stop calling it a girl dinner and call it by its formal name: Fend For Yourself dinner in an ingredients household

shark vs the universe
$LAYYYTER
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@wolfae34
stop calling it a girl dinner and call it by its formal name: Fend For Yourself dinner in an ingredients household

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"Whimsy" is truly a wretched term. What maketh thee so carefree?
thy mother
Art thou for fucking real
This one's kinda old but as a Stephanie Brown stan I guess I'm obligated to post it 🦇🌆
I am proud to say I have a piece of evidence to back up Boy from Hunter the Parenting being a transfem egg (aside from just the idea being very funny). Not only that, but I can determine that Boy is a lesbian! How, you may ask? Well I have one question for you.
What does this horse look like?
Does he, perhaps, look… evil? Even… intimidating, one might say?
That’s right. Boy already has the intimidating evil horse that haunts all sapphic relationships. And we know it’s Boy’s because it doesn’t intimidate or act evil towards anyone else.
Transfem Boy confirmed, 100% canon.
I have got to stop wandering in the woods
god forbid a woman do anything

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i’m going to be really honest with you guys i think the tendency to read the absolute worst possible intentions into every action you don’t agree with is getting too automatic and it’s eating you from the inside out
Bruce Wayne's favourite children:
The nostaligia-fueled version of Robin Dick that exists in his head
Jason Todd's corpse
Cass
clock king
Jonathan Sims in TADC
Jonathan Sims showing up as a multi-eyeballed monstrosity (especially like in those moth!AUs) and only weeks later realizing that no one else looks identical to their digital self except for him
Jonathan Sims showing up and everyone’s confused about how someone abstracted before they even showed up, and everyone screams when he first says something
TADC Being Jon’s “Somewhere Else” — something he’s utterly convinced is a personal hell he’s put in by the Web for trying to take down the Fears in his universe (though as time goes on he wonders if the Spiral didn’t have as much if not more of a hand)
Jonathan Sims trying to “Ceaseless Watcher Turn Your Gaze” Caine, only for him to laugh and say that it tickles.
Jonathan Sims learning all the deepest traumas of the other humans, but being utterly incapable of approaching Jax about her transness without falling back into the old patterns of preying on fear
Alternatively: Jonathan Sims feeling the same relief that Daisy has in the Coffin and for the first time in who knows how long feeling fully human (but his body is still the warped monstrosity; a last gift from the Eye)
Jonathan Sims showing up while everyone’s on an adventure, and them assuming him to be an NPC until Jax fucks with him and gets hit with the full Fear Stare. (They complain to Caine about the horror, which is when he reveals “that’s not an npc”. This makes everyone freak out more)
Jonathan Sims remembering his name, but not mentioning it and going along with the new name he’s assigned. He lets slip his knowledge in casual conversation and everyone looks at him with shock
Martin showing up alongside Jon, but no-one can see him except for Jon. This makes him strangely calmer
Alternatively: Martin showing up but Caine is unable to register his presence and utterly denies his existence
Alternatively, Alternatively: Everyone except Caine and Jon cannot register Martin’s existence. They think it’s a weird joke until the group goes to check on Jon in his room and opens it up to see him smooching Martin. (Martin lets out a yelp and goes full disappearing man) ((Zooble tries to get Jon on board for petitioning for the Sex Update; Jon says he doesn’t really care))
IT'S CALLED!!!!!!!!!!!!!!!!!!! COMPASSION!!!!!!!!!!!!!!!!!!! NOT EMPATHY!!!!!!!!!!!!!!!!!!!!!!!!! THE WORD YOU ARE LOOKING FOR IS COMPASSION!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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The thing about the "trans women are capable of harm" type posts and blogs like transmascvoicesproject is that on a daily basis trans women are told that we are predators, that we are violent, that we have the rape organ, that we solely exist for fetishistic reasons and that makes us dangerous to be around. Society never lets us forget this. Cinema never lets us forget this. Terfs never let us forget this. Political parties on either side of the spectrum never let us forget this. These people post like they live in a world where trans women/transfeminine people are shielded from the consequences of our actions by our identities, but that's a fantasy. We are not only held accountable for our actions, but responses to our mistakes and transgressions are often extremely worse than that of other people. Not to mention, a lot of trans women are lied about, marked rapist/pedophile/abusive by an abusive, transphobic ex, and then isolated and removed from friends groups for the crime of coming out as trans. This is so, so, so common.
We do not need you to remind us we are capable of harm, trust me when I say we fucking know.
Every trans girl I know is too afraid of being seen as a predator to allow herself to be intimate with someone else. It takes years of understanding ourselves as something outside of the common archetype for us to get over that.
But go ahead. Tell me again that I'm capable of harm.
There seem to be a lot of people who don’t understand why Lobo was in the movie, so I’m just gonna say it: Lobo is who Kara is at risk of becoming.
Kara is at a crossroads, and one road leads towards Clark and one leads to Lobo. Or rather, one path leads to embracing the responsibility of the life and powers her parents gave her, and the other is continuing to drink her life away, not caring about anything or anyone but her and hers.
Lobo is immensely powerful, and the last of his planet. Just like Kara. And when we meet him, he’s passed out drunk in a bar, oblivious and uncaring of violence and exploitation around him. Just like Kara was trying to be when she first met Ruthye.
Lobo is Kara’s future if she gives up on trying to be good. Drunkenly stumbling through the galaxy not helping anyone or anything and only caring about herself. Maybe not mindlessly cruel, but not kind or good or caring of the pain of the people around her.
It’s why they both get Ruthye’s spiel, it’s why Lobo’s whole introduction mirrors what Kara was just doing demanding to know about the Brigands, it’s why they’re both “the ditz from the bar”, it’s why they both have the gag with the space suit collar.
It’s why Lobo crops up each time Ruthye and Kara are faced with choices, sometimes acting as a devil on their shoulders, sometimes just a big lurking ominous warning of their bleak future if they make the wrong choices. It’s why Lobo says “let Ruthye have her revenge”, uncaring of how the violence might haunt Ruthye for the rest of her life. He’s a big constant reminder why Kara cannot let this thirteen year old girl be consumed by violence, and of who her parents didn’t want her to be.
Lobo is Kara’s foil and shadow.
I don’t think the movie always executed this well, it could have been done better, but I don’t think it was subtle either. The parallels between Kara and Lobo are right there in every scene and always highlight the choices Kara makes to be kind, and I do wish people would take the time to actually think about them before writing Lobo’s presence off.
twins at the carousel
Flavours of unreliable narrator:
Lying to the reader
Lying to themselves
Simply misinformed
Not paying attention
Has weird priorities
Assumed you knew
Hates you personally
Bad at communicating
Easily sidetracked
Will believe anything
Has weird prejudices
Just kind of dumb
Does deeply repressed count as having weird prejudices…
(The Amazing Digital Circus Episode 6 Spoilers)
c'mon girl.

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you can tell jax is a trans woman because literally all the tme fans are using the gooseworx tweet where she says “i think it’s fine if you use he/him or she/her for jax i meant to leave it vague” as “jax uses any pronouns” and then using THAT as an excuse to exclusively use any pronouns other than she/her.