I am a writer and artist, working in both fanfics and original works. I primarily do whump and hurt/comfort. (Without the whump, you can't get the good comfort, amiright?) I will always give my characters a happy ending; it just might take quite a while to get there.
I am a big fan of hero/villain whump, emotional whump, pet whump/BBU (mostly because of the focus on healing, but I have a soft spot for the "caretaker is the new master" misunderstanding trope), and supernatural whumpees. I don't like unhappy endings, gore, bug/parasite horror, or major character death.
I don't have side blogs, and will inevitably go on fandom rampages every so often. These may include but are not limited to: Danny Phantom (and many crossovers with it), Supernatural, and Avatar: The Last Airbender. You may be sucked into new fandoms via my reblogs. I probably should apologize, but... eh. Join me on the dark side.
I finally made a sideblog for my fandom content! This will likely not be a perfect separation, as I consider my fandom writing to still be whump (see Hunters and Halfas, my SuperPhantom writing, for example), but should cut down significantly on the amount of random stuff showing up on this blog! If you wanna see what my current fandom obsession is, head over to @lunar-fandom-eclipse!
I explicitly DENY CONSENT for my works to be used in AI generation.
Art commissions are open closed!
Find me on Ao3
Whump writing masterlist
My BTHB card
Please feel free to ask me about my current or former projects, or just say hi! I love hearing from you all.
And, if you feel like it, I have a Ko-fi where you can buy me a hot chocolate. (I don't actually drink coffee...)
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My mom likes to tell me about how when I was a little kid riding public transport with her I'd always smile and giggle and chat with weird old ladies who smelled like cat pee and homeless folks and strangers dressed in bizarre outfits but any time a tidy and respectable businessman in a suit and tie waved at me I'd immediately clam up, and she takes a great deal of pride in my supposed inherentability to clock personalities but the truth is I do vaguely remember those bus rides, and it was never about the clothes or the hair or the smell, but more because everyone "strange" asked interesting questions and listened to what I had to say and seemed to think about what I said while the neat and tidy and rigid folks only ever acted like they were going through the motions, which was boring as hell and also pretty annoying
You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
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The most basic, intractable fact about mental illnesses is that you simply cannot willpower your way out of them. The only exceptions to this rule are the ones I have, which continue to disable me due to lack of determination and other grave personal flaws
This is also true of physical disabilities! You simply cannot "mind over matter" your way into being able to do what abled people can do. The only exceptions to this rule are my physical disabilities, which continue to disable me because I simply haven't locked in hard enough.
As predicted it took a lot longer to get back as they need ed d to travel further on foot before they could find a taxi going the right direction.
Before they even opened the door they could hear their mom snapping curses one after the other
Masterlist | Previous
Corva shouldered her way past Aloka and shoved the door open with magic ready at her fingertips. Whatever new disaster was happening at the Leer family home, she would be ready for it.
Andre and Atlas seemed okay, other than Andre holding an ice pack against his chest. The wall not so much being heavily cracked and damaged from a magic strike.
"We were gone for two days what happened?!" Aloka asked pinching the bridge of her nose.
"Andre sleep spelled and I went to contain like I used to and uh didn't habe enough magic with only one horn to do so and um," Atlas stumbled.
"Made it worse." Andre coughed out, "The wall got the brunt of it at least..."
Corva examined the scene with all her magical and mundane senses. She had to be sure the Leers were telling her the whole story.
And as far as she could tell, they were. She slowly relaxed from her battle-ready stance, lessening the strain on her still-healing wounds, but she kept hold of her magic.
"Are either of you injured?"
She didn't believe so, not from what she could sense, but it was better to be certain.
