Open IbisPaint go to a canvas (any canvas, or make. a new one)

Select the font tool (if you don’t know what or where that is, press the tool icon (normally a paint brush or eraser) and press the T button

From there you should be able to create a text box (writing is not important…). Find the font button and add a new font. I can’t remember what it’s called but you’ll know when you see it

It’ll automatically search for you “free fonts.” Do not follow this. Your app is misdirecting you. Instead search up whatever it is you’re looking for in the search bar, and that should work

It's not the golden ratio if you have to crop the composition to make it fit.

Rule of thirds and the golden ratio are compositional training wheels that are barely ever used in professional work. If a shot happens to line up that way, it is usually a coincidence. Sometimes, if I am improvising a composition, I may use the rule of thirds grid as a starting point. Or if I don't have time to think deeply about my composition, I may use it as a safety net.

Things that are often considered when designing a shot... background, midground, foreground. Symmetry or asymmetry. Primary and secondary subjects. Visual weight and balance. Visual anchors. Subject separation via depth of field, background/foreground exposure ratio, contrast, or color palette. And most importantly... storytelling.

Let's think through the composition of this shot.

I prefer to think back to front. What do I want the viewer to see?

Background is the sky. Midground is the town. Foreground is Michael B Jordan.

They chose a symmetrical composition. Symmetry is a powerful and dramatic visual anchor. If you would rather the viewer chew on the environment and absorb the entire frame, you may frame the subject off-center.

The primary subject is his face and the secondary subject is the gun. You can tell this because the gun is out of focus. They want you to visually anchor your attention to his expression. The angle of the gun even has a leading line that goes straight to his eyes.

Subject separation is mostly done with an exposure ratio. He is dark against a bright white sky. There is some background blur as well.

The camera is slightly below his eyeline so it is looking up at him. This gives him a sense of power and control. He is dangerous and imposing. They are using a strong central framing with a low perspective as storytelling tools.

At no point did the director or DP say, "Let's make sure his eyeball lines up with a golden spiral."