writing resources

Instead of walk, consider:

Amble: walk easily and/or aimlessly

Bounce: walk energetically

Careen: pitch dangerously to one side while walking or running

Clump: walk heavily and/or clumsily

Falter: walk unsteadily

Flounder: walk with great difficulty

Foot it: (slang) depart or set off by walking

Footslog: walk heavily and firmly, as when weary, or through mud

Gimp: limp; hobble

Hike: take a long walk, especially in a park or a wilderness area

Hobble: walk unsteadily or with difficulty; see also limp

Hoof it: (slang) walk; see foot it

Leg it: (slang) see foot it

Limp: walk unsteadily because of injury, especially favoring one leg; see also falter

Lumber: walk slowly and heavily

Lurch: walk slowly but with sudden movements, or furtively

March: walk rhythmically alone or in a group, especially according to a specified procedure

Meander: walk or move aimlessly and idly without fixed direction

Mince: walk delicately

Mosey: see amble; also, used colloquially in the phrase “mosey along”

Nip: walk briskly or lightly; also used colloquially in the phrase “nip (on) over” to refer to a brief walk to a certain destination, as if on an errand

Pace: walk precisely to mark off a distance, or walk intently or nervously, especially back and forth

Pad: walk with steady steps making a soft dull sound

Parade: walk ostentatiously, as if to show off

Perambulate: see stroll; travel on foot, or walk to inspect or measure a boundary

Peregrinate: walk, especially to travel

Plod: walk slowly and heavily, as if reluctant or weary

Pound: walk or go with heavy steps; move along with force or vigor; see lumber

Power walk: walk briskly for fitness

Prance: walk joyfully, as if dancing or skipping

Promenade: go on a leisurely walk, especially in a public place as a social activity; see parade

Prowl: walk noiselessly and carefully in a predatory manner

Pussyfoot: walk stealthily or warily

Ramble: walk or travel aimlessly

Roam: go without fixed direction and without any particular destination, often for pleasure; see ramble

Rove: travel constantly over a relatively lengthy time period without a fixed destination; wander

Sashay: glide, move, or proceed easily or nonchalantly; seeparade

Saunter: walk about easily

Scuff: walk without lifting one’s feet

Shamble: walk or go awkwardly; shuffle; see scuff

Shuffle: walk without lifting the feet or with clumsy steps and a shambling gait; see scuff

Skulk: move in a stealthy or furtive manner

Somnambulate: walk in one’s sleep

Stagger: walk unsteadily

Stalk: walk stealthily, as in pursuit

Step: walk, or place one’s foot or feet in a new position

Stomp: walk heavily, as if in anger

Stride: walk purposefully, with long steps

Stroll: walk in a leisurely way; see saunter

Strut: walk with a stiff, erect, and apparently arrogant or conceited gait; see parade

Stumble: walk clumsily or unsteadily, or trip

Stump: walk heavily, as with a limp; see lumber

Swagger: walk with aggressive self-confidence

Tiptoe: walk carefully on the toes or on the balls of the foot, as if in stealth

Toddle: move with short, unsteady steps, as a young child; seesaunter and stagger

Totter: walk or go with faltering steps, as if from extreme weakness; see stagger (also, sway or become unstable)

Traipse: walk lightly and/or aimlessly

Tramp: walk heavily or noisily; see lumber and hike

Trample: walk so as to crush something underfoot

Traverse: walk across or over a distance

Tread: walk slowly and steadily

Trip: walk lightly; see also stumble

Tromp: tread heavily, especially to crush underfoot; see lumber

Troop: walk in unison, or collectively

Trot: proceed at a pace faster than a walk; see nip

Trudge: walk slowly and with heavy steps, typically because of exhaustion or harsh conditions; see plod

Waddle: walk clumsily or as if burdened, swinging the body

Wade: walk through water or with difficulty, as if impeded

I have this issue when I write where, for some reason, I insist on starting every sentence with a pronoun or name. “He ______. [name] ___________. He_______.” etc etc, and I’m not too sure why I do this or how to stop it…do you have any advice?

I can for sure help with this!

This is called 'active voice', when you start with something like "he kicked the ball" rather than "the ball was kicked by him."

