quietly, reassuring me that I wasn’t going to die, which was the last thing I wanted to hear. I wanted very much to die, quickly. I have never eaten caviare since and I have never forgotten that Paul was there when needed. Let it not be said that he didn’t care, because sometimes he did; very much. We had been accompanied to the airport by a young woman I hadn’t met before, friendly, cheerful, high-breasted and extremely attractive. ‘Hello,’ she’d said, with a penetrating and slightly amused gaze. ‘I know who you are.’ Good. Linda? ‘Linda Eastman. How do you do?’ She’d sat with us in the VIP lounge, settling in to the clique as if to the Fabness born, as indeed she was. The times they were a’changing.
Fifty Years Adrift, Derek Taylor (1984)

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actually I also would never expand any observation about people being gay no matter what information I had from when they told me they were gay at hot yoga
Are we assuming the biopics will show a different part of the story each just because that is the least interesting possible way to make the films and we expect nothing ????
these two photos mean nothing to me and i could care less than whatever photos paul mccartney was taking in 1964. like i literally dont care at all. the visual parallels have no effect on me whatsoever. who even are these people? whatever.
The Beatles in Paris, France | 22 January 1964 © Jean-Marie Périer
it sounds like they're both drunk the way they're singing over each other and cutting each other off and yet :((((((((((( <3

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I am completely fascinated by this abandoned home some urban explorers came across in Belgium. It’s covered in moss, which only adds to its charm, but look at the Plexiglas sunroom.
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