@fangwhoria - Tumblr Blog

Audrey Bialke (American, b. 1991, based Ithaca, NY, USA) - In All Weather, 2025, Paintings: Oil on cradled Panel

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redlipstickresurrected

Chloe Wise (Canadian, b. 1990, Montreal, Canada, based New York, NY, USA) - Body Amnesia, 2025, Paintings: Oil on Linen

pisces-core

nevver

Sail on sailor, Amy Friend

gayrandalgraves

hi everybody please reblog this and tell me your go-to coffee order right now and if you don't like coffee feel free to include your go-to tea order instead

#always oat mill latte #sometimes i have them steam the cinnamon into the milk if im feeling fancy

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weepingwidar

William Wegman (American, 1943) - Warehouse Wally (1988)

colonellickburger

Maria Lax. Ireland. From the book Stray Sod

forest-woman

By dame darcy

ive hated mike flanagan since the very first you have no idea how good this hate train happening rn feels for me. vindication

#everyone hate him more and faster now

goresevraq

there is something perfectly intentional in the way flike managan does his adaptations. it's not like he's careless or stupid or just wants to cash in on name brand recognition. shirley jackson does not have name brand recognition, at least not among his target demographic. he's genuinely in conversation with the texts he adapts, and is making very specific choices, except these choices all live in service of redeeming the name of the nuclear biological family and making sad little tut tut noises at the big mean bigots.

sometimes if you're lucky he'll chuckle and say well yes my dear old mother is a bit racist. but really she's a loving wife so why does it matter. also people of colour are never depicted in his #1 artistic priority (loving marriages with children) but whoops don't look to closely into that!! isn't rahul kohli a smokeshow?

goresevraq

anyway this is why it pisses me off when people say "it's good if you watch his shows divorced from the original book!" because. well because they're still soppy, spineless, and only good for the vfx artists to flex their skills. but also it's not just an unrelated story. his adaptation work is bad because he specifically set out to remedy the paranoia of the source material with the power of church weddings and group therapy.

he has not sanded the edges off just for marketability's sake! i really believe that he has a keen and sincere artistic vision which is repelled by the disgusting shit that made henry james and shirley jackson's work so good. his work does not agree that there is violence in a caretaker's total authority. it does not tolerate ambiguity. it is obsessed with innocence and righteous suffering. incidentally, this taming of the screw makes his junk more marketable. but that's just a side effect! he is just a symptom! maybe i hate the environment that let him be successful and not the man himself! and also the monologues fucking suck.

goresevraq

despite my flapathy i am forced to acknowledge his new ventures once a year whenever this post picks up a modest few notes. anyway this year i'd like to recommend 'Turning the Screw of Interpretation' by Shoshana Felman, an incredible essay about the relevance of psychoanalysis to literary criticism. I recall the show making allusions to ideas touched on in this essay, but don't ask me where or how. I've since deleted all memory of his work.

but in light of the new adaptation (my condolences.) here's a section about ambiguity in Henry James's work:

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studdedstar

redlipstickresurrected

William Mortensen aka William Herbert Mortensen (American, 1897-1965, b. Park City, UT, USA, d. Laguna Beach, CA, USA) - Death of Hypatia, 1930, Manipulated Photograph

shvyaa

In the rotating room

5ubtotem

huariqueje

Bulkhead Night - Edward Minoff , 2010.

American , b.1972 -

Oil on canvas. , 8 x 10 in.

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monster2001

artssie

The Death of Icarus (b.1823-1889) by Alexandre Cabanel

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