Active voice is not bad, but sometimes it's easy to get stuck only talking about the action instead of the surrounding stuff.

(I'm gonna name this guy Bo, so that I can not drive myself insane with 'the guy.')

If you feel like your pieces have too much of the action in them, it means you are not balancing action with perception. It's fast paced, clip-clip-clip without much room for the reader to process and visualize the paragraph.

This paragraph exhibits the problem you have:

"He went to the store to buy eggs. He drove for about eight miles, making sure to avoid the puddles. When he got to the store, he grabbed a red basket and hurried to buy his eggs. Bo walked quickly because it was busy, and the prices were good this week. He thanked the cashier and went home."

It reads like a checklist of actions, almost a to-do list. There isn't a lot of atmosphere, mood, or anything to break up the actions.

With creative writing, there's a lot of bending the rules artistically to fit your narrative. This is something I do to etch out the bare bones of a paragraph to avoid that pitfall:

Action, reaction, pivot, repeat.

"He went to the store to buy eggs. it had rained, so he made sure to drive carefully. The roads were slippery with the puddles. When he got to the store, he grabbed a red basket and hurried to the egg fridge. The store was packed; a new shipment came in and the prices were crazy low."

What this does is add an action, describe the context or any supplying details to the action, and then pick a new action. It adds a layer of fluff in between the information so that you can get a vibe of the story. I told the readers "He's driving to the store." How is he driving? Slowly, because it rained and the street is slick. Then I tell the readers he grabs a basket in a rush. Why? Because the store is busy, prices are good and he wants to get eggs before they're gone.

Instead of: "oh he went to the store and grabbed his eggs and left."

That's a pretty good start. From there, you can add bits of tone, any flair that adds to the story overall. All I can say it, make sure to 'zoom out' your writing lense to incorporate the setting and external action rather than only focusing on the character.

Bleeding:

Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.

It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.

Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.

blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.

it’s slow. use this to your advantage! more sad writer times hehehe.

Stab wounds:

I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.

also, bleeding takes FOREVER to stop, as mentioned above.

if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)

whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites

Concussion:

despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.

if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.

Fever:

you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.

ACTUAL SYMPTOMS:

sluggishness

seizures (severe)

inability to speak clearly

feeling chilly/shivering

nausea

pain

delirium

symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.

ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.

fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.

keep writing u sadistic nerds xox love you

ALSO I FORGOT LEMME ADD ON:

YOU DIE AT 85F

sorry I forgot. at that point for a sustained period of time you're too cold to survive.

pt 2

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Consider Before Killing Characters

Foreshadowing

Narrative:

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

1000 Follower Post

2000 Follower Poll

Abandonment: Characters who have been abandoned by loved ones or caregivers can evoke sympathy from readers.

Betrayal: Being betrayed by someone close can create deep emotional wounds that make readers empathize with the character.

Loss of a Loved One: Whether through death or separation, the loss of a loved one can be a powerful emotional wound.

Rejection: Characters who experience rejection, whether in relationships or by society, can be relatable and evoke empathy.

Abuse: Physical, emotional, or psychological abuse can create complex wounds that shape a character's personality and behavior.

Neglect: Characters who have been neglected, especially in childhood, can evoke sympathy from readers.

Failure: Experiencing a significant failure or loss can create emotional wounds that make characters more relatable.

Guilt: Characters who carry guilt for past actions or decisions can be compelling and evoke empathy from readers.

Shame: Feelings of shame can create internal conflict and make characters more relatable and sympathetic.

Injustice: Characters who have experienced injustice or unfair treatment can evoke strong emotions from readers.

Trauma: Characters who have experienced traumatic events, such as war or natural disasters, can be sympathetic and relatable.

Loneliness: Characters who feel lonely or isolated can evoke empathy from readers who have experienced similar feelings.

Fear: Characters who face their fears or struggle with phobias can be relatable and evoke empathy from readers.

Self-doubt: Characters who struggle with self-doubt or low self-esteem can be relatable and evoke sympathy.

Identity Crisis: Characters who are grappling with questions of identity or struggling to find their place in the world can be sympathetic.

Addiction: Characters who struggle with addiction can be complex and evoke empathy from readers.

