In The Wheel Of Time Tidbits you can find interesting but less known or long forgotten facts and tidbits for your favourite fantasy series The Wheel Of Time. Also you can find WOT related humour, artwork and fun. I am LightOne. BE AWARE THIS BLOG CONTAINS SPOILERS.
Hi all! Opening the artist's sign-up form for the Reverse Bang event now!
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The form will ask you for a sketch (just a sketch! your piece does not need to be finished), a description of what the finished piece will look like, and any thoughts you want to share with potential authors.
The form will be open until 22 June, then I'll put together the responses into a presentation for authors to rank their choices. You can submit up until then, and you can submit multiple times. If you submit and need to change something, shoot me a DM @anyboli
Thanks to everyone who participates, and look forward to seeing your sketches!
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The first half of Wheel of Time from a peasant's perspective is basically "yeah the new king is fucking freaky and angry all the time and always looks at you like he's deciding whether to eat your heart, but my taxes went down by 85% and the road to town got completely repaved. The noble who used to own my land got hanged for something or other so it's actually mine now. Also all the chickens I've hatched this year have had two heads."
14. Does Mat’s love for Tuon humanize a tyrant, or does it make Mat complicit in her crimes?
Hmm, that's a heck of a weird dichotomy set up there! And quite honestly, I'd challenge the premises both sides are set up on.
-> Does Mat's love for Tuon humanize a tyrant?
Well, humanizing a tyrant would kind of have to involve showing us human traits in that tyrant, which Mat's odd sense of love for her doesn't really do, y'know? What he feels for her tells us about him, not her, particularly with Jordan's deep reserve in writing matters of romance (and while Sanderson can write better romances, I get the feeling he was far too busy running around desperately trying to put plot threads to bed with some semblance of good order to spend time on The Grand Love Story of Mat and Tuon, you feel me?) So, Mat getting little heart flutters around Tuon doesn't make Tuon any less of what she is.
-> or does it make Mat complicit in her crimes?
Given how explicitly and entirely he has no idea what he's getting into with her and with the Seanchan in general, I'm very leery of the idea that he can be considered complicit at any point during the on-page story. Sure, if he stays with her in the long run he'll end up getting molded more and more into what being the Prince of the Ravens is all about, and complicity will come there, but the simple fact of falling in love with Tuon doesn't equal automatic complicity in the iron fist of the Seanchan Empire.
Overall, too, I think the framing of this question kind of misunderstands one of the themes of the series. Jordan is pretty clear, although less explicit than with some of his other themes, that being a leader means sometimes having to be a complete bastard, and also that someone newly come into leadership can't just march in and completely upend generations of ingrained cultural practice. They can make changes, sure, and even pretty big ones, but those changes come at a huge cost, especially when the newly-minted leader in question doesn't have the benefit of being ta'veren (ie wearing plot armor). The farther they push their people away from what those people have always known, the more resistance, rebellion, or outright failure they're going to encounter, and making changes is always better done through maneuvering and careful long-term pressure rather than simple fiat.
And, similarly, crime is very much in the eye of the beholder -- or rather, the society of the beholder. The Seanchan Empire is a dictatorship, no doubt about it. What they consider criminal, and what they consider perfectly hunkydory, are deliberately quite alien to the people of Randland, to the Aiel, and probably even to folks beyond the Waste, though we don't ever get their opinions on the matter directly. But then, some of the standards of Randland are equally cockeyed to us as the readers. And judging Tuon by standards altogether different from the ones she was brought up with and trained to her bones to uphold.... eh, I don't really buy it.
And as a final point, I'd say it's pretty clear throughout the series that loving someone doesn't mean agreeing with them or justifying their actions. To say that Mat's love for Tuon either makes him complicit in her tyranny or humanizes her (which, she's human isn't she?) is to suggest that love implies some shift of guilt, either off of Tuon or onto Mat. And I just don't think that's true -- either in general or in the context of the story!
