ao3 recs | post canon will fic | art tag | letterboxd

@theartofmadeline
occasionally subtle
Alisa U Zemlji Chuda
Sweet Seals For You, Always
Misplaced Lens Cap

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Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

titsay
he wasn't even looking at me and he found me
will byers stan first human second
DEAR READER
let's talk about Bridgerton tea, my ask is open

JVL

祝日 / Permanent Vacation
noise dept.
Not today Justin

tannertan36

Janaina Medeiros

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@will-mcfly
ao3 recs | post canon will fic | art tag | letterboxd

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Tell Me Again (That We’ll Be Lovers and Friends)
Chapter 5: I Can’t Give You My Soul Cause We’re Never Alone
Pairing: Will Byers/Lucas Sinclair, Will Byers/Mike Wheeler
Rating: Explicit
Note: college setting with aged up characters
Summary:
It’s no secret that Will has had a thing for Mike Wheeler since they were kids.
So when he finally gets the chance to be with him, of course he takes it.
Were things perfect between them?
No.
But he was happy
Or at least, his version of happy.
That is, until one drunk hookup changes everything he thought he knew about himself.
And it’s all because of Lucas Sinclair.
Preview: see attached + chapter tokins
To read click -> (xxx)
when did you know will was gay?
s1
s2
s3
s4
s5 (?)
I don’t think there’s anything inherently wrong with relating to characters, “they’re literally me” etc but if that’s the only way you engage with stories you’re kinda missing the whole point of Characters being vehicles through which we can see perspectives outside of our own. and also you’re going to get upset when the Character acts in a way that is not Personally Relatable to You
doubly for shipping. at risk if biting the hand that feeds me, a well written fictional relationship should ideally be more than a didactic template for how to have a nice relationship
your will is so will. in your art and writing!
this is the greatest compliment i could get 🥺 my will tunnel vision has paid off

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Season three Will Byers makes me so emotional in such a deeply personal way. If you insult season three Will Byers you insult me. If you hate season three Will Byers you hate me.
His bunny teeth. His cutesy long bouncy mushroom bob. The adorable way he walks and makes everyone else do manual labor for him. His imagination. My baby.
i love your will and joyce art so much
ahhh thank you so much!!! it was one of my favorites to draw as well
did you read giovanni’s room before this fic
oh yes, a couple times. last time i read it was a little over a year ago
u know it’s extremely profound work when you feel bad to even dare mention it in a lowly fanfiction LMAO but truly it’s a human classic for a reason ❤️
I had a vision last night...
i really don’t play about s1 will just so yall know

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I think Will would love the concept of Kintsugi, the Japanese art to repair broken pottery. It doesn't try to hide what's been broken, instead it embraces imperfection and flaws (wabi-sabi).
The cracks are part of the pottery's history, part of what make the pottery unique and whole.
In a way, it can resonate with how Will felt like he was broken beyond repair, before realizing that the scars (on his body as much as his soul) were part of him but should not define him. It's always going to be part of his own story, but it's not the end of it, in fact his life has only started and is waiting for him to explore.
love comes in colors, i can't deny
chapter 3: shadow walking is out now!
chapter summary: will has a nightmare. will has class critiques. will is not having a good time.
chapter 4: the break-in is out now!
chapter summary: will and tony commit a crime. will has more than one revelation.
s3 will with his french bob and fierce attitude
The thing about the relationship between Will and Lonnie is that it sucks in its own unique way, distinct from the ways that the relationships Lonnie has with his ex-wife and older son respectively damage them, but I also think they're strangers.
Will does not get Lonnie at all. He doesn't really know what Lonnie wants or what he's looking for or what motivates him. He can't anticipate what he'll do or why. He thinks there's some way to please him, but it doesn't exist. Lonnie is confusing and probably stressful, and dealing with him involves some degree of engaging in a strange game that doesn't net Will very much, but he's looking for the kernels of joy and connection he can scrape from the experience.
It's the implications of his absence that loom over Will, I think, more than his presence. He represents what could have been because he's a big unknown whose sole contribution to Will's life was shame, through implicit rejection and ridicule and lack of interest, back when he was younger.
And I wonder how Joyce addressed that. We know she must have said something and supported him, and if Lonnie spewed any of his bigotry and verbal abuse within Will's earshot and she knew he was aware of it, then she would surely have said something. But she's not perfect, and she can't be everywhere or always say just the right thing, and maybe there isn't always a right thing to say. Maybe she fell back on "you know he doesn't mean it" or "he's wrong and you shouldn't listen to him" or "something came up and he couldn't make it but he's sorry he couldn't take you" or "it's not about you" and that's kind, but doesn't get at the heart of why what he's saying or doing matters, to the extent that it does. And it's not like Will can't tell when she's being untruthful to spare his feelings; he can hear her yelling down the telephone.
But it's a hard line for her to walk as a parent, and so there are gaps where the edges of the white lies and hard truths don't come together neatly. Same for Jonathan, whom we can see trying to make up the difference and reach Will, but who very carefully does not tell Will the whole truth either (that Lonnie does not care and he's wrong even if he's correct and what he thinks doesn't matter); he tells him a different truth that, for him, matters a great deal more, about the world and who Will can be in it.
But, still, those gaps, where well-meaning hands reach with love and can't quite touch... There's a shame that flourishes there, in those dark crevices. And it's very relevant to everything he's got going on, and Lonnie's shadow is definitely there, but Lonnie is just one part of it. Because the only thing he really ever learned about Lonnie was that Lonnie didn't want him and he could never be good enough to change it. I think a larger part of Will's hangups stem from steeping in that town all his life.
Conversely, Jonathan knows Lonnie all too well. He understands things about him that Joyce simply does not or cannot. He sees things that Lonnie does not reveal to her. He is burdened by this knowledge.
Joyce is somewhere in the middle, in terms of her grasp of Lonnie's particular brand of shittiness.
I think it's insane that even in the most leftist and "progressive" spaces the idea of equating morality with looks is alive and present and no one fucking bats an eye at it. like racists and mysoginysts are always portrayed as fat and hairy and generally unkept, as a contrast to the morally good and attractive leftists of course; people will have no problem being genuinely fucking awful about someone's appearance if they're deemed to be a "bad person". and the worst part is you point all of this out and people act like you're reading too much into things like no dude you gotta start using your brain more

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I'm assembling a team
i love this forever because he’s so beautiful coming of age so much potential to think about main character in a car. <3