Betrayal of Trust: Characters who have had their trust betrayed can be sympathetic and relatable.

Unrequited Love: Characters who experience unrequited love can be sympathetic and evoke empathy from readers.

Isolation: Characters who feel isolated or disconnected from others can be relatable and evoke sympathy.

Stubbornness, Unyielding in one's own views, even when wrong.

Impatience, Difficulty waiting for long-term results.

Self-doubt, Constant uncertainty despite evident abilities.

Quick temper, Excessive reactions to provocations.

Selfishness, Prioritizing one's own needs over others'.

Arrogance, Overestimating one's own abilities.

Trust issues, Difficulty trusting others.

Perfectionism, Setting unreachable high standards.

Fear of change, Avoiding changes.

Haunted by the past, Old mistakes or traumas influencing the present.

Jealousy, Envious of others' successes.

Laziness, Hesitant to exert effort.

Vindictiveness, Strong desire for revenge.

Prejudice, Unfair biases against others.

Shyness, Excessive timidity.

Indecisiveness, Difficulty making decisions.

Vulnerability, Overly sensitive to criticism.

Greed, Strong desire for more (money, power, etc.).

Dishonesty, Tendency to distort the truth.

Recklessness, Ignoring the consequences of one's actions.

Cynicism, Negative attitude and distrust.

Cowardice, Lack of courage in critical moments.

Hotheadedness, Quick, often thoughtless reactions.

Contentiousness, Tendency to provoke conflicts.

Forgetfulness, Difficulty remembering important details.

Kleptomania, Compulsion to steal things.

Hypochondria, Excessive concern about one's health.

Pessimism, Expecting the worst in every situation.

Narcissism, Excessive self-love.

Control freak, Inability to let go or trust others.

Tactlessness, Inability to address sensitive topics sensitively.

Hopelessness, Feeling that nothing will get better.

Dogmatism, Rigidity in one's own beliefs.

Unreliability, Inability to keep promises.

Closed-offness, Difficulty expressing emotions.

Impulsiveness, Acting without thinking.

Wounded pride, Overly sensitive to criticism of oneself.

Weather Symbolism

Rain: cleansing, sadness, renewal, obstacles

Sunshine: happiness, hope, clarity, energy

Storms: conflict, turmoil, dramatic change

Snow: purity, stillness, coldness, isolation

Fog: confusion, mystery, uncertainty

Wind: change, freedom, unrest, communication

Animal Symbolism

Eagle: freedom, vision, strength, courage

Lion: bravery, power, leadership, pride

Dove: peace, love, innocence, spirituality

Wolf: loyalty, cunning, survival, community

Snake: transformation, danger, temptation, wisdom

Butterfly: transformation, beauty, impermanence

Plant Symbolism

Rose: love, beauty, passion, secrecy

Oak Tree: strength, endurance, wisdom

Willow Tree: sadness, flexibility, resilience

Lotus Flower: purity, enlightenment, rebirth

Ivy: friendship, fidelity, eternity

Cactus: endurance, protection, warmth

Object Symbolism

Mirror: self-reflection, truth, illusion

Key: opportunity, secrets, freedom

Bridge: connection, transition, overcoming obstacles

Candle: hope, spirituality, life, guidance

Clock: time, mortality, urgency

Mask: disguise, deception, concealment

Number Symbolism

One: beginnings, unity, individuality

Two: partnership, balance, duality

Three: creativity, growth, completeness

Four: stability, order, foundation

Five: change, adventure, unpredictability

Seven: mystery, spirituality, luck

Season Symbolism

Spring: renewal, birth, growth, hope

Summer: vitality, abundance, joy, freedom

Autumn: change, maturity, decline, reflection

Winter: death, stillness, introspection, endurance

Light and Darkness Symbolism

Light: knowledge, purity, safety, enlightenment

Darkness: ignorance, evil, mystery, fear

Shadow: the unconscious, secrets, mystery

Twilight: ambiguity, transition, mystery

Element Symbolism

Fire: passion, destruction, energy, transformation

Water: emotion, intuition, life, change

Earth: stability, grounding, fertility, growth

So, pretty frequently writers screw up when they write about injuries. People are clonked over the head, pass out for hours, and wake up with just a headache… Eragon breaks his wrist and it’s just fine within days… Wounds heal with nary a scar, ever…

I’m aiming to fix that.

