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Dmitry Khramtsov (Храм), “Eyelashes,” 2026

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Feast of Angels, 1992 © Nobuyoshi Araki / Courtesy Taka Ishii Gallery
José Eugenio Gómez Rodríguez - Rain water at the bottom of the copper mine in Bisbee, Az. 2008
Towhee Drive, Buda, Texas.

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body packaging: a guide to human sexual display - julian robinson (1988)
— Blagoja Nikolovski, 1973
source
Tintagel Old Post Office, Tintagel, Cornwall. A 14th-century stone house that briefly served as a post office in the Victorian era.
A Drop In The Ocean

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𝙏𝙝𝙚 𝙒𝙞𝙘𝙠𝙚𝙧 𝙈𝙖𝙣 1973
parker posey photographed by pauline st. denis, 1997
Jonathan Crowther - Tripping down memory lane (oil on canvas), 2014
David Bailey - Donna Mitchell Wearing a Dress by John Bates at Jean Varon (Vogue UK 1970)

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From the exhibition "Frida: The Making of an Icon"
HOUSTON — "Frida Kahlo is already a canonical Mexican artist, but Frida: Making of an Icon at the Museum of Fine Arts, Houston positions her as an emblem of the metaphorical and geographical borderlands. With an emphasis on the reception of Kahlo’s work across times and cultures in the past century, the exhibition blasts apart any crystallized conception of the artist until no easily digestible singular figure emerges. That is, indeed, the point."
Frida: The Making of an Icon continues at the Museum of Fine Arts, Houston (1001 Bissonnet Street, Houston, Texas) through May 17. The exhibition was curated by Mari Carmen Ramírez.
https://hyperallergic.com/the-canonization-of-frida.../...
Greek bust of Tritoness (a minor sea goddess and female counterpart to Triton) or Scylla
Hellenistic period, late 200s BCE
Cleveland Museum of Art 1985.184