"I can pay for the materials for dad to fix it..." Atlas interupted
"I got some minor magic burns on my chest, but they're nothing serious. Aloka's giving me worse from playing too rough as kids." He laughed immediately regretting it.
if you are a parent, or may become one, or you are otherwise likely to arrive in the situation of caring for a child while they eat, promise me this: if a child doesn't like a certain food or food group, you will ask them WHY. and specifically, you will pay attention to either confirming or ruling out "it makes my mouth itch" or "it makes my stomach hurt," both of which are medically important info that children may not provide unprompted. which i know because this PSA has been brought to you by "i spent my entire childhood and much of my early teens eating peas and lentils while wondering why everyone else liked the Violently Itchy Mouth Sensation so much, like were they a bunch of legume masochists or something, before i finally realized that Violently Itchy Mouth Sensation was in fact a sinister demon appearing only to me, and her true demonic name was: Legume Allergy"
Bro why did you censor the snake's cloaca on the snake anatomy post??? It's a snake?
I didn't censor anything, what -
oh. Oh, no. That's meant to be a line to show where the tail begins. Oh no, now I look like some weird prude.
Yeah, that's meant to help people grasp the anatomy and visualize how small the tail is in relation to the torso. Not meant to be some kind of weird snake privacy screen
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As predicted it took a lot longer to get back as they need ed d to travel further on foot before they could find a taxi going the right direction.
Before they even opened the door they could hear their mom snapping curses one after the other
Masterlist | Previous
Corva shouldered her way past Aloka and shoved the door open with magic ready at her fingertips. Whatever new disaster was happening at the Leer family home, she would be ready for it.
Andre and Atlas seemed okay, other than Andre holding an ice pack against his chest. The wall not so much being heavily cracked and damaged from a magic strike.
"We were gone for two days what happened?!" Aloka asked pinching the bridge of her nose.
"Andre sleep spelled and I went to contain like I used to and uh didn't habe enough magic with only one horn to do so and um," Atlas stumbled.
"Made it worse." Andre coughed out, "The wall got the brunt of it at least..."
Corva examined the scene with all her magical and mundane senses. She had to be sure the Leers were telling her the whole story.
And as far as she could tell, they were. She slowly relaxed from her battle-ready stance, lessening the strain on her still-healing wounds, but she kept hold of her magic.
"Are either of you injured?"
She didn't believe so, not from what she could sense, but it was better to be certain.
contains: child living weapon, canine living weapon, panic attack, bathing/washing, a muzzle, conditioning/deconditioning, vomit mention, parental captain, and all the soft I could fit
â˘â˘â˘
The Weaâ Shale sits on the floor in front of the Quartermaster. Tips its head.
âItâs just a harness. I just need to make sure it fitsâit shouldnât hurt,â she telepaths at it. âPut your head here, please. Good, thank you. Mid-arms through hereâŚ. Yes. Good.â
Mana adjusts the straps around it instead of arms. Over its shoulders and around its stomach. The material is soft, padded. Not heavy: itâs a comforting weight, like the calm-blanket Captain Edgar gave it.
âKid, run down the hall until you reach storage, then walk back,â he says.
The run is slower than itâs used to, but the harness stays on, and itâs a forgettable weight. The storage room is big, but the distance to it isnât much. Itâs back pretty quickly.
âStatus report.â
âIâThe Weaââ it flicks its tail, irritated. âThe weight of the harness reduces itsâmy speed, though not significantly. The arm slots have ample room, and the storage will likely make me more effective. I do not have any complaints about the material,â it reports.
Does not stare at Captain Edgar and listen to Quartermasterâs surface-thoughts to get a sense for how heâs feeling.
I do not have any complaints. The words, its words, imply it might complain about other things. Hint at the WeaponâsâŚ.
The words are tainted with insubordination and rebellion. It cannot revoke the words.
It cannot unspeak them.
âThatâs good, Shale. If that changes, Iâd like you to mention it.â
âKid, stand down.â Edgar lunges for itâ âWeapon, stand down.â
He grabs the handle on its harness with a mud-slick hand, dropping to hold Shale properly. Pries its mouth open with some effort.
Trackerâs tail is bleeding. The venomous barb wasnât punctured, and the Weapon restrained it so she couldnât sting it.
âAre you okay?â
âThe WeaâThe Weapon did not intend toâ Itâitââ it ducks its head, eyes clamped shut, taking choking, gasping breaths that consume its body.
Trembles, little scales fading in and out of existence, and he can barely pick out the wordsâ âdisobedientâwill not happen againâitâs sorryâwill make sure to complyâsorryââ
He leans on its side, breathing deeply and audibly. âBreathe. Breathe, kid. Itâs just a bite. Youâll be okay. Tracker will be okay.