Here are over 100 links covering just about every facet of traumatic injuries (physical, psychological, long-term), focusing mainly on burns, concussions, fractures, and lacerations. Now you can beat up your characters properly!

General resources

WebMD

Mayo Clinic first aid

Mayo Clinic diseases

First Aid

PubMed: The source for biomedical literature

Diagrams: Veins (towards heart), arteries (away from heart) bones, nervous system, brain

Burns

General overview: Includes degrees

Burn severity: Including how to estimate body area affected

Burn treatment: 1st, 2nd, and 3rd degrees

Smoke inhalation

Smoke inhalation treatment

Chemical burns

Hot tar burns

Sunburns

Incisions and Lacerations

Essentials of skin laceration repair (including stitching techniques)

When to stitch (Journal article–Doctors apparently usually go by experience on this)

More about when to stitch (Simple guide for moms)

Basic wound treatment

Incision vs. laceration: Most of the time (including in medical literature) they’re used synonymously, but eh.

Types of lacerations: Page has links to some particularly graphic images–beware!

How to stop bleeding: 1, 2, 3

Puncture wounds: Including a bit about what sort of wounds are most likely to become infected

More about puncture wounds

Wound assessment: A huge amount of information, including what the color of the flesh indicates, different kinds of things that ooze from a wound, and so much more.

Home treatment of gunshot wound, also basics More about gunshot wounds, including medical procedures

Tourniquet use: Controversy around it, latest research

Location pain chart: Originally intended for tattoo pain, but pretty accurate for cuts

General note: Deeper=more serious. Elevate wounded limb so that gravity draws blood towards heart. Scalp wounds also bleed a lot but tend to be superficial. If it’s dirty, risk infection. If it hits the digestive system and you don’t die immediately, infection’ll probably kill you. Don’t forget the possibility of tetanus! If a wound is positioned such that movement would cause the wound to gape open (i.e. horizontally across the knee) it’s harder to keep it closed and may take longer for it to heal.

Broken bones

Types of fractures

Setting a broken bone when no doctor is available

Healing time of common fractures

Broken wrists

Broken ankles/feet

Fractured vertebrae: Neck (1, 2), back

Types of casts

Splints

Fracture complications

Broken noses

Broken digits: Fingers and toes

General notes: If it’s a compound fracture (bone poking through) good luck fixing it on your own. If the bone is in multiple pieces, surgery is necessary to fix it–probably can’t reduce (“set”) it from the outside. Older people heal more slowly. It’s possible for bones to “heal” crooked and cause long-term problems and joint pain. Consider damage to nearby nerves, muscle, and blood vessels.

Concussions

General overview

Types of concussions 1, 2

Concussion complications

Mild Brain Injuries: The next step up from most severe type of concussion, Grade 3

Post-concussion syndrome

Second impact syndrome: When a second blow delivered before recovering from the initial concussion has catastrophic effects. Apparently rare.

Recovering from a concussion

Symptoms: Scroll about halfway down the page for the most severe symptoms

Whiplash

General notes: If you pass out, even for a few seconds, it’s serious. If you have multiple concussions over a lifetime, they will be progressively more serious. Symptoms can linger for a long time.

Character reaction:

Shock (general)

Physical shock: 1, 2

Fight-or-flight response: 1, 2

Long-term emotional trauma: 1 (Includes symptoms), 2

First aid for emotional trauma

Treatment (drugs)

WebMD painkiller guide

Treatment (herbs)

1, 2, 3, 4

Miscellany

Snake bites: No, you don’t suck the venom out or apply tourniquettes

Frostbite

Frostbite treatment

Severe frostbite treatment

When frostbite sets in: A handy chart for how long your characters have outside at various temperatures and wind speeds before they get frostbitten

First aid myths: 1, 2, 3, 4, 5 Includes the ones about buttering burns and putting snow on frostbite.

