🌒🌓🌔Chaotic Dumbass🌖🌗🌘

It’s so cold here, if I could crochet, I’d make myself a cocoon, too.

It is 2.9×4.3 meters large. That’s 9'4"×14'1" for people in other measurement systems. It’s HUGE. There are artists out there that spend years on paintings much smaller than this. He was not one of them.

He also didn’t only paint the sea, but he MOSTLY painted the sea. Very few people could draw light filtering through waves the way this guy did and apparently it was tied into his layering technique that allowed him to paint so goddamn fast.

Everyone says NEVER TRACE!! THAT'S ART THEFT! Ok but we can do a little crime in the name of Learning.

Trace to learn, not to earn.

I like to take my own photos, but you can study whatever you want. Link back to original photos, and don't post copied artwork unless the artist is dead, cool with it, or both.

As always with learning, start every sketch with the intent to throw it away (trash for paper, quitting without saving for digital) This takes the pressure off and lets you make Bad Art, which is very important.

So let's make Bad Art of a Deer because I happen to have one handy

Start with a photo of your subject in a nice/neutral pose with all four feet visible. (so not like me)

Freehand copy it. Try not to stylize, focusing instead of matching proportions and pose. Don't get too detailed!

It's ok if your art looks terrible and has broken legs. I've drawn LOTS of deer so I have a leg up. Everyone's art sucks in their own eyes and here's where mine went wrong:

Either lasso-distort (recommended for beginners) or redraw a copy of your first sketch with your reference behind it (scaled to match the main body of your sketch)

Put the original and modified sketches together and compare the differences. Write it down if you want. This shows you where your eyes saw things the wrong size, so you can correct for that next time.

After learning about both deer and yourself, try freehand copying again.

Marvel at your newfound knowledge and skill!

but there's always room for improvement

You can stop here and move on to your real drawing, Or do another freehand-fix-compare cycle. I actually overcorrected my "draws heads too big" and veered into "heads too small."

Another note on tracing: Learning HOW to trace is more important than anything you could learn By tracing. Draw the Anatomy, not the outline. In real life, things don't have outlines, they have bones.

These are from the same shoot which is extra useful for consistency. The lines are minimal and follow where the animals joints are, and only important parts are drawn.

You won't know what Important Parts means right off the bat, which is where in-depth study comes in. You need to do learn the hard parts to do the easy parts right.

"Study the anatomy study the anatomy" but they never tell you HOW. It's not "read a book," It's more like flailing around wildly and crashing your browser from too many tabs.

This is going to be about How to Make a bones and muscle chart. Because even if your art sucks, you learn so much more by doing than by seeing.

References I gathered: X X X X X X X X

Get Set up. Get a photo, like above, but it doesn't have to be the same photo. And now... gather reference.

We'll start with bones. Search up "[animal] skeleton" and get photos or super scientific illustration. Add in things like "top view" to spice it up.

Next, search "[animal] skeleton sketchfab." This pulls up 3D models that you can rotate in your browser. Remember that these are art and the anatomy is only as good as the artist, so pick a good one.

Time for bone!

The spine is the most important, and in a lot of animals it will surprise you. Draw it in over your photo and then add spikes because skeletons are punk. These are not scientific and I didn't count them because their number doesn't matter to art. So you better be referencing from scientists and not me!

The rest of the bones and some notes. These are my notes to myself about things I want to remember. My personal discoveries in anatomy that made my art better. You can make the same notes but also make sure you have your own thoughts on there as well. that's how you help yourself the best. Be as detailed or vague as you want.

Same deal with muscle. Here are my personal notes to myself. Label stuff that is important to you. I actually grouped a bunch of muscles together based on what is visible from the outside. Muscles are way more complicated than this, but Baby's First Anatomy Chart gets to be simple.

This is good enough for me because I have intimate knowledge of the other muscles working under and over these ones. Feel free to add as many or as few muscles as you like. You chart your own course.

