Writing advice I donât agree with
DISCLAIMER: This is my opinion
1. Passive voice is always bad
There are so many tests/checkers for identifying passive voice in your writing and it has become a rule to change every instance of its occurrence.
Yes, I get that it isnât as exciting and makes your plot/characters seem passive rather than active. Maybe it doesnât make for great prose.
But it does have its place.
I think that one/two/five passive voice sentences in a book are fine. Will you really get burned at the stake if you have the sentence âHer heart had been brokenâ in your manuscript?
Maybe Iâm just missing something.
Donât get me wrong, Iâm not saying every second sentence should be passive voice. Iâm just saying that you donât have to change every single passive sentence in your work.
2. Real writers write every day
Listen, Iâve been writing for thirteen years. Iâm always working on a project and I take my writing very seriously. I AM a writer. But I donât think thereâs ever been a period in my life where I wrote every single day.
Yes, if you schedule time to write every day and you manage to stick to it, youâre amazing. And youâll probably be published quicker.
But that doesnât mean that other writers arenât serious about their writing or arenât ârealâ writers.
Sometimes, life gets in the way. Sometimes, your creative muscles are really tired and all your words come out crappy. Itâs normal.
It depends on your energy cycle/other responsibilities/goals. If you are working on your WIP and making progress, youâre a writer.
Donât be so hard on yourself. Jeez.
3. Only include what is relevant to the plot
I confess: I am an overwriter. My current WIP is looking to be 150k words, so Iâm gonna have to do a LOT of cutting in the editing phase. So yeah, maybe I should take this advice.
But objectively, I donât believe in the strict application of this rule.
If JK Rowling/J.R.R Tolkien only included what would move the plot forward, we wouldnât have the amazing fleshed-out worlds of HP and LotR. The extra, interesting stuff is what makes those stories so amazing.
So, I think a much better way to think about this is: Only include what is relevant to your CHARACTERSâ LIVES.
If there is something awesome that your characters do/see that people donât get to experience in the real world, tell the reader about it. If thereâs some fantastical element about your world that the character would definitely notice, describe how the character experiences it. Live through your characters in the world youâve created.
4. Every chapter should end on a cliffhanger
Thereâs this idea that each chapter should follow a formula: End with a tense reveal/cliffhanger > the next chapter opens with the characterâs reaction to said reveal > the middle of the chapter is the mini resolution > the chapter ends with another tense reveal.
This is a great way to structure a chapter. But it gets tedious and overdone if every single chapter follows the same basic steps.
Ending EVERY chapter on a tense cliffhanger will drain your readers emotionally and numb them to the tense points in the rest of the novel. So, give your readers time to breathe and enjoy the less intense parts of your story too.
Have a few chapters that donât end in absolute suspense.
5. Real writers donât see writing as a business
âRealâ writers are in it for the art. They live apart from the world of mortals and only care about fairy tales and castles in the sky. They are too pure and dainty and creative to concern themselves with something as mundane as money.
You are going to die of hunger.
If you agree with these pieces of advice, good for you. I just donât.Â
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