Poisons: Why inducing vomiting is a bad idea

Poisonous plants

Dislocations: Symptoms 1, 2; treatment. General notes: Repeated dislocations of same joint may lead to permanent tissue damage and may cause or be symptomatic of weakened ligaments. Docs recommend against trying to reduce (put back) dislocated joint on your own, though information about how to do it is easily found online.

Muscular strains

Joint sprain

Resuscitation after near-drowning: 1, 2

Current CPR practices: We don’t do mouth-to-mouth anymore.

The DSM IV, for all your mental illness needs.

Electrical shock

Human response to electrical shock: Includes handy-dandy voltage chart

Length of contact needed at different voltages to cause injury

Evaluation protocol for electric shock injury

Neurological complications

Electrical and lightning injury

Cardiac complications

Delayed effects and a good general summary

Acquired savant syndrome: Brain injuries (including a lightning strike) triggering development of amazing artistic and other abilities

Please don’t repost! Reblogging is fine, of course. You can find the original document (also created by me) here.

(FYI as a person who teaches both, if you’ve never taken a Stop The Bleed class or CPR, TAKE IT! So important!)

The amount of blood loss deemed to be life-threatening is equal to half a can of soda in an adult. Bleeding in children and infants can be proportionately less and still life-threatening. If your character is trained in first aid but not a medic, here’s what they might go down…

Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:

General

Continuously gritted teeth (may cause headaches or additional jaw pain over time)

Irritability, increased sensitivity to lights, sounds, etc

Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)

Soft groaning or whimpering, when pain increases or when others aren't around

Heavier breathing, panting, may be deeper or shallower than normal

Moving less quickly, resistant to unnecessary movement

Itching in the case of healing wounds

Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)

Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)

Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better

May stop mentioning it outright to other people unless they specifically ask or the pain increases

Limb pain

Subtly leaning on surfaces whenever possible to take weight off foot/leg pain

Rubbing sore spots while thinking or resting

Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)

Propping leg up when sitting to reduce inflammation

Holding arm closer to body/moving it less

Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)

Nausea/fever/non-pain discomfort

Many of the same things as above (groaning, leaning, differences in movement)

May avoid sudden movements or turning head for nausea

Urge to press up against cold surfaces for fever

Glazed eyes, fixed stare, may take longer to process words or get their attention

Shivering, shaking, loss of fine motor control

FATIGUE. This is the big one that people get wrong. Ongoing pain is exhausting. Your character might not be able to do as much as they usually do, even if they're being careful to avoid aggravating their wound or injury. It's especially true if they've spent a month in the hospital and are deconditioned, but just pain itself is exhausting for the body.

Brain fog and difficulty concentrating. Especially if the pain is peaking, or they're getting tired towards the end of the day. Speech gets harder to process, books are harder or impossible to read. Memory is worse. You can have aphasia where you lose a word or two. Brain fog will often/usually arrive with irritability. Not being able to think clearly – or remember the word for ... thing. The machine you use to wash dishes – is incredibly frustrating.

Lack of sleep makes pain worse. If your character is healing fairly well and is getting to the stage where their pain is tolerable, being forced to stay up all night for plot reasons will make their pain much worse the next day. Like 'pain levels have gone from a 4 to an 8' kind of worse.

Nausea from pain. Less applicable to low-level pain, but you can get nausea from severe pain. It isn't 'oh no I think I'm going to be sick' nausea (IME), it's just a complete disinterest in food. You might have your injured person picking at their food, or eating smaller meals than usual. You can definitely get this from moderate chronic or ongoing pain, too – it isn't just a horrifically severe injury thing.

Pain in areas other than the injury site. This is a combo here of 'kid of a physio' and an 'easily injured person's first-hand experience'. There are several ways that you get pain elsewhere:

Referred pain. This is where you hurt yourself in one spot but feel the pain elsewhere. This is especially applicable to soft-tissue injuries.

Compensation. If my left knee goes out and I change my gait pattern by limping, I'll likely develop pain in my right leg, as now it's handling more weight than usual. I have crap joints, so that could easily be my right knee or right hip. If your character has an old injury on the 'good' side, that could flare up through compensation. Other things to think of here is the pain that can be caused by aids such as crutches and canes – full weight bearing on crutches left my palms in agony, and my wrists too. Shoulders are also not used to supporting large amounts of weight. I had a crutch go out from under me on an icy surface, and for a good week or so, the sprain was more painful than my healing broken leg.

