Zafinabug

Real Neko Atsume Cats 

“Eat the rich” means 1%ers and billionaires

middle class is closer to poverty than being a multimillionaire

“The rich” does NOT include children of billionaires (come on we’re at least slightly better than the plagues of Egypt)

Upper middle class children SHOULD NOT feel guilt over having money

Being aware of privilege and using your privilege to help others IS NOT a guilt trip

Constantly feeling guilty helps no one

Billionaires, however, should feel guilty over hoarding wealth.

Upper middle class is NOT rich

Black Lives Matter

223,000 dollars is what Jeff Bezo makes in a minute

The Deep  (2019)

The water-breathing descendants of African slave women tossed overboard have built their own underwater society—and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award–nominated song “The Deep” from Daveed Diggs’s rap group clipping

Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.

Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.

Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.

by Rivers Solomon (Author), Daveed Diggs (Author), William Hutson (Author), Jonathan Snipes (Author)

Get it  now here

Rivers Solomon is the author of An Unkindness of Ghosts, and was a finalist for the John W. Campbell Award finalist for Best New Writer. They graduated from Stanford University with a degree in comparative studies in race and ethnicity and hold an MFA in fiction writing from the Michener Center for Writers. Though originally from the United States, they currently live in Cambridge, England, with their family. Find them on Twitter @CyborgYndroid.

Daveed Diggs is an actor, singer, producer, writer, and rapper. He is the vocalist of the experimental hip hop group Clipping. Diggs originated the role of Marquis de Lafayette/Thomas Jefferson in the 2015 musical Hamilton by Lin-Manuel Miranda which he won a Grammy and Tony for. He also cowrote, produced, and stars in the film Blindspotting. Find him on Twitter @DaveedDiggs.

William Hutson is a composer, known for Room 237 (2012), The Mayor (2017), and Ten Minutes Is Two Hours (2013). He is part of the rap group Clipping. Find him on Twitter @Clppng.

Jonathan Snipes is a composer and sound designer for film and theater living in Los Angeles. He occasionally teaches sound design in the theater department at UCLA, and is a member of the rap group Clipping. Find him at Jonat8han.com.

Hide and seek 2019.

Even the fact that teens use all kinds of social networks at higher rates than twenty-somethings doesn’t necessarily mean that they prefer to hang out online. Studies consistently show that most teens would rather hang out with their friends in person. The reasons are telling: teens prefer offline interaction because it’s “more fun” and you “can understand what people mean better.” But suburban isolation, the hostility of malls and other public places to groups of loitering teenagers, and schedules packed with extracurriculars make these in-person hangouts difficult, so instead teens turn to whatever social site or app contains their friends (and not their parents). As danah boyd puts it, “Most teens aren’t addicted to social media; if anything, they’re addicted to each other.”

Just like the teens who whiled away hours in mall food courts or on landline telephones became adults who spent entirely reasonable amounts of time in malls and on phone calls, the amount of time that current teens spend on social media or their phones is not necessarily a harbinger of what they or we are all going to be doing in a decade. After all, adults have much better social options. They can go out, sans curfew, to bars, pubs, concerts, restaurants, clubs, and parties, or choose to stay in with friends, roommates, or romantic partners. Why, adults can even invite people over without parental permission and keep the bedroom door closed! (page 102-103) 

The source I’d really recommend for lots more on this topic is It’s Complicated: The Social Lives of Networked Teens by danah boyd, a highly readable ethnography spanning a decade of observation of how teens use social media. Here are a couple relevant excerpts: 

I often heard parents complain that their children preferred computers to “real” people. Meanwhile, the teens I met repeatedly indicated that they would much rather get together with friends in person. A gap in perspective exists because teens and parents have different ideas of what sociality should look like. Whereas parents often highlighted the classroom, after-school activities, and prearranged in-home visits as opportunities for teens to gather with friends, teens were more interested in informal gatherings with broader groups of peers, free from adult surveillance. Many parents felt as though teens had plenty of social opportunities whereas the teens I met felt the opposite.

Today’s teenagers have less freedom to wander than any previous generation. Many middle-class teenagers once grew up with the option to “do whatever you please, but be home by dark.” While race, socioeconomic class, and urban and suburban localities shaped particular dynamics of childhood, walking or bicycling to school was ordinary, and gathering with friends in public or commercial places—parks, malls, diners, parking lots, and so on—was commonplace. Until fears about “latchkey kids” emerged in the 1980s, it was normal for children, tweens, and teenagers to be alone. It was also common for youth in their preteen and early teenage years to take care of younger siblings and to earn their own money through paper routes, babysitting, and odd jobs before they could find work in more formal settings. Sneaking out of the house at night was not sanctioned, but it wasn’t rare either. (page 85-86)

From wealthy suburbs to small towns, teenagers reported that parental fear, lack of transportation options, and heavily structured lives restricted their ability to meet and hang out with their friends face to face. Even in urban environments, where public transportation presumably affords more freedom, teens talked about how their parents often forbade them from riding subways and buses out of fear. At home, teens grappled with lurking parents. The formal activities teens described were often so highly structured that they allowed little room for casual sociality. And even when parents gave teens some freedom, they found that their friends’ mobility was stifled by their parents. While parental restrictions and pressures are often well intended, they obliterate unstructured time and unintentionally position teen sociality as abnormal. This prompts teens to desperately—and, in some cases, sneakily—seek it out. As a result, many teens turn to what they see as the least common denominator: asynchronous social media, texting, and other mediated interactions. (page 90)