âTracker will be okay, and weâll learn why this happened so we can work on fixing it. Not yet, but once youâre calm.â
Eventually, eventually, its breathing settles. It still trembles, watching him, but he gives it a peanut butter bite, and it seems to understand he wonât punish it, even if the fear is still there.
âDo you want to lay down for a bit, or wash the mud off?â
âThe bath, sir.â
It stiffens before leaning into his touch. Presses the top of its soapy head into his chest while he rubs shampoo into the fur on its neck. Buzzes, softly.
Dr Gabriel canât touch its neck without it closing its eyes and tensing, but Shale lets out the tiniest whine when his hands move down to its shoulders.
By the time itâs ready to be rinsed and dried, itâs less on edge. Doesnât flinch when he trips over the ramp and curses himself for putting it there.
Shale eyes the small metal cage in the Captainâs hands from its place on his bed. âWhat is it, sir?â
âA muzzle. You said running reminds you of chasing people down, right? That itâs hard to tell the difference?â
It does. It hasnât run in weeks, and suggested a tether in case it sees someone else run.
âItâs soft, on the inside, and itâs got four little screws you can put in to suppress your magic, in case you get overwhelmed or triggered by peopleâs thoughts. They go in this pocket on your harness, but Iâll carry spares just in case.â
He puts it on.
âThank you, sir.â
âNow take it off,â he says.
It reaches up, with shaking hands, and undoes the buckle. Hesitates. Does not get hit. Does not get shocked. Does not get whipped.
Hesitates, looking at Captain Edgar.
Slowly, carefully, it removes the muzzle. Gives it back to the Captain. Gets a reward.
Gets a reward.
âSir, why is the muzzle removable?â
âI want you to think before biting,â he says, fluffing the fur on its chin. âI want you to use it as a tool to remember biting is not your first option, and I want you to be able to remove it if you rethink it and decide biting is the right choice.â
It places its head onto his lap. âThe Weapon may not be able toââ
âWeâll work on it. Good job, kid.â
It does not buzz loudly at that. It is perfectly dignified and professional and the vents make weird noises sometimes.
He brings it to the cafeteria, and gives it a big bowl with peanut butter on top. And a turkey neck. And is something it has to work on, rather than choking down the whole thing at once.
Which is good, because it likes tasting things. Its fur is shinier, itâs gained some weight, and itâsâŚ.
It hasnât jumped up to the Captainâs bed without permission, but it could. He wouldnât hurt it, and there arenât any thoughts in his head: he means what he says.
In the beginning, he said it could sleep on his bed.
They go out to the hall. He puts its muzzle on. âGo run five laps between here, the garden, and the gym.â
âThe Weapon can run sixty-five, sir.â It would vomit on the final lap and collapse from exhaustion, but it could. It has run that much before.
âTen,â he says firmly. âIf you remove your muzzle, stop. If you get tired, stop. If you get thirsty, thereâs a water bottleââ
âIn my harness, sir. I am aware, you showed me. It even has a straw!â
âYeah, kid. You can stick it through, if you want, but Iâd prefer if you stop to drink.â
The muzzle isâŚ. The ability to remove it makes it less effective, but it doesnât tell him that. Just runs, snapping at people who seem to be running away, but the muzzle doesnât let it do anything more.
By the fourth lap, itâs aware of the urge to bite, and by the fifth, manages to stop itself from snapping at two different people.
Shale crashes into its Captain, and presses its head into his leg. âNo causalties.â it reports, shoving the straw in its mouth and taking a long sip. âThirty-one attempts. The muzzle is functional, sir.â
âGood job, kid. I love you,â he says. It would do anything to hear that. Ten laps is nothing, fifty laps is nothing, seventy laps is nothing, compared to the way his voice goes soft and special and just for it.
âThank you, Captain.â
They play tug-war to help it feel successful. Like it caught something, the Captain says, but it doesnât really care about the reason.
It gets to play tug-war.
It gets to win tug-war, and get told itâs strong and crafty and good.