Protection. (idk if this has a better name) I injured one of my neck muscles (wry neck), and got pain through the whole shoulder and neck on that side as other muscles tensed up to protect the injury, and to prevent further damage. This caused more pain, and took nearly a month to settle down with treatment.

Similar to supporting weight on nearby surfaces due to leg injuries, back injuries/chronic pain can result in the same behaviors. When bending over, sitting down, or standing up, a character might rest their hands on their thighs or knees to lessen back pain. Or if they have to sneeze, they might quickly grab onto something nearby/brace themselves on their legs.

Similar to fidgeting and rubbing sore spots, frequent stretching can be a sign of low-level pain. For example, rolling the neck and stretching from side to side might indicate neck, shoulder, or upper back pain.

When using crutches, I've gotten nasty bruises on my sides and the insides of my upper arms.

I have a character that got stabbed, and I don't know what are the odds they could get blood poisoning and if yes, how fast and generally how it progresses.

If you don’t have time or something, don't sweat it, it's just a silly idea I got lol :D

Episode 4 of SciFiMedic Explains: How do I write sepsis?

Hi Anon!

So, your character got themselves stabbed, huh? Before we get to the nuts and bolts of how this is going to progress, we have to clear up a little choice of words here. 

The term blood poisoning is not the medically correct term for an infection inside the blood- we call it sepsis. Unless you meant literal poison from the weapon (which I can do a follow-up post on, if that’s the case) I’m going to guess that we’re talking about a severe, system-wide infection of the blood. 

Let’s walk through a few options: 

Scenario 1: 

Your character is stabbed in an area with lots of big blood vessels (highlighted red in diagram), and while everyone does all they can, the poor guy quickly dies of blood loss. There’s no time for infection to set in. 

Scenario 2: 

Your character is stabbed in a non-lethal area, like the arms, legs, or shallowly on the gut (highlighted green in diagram) They’re able to bandage themselves up, or maybe someone helps them out and they manage to get the bleeding stopped. 

Unfortunately, 12 hours later, they notice red streaking coming from around the wound. They also: 

Feel freezing cold, but have a high temperature

Are dizzy

Are shivering

before we start, I’d like to say that these are all just what I personally do with my writing / how I personally write. these are not “rules” and if you disagree with them, that is totally fine!

also, there’s going to be explicit language moving forward so you may scroll past this post if (written) porn isn’t your thing! 18+ content ahead!

let’s begin with the focus of your story. instead of focusing solely on “the action”, you can try focusing on “the feelings” too. how the characters are feeling as they’re being intimate with each other. in other words, instead of focusing on the “physical” aspects, try focusing on the “emotional / mental” parts and the “feelings” too. so that your characters also feel something else that isn’t just shallow arousal (obviously, there’s nothing wrong with being so horny that nothing else matters, if that’s your goals then go for it, what I’m saying is sometimes sex can be about something else that isn’t merely the act of coupling, if you get what I mean? the “porn with feelings” tag on AO3 is there for a reason and, yes, porn with feelings can get you just as aroused if not more!)

for instance, instead of “he roughly shoved his entire dick inside her pussy, grabbed her boob with one hand, the other steadied her hip, before he started thrusting and moaning”. you could try “he wasn’t being gentle when he pushed his length inside, feeling her body yield and surrender, engulfing him in one confident thrust. with one hand on her breast, the other on her hip to keep her still, he began moving, making love and declaring to his wife his fidelity in an ecstatic moan.”

how you describe your characters’ private parts affects the mood / vibes your readers get from your work too. I personally prefer using “cock / cunt” to “dick / pussy” because for me, the first set of pairing sounds sexier, more raw and more “mature”, while the latter just gives off the vibes of horny and mindless teenagers instead, which might only be a personal opinion and preference of mine!

that being said, the trick is that you don’t always have to use the exact, direct words over and over again while talking about the genitals. using “cock” sounds sexy and all, but using the word “cock” three times in the same sentence can feel like you’re trying a little too hard to make your readers know this is smut. they already know. and they know what the character is stroking.

