@fangwhoria - Tumblr Blog

William Mortensen aka William Herbert Mortensen (American, 1897-1965, b. Park City, UT, USA, d. Laguna Beach, CA, USA) - Death of Hypatia, 1930, Manipulated Photograph

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shvyaa

In the rotating room

5ubtotem

huariqueje

Bulkhead Night - Edward Minoff , 2010.

American , b.1972 -

Oil on canvas. , 8 x 10 in.

monster2001

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artssie

The Death of Icarus (b.1823-1889) by Alexandre Cabanel

nobrashfestivity

Aubrey Beardsley (Detail) 1895

Mirror of Love: frontispiece for the book: The Thread and the Path

I need to talk about lighthouses. I am guiding the lost but I will forever remain lost myself. I am sacrificing everything so you will get home but I will never be home. I will never be anything but alone against the sea.

Self sacrificial for the safety of others. Every moment could be when the waves errode my foundation and wash me away but until then I will stand tall and guide you through the danger. I will endure because it is what I am built for.

yes exactly and its also backbreaking insanity inducing labor for whoever keeps it. i sacrifice my ability to do anything else for the lives of people ill never meet. i also think that fog is evocative because it obscures and my hypothesis about lighthouses and fog is that lighthouses pierce through the fog but they dont clear it so it guides through the mystery but doesnt solve it. and people like that as well

#okay guys we are talking about lighthousesssss lets all play

kisseism

gym inspo for you guys

faaaaaaaaaaaaaaaaaalling

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nevver

Doomed, Matt Dunlap

shvyaa

artssie

The Death of Icarus (b.1823-1889) by Alexandre Cabanel

distantvoices

Hyunji Shin by Leslie Zhang for W Mag China

been really into making observations and discussing symbols lately. a lighthouse is like a monolith that indicates self sacrifice and total isolation and people like that.

#the ocean is a soup that is full of many interesting symbols

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dykeselfcest

flanagan's crimes are many and varied but at this point his insistence on taking material explicitly critical of family structures (sometimes including portrayal of intense abuse) and adapting it into stories about The Beauty Of The Nuclear Family is all but indistinguishable from an entirely conservative project

portalibis

Group VIII, No. 1 by Swedish artist Hilma af Klint (1862-1944). Painted in 1913

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