Play makes it buzz. Play makes it buzz loudly, bobbing its head in anticipation.
The Captain could ask it to do anything, to push itself past its limits until itâs sick and wheezing and pathetic, and it would do it for play and affirmations and gentle hands. It tells him.
âI know, kid. Iâm sorry.â
It brushes against his leg. âI love you too, sir.â
Now that Iâm writing in the past, Shaleâs accomodations are starting to feel like things Edgarâs already done or things heâs considered before
Giving it excuses for the noises it makes, so it doesnât get anxious about him noticing. Getting a harness with a straw-pouch, so it has a convenient source of water and wonât forget to drink. Not correcting it for calling him sir, so it doesnât get anxious about the habit itâs been conditioned into. Using that formal tone itâs familiar with to introduce simple choices, instead of only giving it open-ended âYou can do [thing] if you wantâ choices
Also, I keep forgetting he had a dog. So. I need to remember to actually write his dog, in the past, because when I first started this my thoughts were very vague and IâŚ. Oh. I wanted to do werewolf pup whump with a vaguely werewolf-inspired species. Edgar was loosely a pirate-merchant-guy at some point (didnât know what he did at all) and I had no idea what he or Gabriel looked like.
Edgar is doing such a great job with the accommodations! Those are all really smart ways to help Shale stay physically well and start towards undoing some of their conditioning
I have received all manner of threat, up to and beyond âI will play a flute carved from your femur,â and yet this is the first time Iâve felt truly threatened
thereâs a post on tumblr about like. if you could do something to bring people a little relief, why wouldnât you do it? which has unironically informed my practice as a nursing student and patient care tech
The magic of childhood is that you were constantly encountering new things. The best way to feel that way again is to fill your life with new experiences.
The magic of childhood is that you were constantly encountering new things. The best way to feel that way again is to fill your life with new experiences.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hero gets interviewed about Villain on the anniversary Villainâs death.
////
âHe was a very charming man.â Hero rubbed his thumb over the chair arm. âI imagine very few people would come to know him and not think of him fondly in one way or another.â
âBut things between you and him were different, werenât they?â The interviewer leaned back in his seat. âYouâve at been at odds with him since you were rookies. We were all surprised when you suddenly turned around and helped clear his name. How does a ten year rivalry like that dissolve overnight?â
âI learned the truth, Johnny. My feelings didnât change the facts and I wasnât going to lie down and let the world tear him apart.â Hero sighed and leaned his temple into his hand before looking back up. âAnd I never hated him, you know. I couldnât.â
As the crowd quieted, Hero straightened in his seat, raking a hand through his hair. The studio lights seemed to burn the side of his face as he turned away and stared at Villainâs memorial picture on the projector.
Tight in the throat, he faced the interviewer once more.
âVillain died believing the world hated him.â He swallowed. âIf only he had known howâŚhow much heâs loved now.â
As Heroâs breath quivered, the interviewer glanced toward the sides, silently motioning for a break, but Hero shook his head.
âIn truth, I came here because of some recent speculation on the internet.â Hero reached into his coat pocket and pulled out a folded paper. He kept it closed and carefully set it on his knee. âWhen the accords were written, the relationship between Villain and Ms. Fiero was strictly professional and none of the legal agreements were manipulated by romantic sentiments. The letters found in Villainâs apartment were not from Ms. Fiero.â
Heroâs hand trembled over the paper.
âThey were written by me.â
The audience devolved into sound and flashing light, but Hero remained tall, staring down the main camera.
âVillain never got to read them.â Hero cleared his throat. âAnd no one else knew. I didnât want to disrupt the trial and wouldâve gladly taken these sentiments to my grave, but I will not stand for any slander against Villain or Ms. Fiero.â
âI cared for Villain, deeply, but that does not detract from his innocence or my part in championing the movement for his acquittal. The evidence remains clear.â Hero crumpled the letter against his leg. âI meant every word and I am not ashamed of my love for him.â
âAnd I hope you can extend your care to him as well, in the anniversary of his death. His story is important and should be heard.â
Once the interview ended, the curtains closed, turning the screen crimson.