This is very VERY much not an anatomical chart. I'm sure there's nerds out there pulling their hair out looking at this. But listen, it works for art!

And you know the wildest part about this?

I don't need to look at it to use it. The act of making your own anatomy chart puts that knowledge in your brain. Like how you can make "cheat sheets" even for tests that don't allow them - the act of making the sheet helps you remember what you struggle with most.

And after all that complexity? Your simplification will be based on Real Knowledge and you'll put those random circles in the right spots.

Look at all this hard work you've done. Eventually this will be second nature to you.

I put together some photo packs and uploaded them to my gumroad. You can use them and this guide to study! So far there's only a Doe and a Fawn pack, but if I get sales I will put in the effort to do more for deer, horses, cats, birds, and anything else I can point my camera at.

Doe Pack

Saint Sebastian Tended by Saint Irene / Nicolas Régnier (1625)

Like imagine you go over to your boy's house for dinner and that's across from you while you eat. Like would you say something or just

He also did an entire series called The Disasters Of War, which were stark presentations of the brutality of war. Goya understood violence. Understood that deep dark part of us that comes out when we are engaged in battle with a foreign power, or even with our own country. His artwork prior to the Black Paintings contains plenty of dark, powerful imagery... But that wasn't all Goya was great at. He also painted the Maja.

While I'm using La maja vestida because Tumblr will probably have me drawn and quartered if I post La maja desnuda, that one's the important one. It was one of the first Western paintings to depict nudity outside of a religious or mythological context and without negativity. It was an unabashed depiction of the female form without any of the usual artistic justifications of the time. It was also one of the first to depict female pubic hair without negative connotations behind that, since usually pubic hair was only presented in artwork of women seen as "unclean" or "immoral", such as prostitutes. Yes, even back in the day, there was that weird anti-pube thing. Goya just... Painted a nude woman. No justification. Just a nude without any of the usual justification.

He nearly got tried by the Spanish Inquisition over it, albeit in the years their power was waning, but that's a story for another day.

Goya was capable of incredible things. His painting of Manuel Godoy is a brilliant piece of subtle, intricate artistic satire, his painting of Charles IV and his family is flattering without being absurd, still presenting them as people, his fresco Adoration In The Name Of God might just be my favorite religious fresco ever.

Look at this. Holy shit.

And of course there's The Sleep Of Reason Produces Monsters.

Anyway my point is that Goya's artwork was intensely varied, even to the end of his career. One of the man's latest self-portraits (well, self-caricatures) depicts him as an elderly man, thick beard and head of hair, two canes, long robe, and has a single phrase written above him.

"Aun aprendo". I am still learning.

But the Black Paintings are what people know most about Goya, and yeah. I'm with you, the Black Paintings are nuts. They depict the mental state of a man whose mental state was growing darker and darker over the prior three decades.

You see, Goya went deaf because of an unspecified illness. His artwork's increasing darkness following this is often seen as a reflection of his increasing insular, isolated state, the worsening of symptoms such as tinnitus, loss of balance, all led to him becoming more withdrawn. It might've been Ménière's disease. It might've been lead poisoning. We don't know.

What we do know is that Goya proceeded to paint the Black Paintings directly on the walls of his home, the Quinta del Sordo (The House Of The Deaf Man, named that prior to Goya even owning it) due to a conscious decision to withdraw from the public eye following the restoration of the Bourbon monarchy and the rejection of the Spanish constitution of 1812, and started to suppress his own works. The Black Paintings weren't meant to be seen. They were the artwork of a man who saw his country start to turn towards the old, bad ways once again, drifting closer to medievalism than it had previously, at the same time he was becoming more and more isolated due to his deafness, his fear of old age and madness creeping up on him, and so he decided to get his despair out through art. Saturn Devouring His Son might be what we all know, but the Black Paintings are 14 paintings, not just one.

And here are a few of my favorites.

The Dog.

Women Laughing.

Fight With Cudgels.

Witches' Sabbath.

The Fates.