Mat choosing fake back stories is both entertaining and a horrible idea. "Oh yeah, this lady that I make dagger eyes with is totally my lover. Who that guy? Oh that's Bayle, our bodyguard. Totally normal. Nothing to see here."
And then having the heir-apparent to a continent-spanning empire be a thieving maid. I just. Mat. Leave the storytelling to Thom.
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It dawned on her that she was shouting. Some sort of gray-and-white birds went flittering past overhead in a broad band, and she was drowning out their cries. Drawing a deep breath, she tried to calm herself. She did not have a voice for shouting; it always came out as a shriek.
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One of my favorite parts of being in the wheel of time fandom is seeing how people enjoy the books and story differently from me and getting to read a variety of opinions and perspectives on the series. I could make a post asking everyone what their favorite part of a particular book is and get hundreds of different answers. There’s just so much there that I love seeing different perspectives and what sticks out to different people :) everyone brings their own experience, has different favorite characters, and prefers different arcs over others and I think that’s really neat. I love that there isn’t a universal favorite character or arc, it makes discussion a lot more interesting
12. What are the main weaknesses of The Wheel of Time?
Oh geez, that's.... that's a pretty broad topic! I have loved this series for.... over a quarter century at this point (holy fuck) but even I have to admit that it's got some significant shortcomings as well as strengths. I can't possibly cover everything in this post, but I'll try to hit the things that always jump out at me hardest.
Since this is a generally negative kind of post, I'm putting it under a cut.
Stereotypes. While Jordan is generally good at treating his various factions as being full of individual people who aren't necessarily in ideological lockstep with each other, he still very aggressively assigns each group 1-2 dominant traits that every! single! member! must portray in constant overwhelming spades. And when I say "faction" I mean groups of any size and particularity from individual Ajahs all the way up to "all women ever." The most egregious is the "slut" trait. There is absolutely zero reason, none whatsoever, for the Green Ajah to be the "man-crazy" Ajah, other than a sort of oppositional parallelism to the Red, but that stereotype is chokingly pervasive. Similarly, every single Domani woman is almost obsessively seductive. Is there not a single woman from Arad Doman who isn't lounging around in skin-tight clothes and fluttering her eyelashes at men? C'mon.
Feminism. I'm ambivalent on this one, because it's really clear that Jordan is doing his absolute damnedest to write a traditionally-styled high fantasy epic that empowers women and treats them as equal players, and in the context of the time that WoT was being written, he does a really good job! Contrast with contemporaries like ASOIAF, Shannara, etc, and by comparison Jordan's practically knocking it out of the park. But man, he still falls flat on his face in so many places. This is related to the stereotypes point above: his women are not nearly as varied in personality and particularly interpersonal skills as they ought to be, and in particular they are almost always controlling, backstabby, and mildly-to-majorly condescending toward the men they interact with. While the women in WoT are empowered and capable, the gender segregation (everywhere except among the Seanchan and Darkfriends, interestingly) is deeply pervasive and nigh-impregnable.
Romance. I'm willing to forgive Jordan this one more than the previous two, because it's a little clearer to me that this is more about what stories he's interested in telling or not, but man. None of his romantic relationships are even a little bit emotionally compelling, you know? Characters fall in love because he points their faces at each other and goes "keep running into each other until you kiss." There's no sense of compatibility, no sense of characters actually meshing in interesting ways, there's absolutely no internality of romance or real connection that I can find. Jordan's not here to write love stories -- he's interested in how romantic relationships function as tools in the larger narrative rather than in the characters' internal experiences. Because of these connections, how do characters act? What accesses to other people do they gain, and what accesses do they lose? It's an approach that echoes the theme of the Pattern being woven around the characters, where romances are more about who needs to be able to do what (ie Perrin having Faile to push him and overcome his natural reserve and inertia, or Mat's connection to Tuon maneuvering him into place to lead the Seanchan as well as the Randlanders during Tarmon Gaidon) but without the internality, it all feels like jamming Barbies together and pretending they're kissing.