HALL OF EMPTY MELODIES

"kill them with kindness" WRONG! the thing. ❄️🌨️🗻🗻🚁🚁🔫🐕🐾🐾🏘️🧍🧍🐕‍🦺🐶🧍🧍🏘️🚁🤠🇳🇴💀🥀🧊🧊🚁🔪🛌🐕🏠🐕🐕🐕🛑🧠🫀🫁👁️🦴🦷🦠🔥🔥🧍🧍🔥🔥🎒🌨️❄️✋🧎✋🔥🧍🧍🔥🔥🔥🔥🚙🧍🧍🐕🪓🚁🪓📻📻🪓🩸🅰️🅾️🆎🅱️🛋️ 🩸🩸🕶️🔫🧑‍🔬🔥🔥💉❄️❄️👖❄️❄️🧨🧨🫀☠️💪💪👄🩸🩸🔥🔥🔥👤🕷️😧🔥🔥🪢🩸🧵🪡😎👍🌿😮🩸🩸🩸👁️🩸🩸🔥🔥🔥🕶️⚰️☠️🔥🧊❄️🌨️🛸🧨🧨🧨💀🧍🍾🧍

My three weed-smoking deathknights—and yes, they've sworn to destroy all things, and smoke weed

the death of 8tracks made you all so bad at making playlists i fear. good ship or character playlist is max 16 songs and devastatingly perfectly crushingly curated. it should make sense musically, if not across the playlist, then at least from song to song. GRADIENTS of genre. think about this before you make a 200 song ship playlist that includes both maroon 5 and mitski. Think on it

picking up zevran right after alistair finally gets a good flirt line in is so brutal. poor boy

there’s this girl you like who’s kind of been flirting with you, and you stumble a little through that but you manage to keep your cool and be funny and ask her if she would hypothetically like to be courted properly by a gentleman, and overall it goes really really well. you’re doing great. you’re getting a good grade in talking to girl. the very next day some elf who just tried to kill her calls her a deadly sex goddess and straight up offers to warm her bed and fend off unwanted suitors etc and you’re like “she’s not listening to this rubbish. is she listening to this rubbish?” but then she does recruit him so you’re like well clearly she was listening to some of that rubbish so what does it mean. is this whole thing actually doing something for her that being a gentleman doesn’t?? you can’t compete with that! at this point being able to make her laugh is all you have going for you. and then the elf immediately makes her laugh. one shot kill. haunting. devastating

Viggo Mortenson does not get enough credit for delivering lines like "not idly do the leaves of Lorien fall" with a complete sincerity and gravitas

The whole lotr trilogy works because every single person on set and behind the scenes treated it seriously and with gravitas. It was completely earnest and I don't know if anyone making movies today has that in them anymore.

one of my favorite parts of the director's commentary is Jackson talking about Sam's "that there is some good in this world" speech. he talks about how when they were writing it, it was like "is this too much? is this too sentimental? are people going to be cringing in the theater?" but at the same time, it was necessary to keep the audience emotionally invested bc TTT was ending on such a dark note. and he knew, KNEW, it was all going to come down to Sean Astin's delivery; there was no wiggle room, he had to nail it. and then, of course, he did.

post has been up for like ten minutes we’re at twenty notes and it has ALREADY BEEN TAGGED JOHN LENNON!