sometimes the trick lies in the implication and indirectness of how you describe your scenes. sometimes it sounds more hot to, instead of directly saying what the characters are doing, use implication and metaphor to tell your readers what the characters are doing.

for instance, instead of “he pushed his big, big cock inside her and felt the walls of her cunt squeeze his cock, so he stayed still for a while to savor the feeling of her cunt around his cock before he started moving his cock” you could say something like “he pushed himself inside her, feeling the warmth of her around his length and opting to keep still to savor as much as he could of her tightness before he started thrusting.”

or, instead of “his cock was so huge it made her mouth water” it could be “the promise of godhood between his legs elicited from within her the hunger she never knew existed”

yes, smut is about sex. but sex can also be about other feelings besides arousal. sex can be about vulnerability, the complete trust one gives their partner. it can be about surrendering and submitting yourself to someone. it can be about dominating and controlling someone. it can be about pain and betrayal. it can be about hatred. it can even be about grief and mourning. just in case you want to throw in some feelings or angst and in case you want to describe your scenes with something else that isn’t just mindless arousal.

(again, smut with nothing but mindless arousal isn’t bad. there’s nothing wrong with smut just being smut with no other feelings involved. so this isn’t me saying you have to throw some emotions and depth into your porn, obviously. smut can be just smut and that’s fun and hot enough, and if that’s your thing then you do you. I will always be rooting for you.)

the two most important things while writing smut — as well as anything else that isn’t smut — are 1.) write whatever you want for you and 2.) practice makes perfect.

keep writing. your smut doesn’t have to be perfect the first time you write it, and that’s okay. that’s normal. the most skilled writer out there started out terrible at what they wrote, but the nature of writing is that you get better the more you write.

the first smut I wrote was about 8 years ago and it was terrible. and that’s fine. I’ve come a long way since. the point is: keep writing and writing and writing and you will keep getting better and better and better.

Awwwh Lau 🥹🥹 Thank you babe, that’s so sweet of you - you’re so kind to me ♥️

And I was going to joke that I have no idea how I do it (and that is true to an extent - lots of it just happens in the moment!) but real talk, writing smut is one of the things I find MOST difficult in writing. It’s so time consuming to get it right, or it is for me anyway!

But here’s how I try and approach it… apologies I’m chatty and this got a bit long but I hope it’s useful to you and others!

Alex’s Guide To Writing Smut

I present to you a - probably quite incomplete, I’m sure I’m missing a lot of speech sounds - reference list and a bit of a guideline for the different ways one can describe the sounds your characters make whilst writing smut. I’ll definitely be referring to it, because I sometimes get stuck on exactly how to describe a particular noise. (aka, “he can’t groan again, he just groaned last paragraph”)

Sounds (noun, both independently and describing speech): breath/breathe, gasp, moan, groan, pant, whimper, whine, shout, yelp, hiss, grunt, cry, scream, shriek, sob, growl, curse, sound, sigh, hum, noise, squeak, snarl, howl, roar, mewl, wail, choke, keen, purr

Sounds (noun, describing speech): rasp, husk, drawl, plea, murmur, whisper, beg

Descriptors (adjective): loud, hushed, quiet, low, high, high-pitched, little, tiny, soft, deep, unrestrained, restrained, strained, breathy, rough, sudden, short, drawn-out, sharp, harsh, hard, thick, smooth, thin, heavy, impassioned, insistent, hungry, passionate, repeated, filthy, debauched, sweet, slow, deliberate, guttural, languid, surprised, husky, distracted, happy, pleased, satisfied, wordless, cut-off, bitten-off, contented, hoarse, extended, long, depraved, aching, choked, strangled, broken, helpless, shuddering, shaky, trembling, urgent, needy, desperate, wanton, shattered, pained, eager

Combine a descriptor and a sound for best effect - for example, “needy moan,” “pleased hum,” or “sudden scream.” You can even use two: “low, rough grunt,” “sweet little cry,” “desperate, filthy noise,” as long as you don’t repeat a word that means the same thing, unless you really want to emphasize it. Avoiding repetition is pretty key here. You don’t usually want to say “hushed, quiet gasp” except on rare occasions when it’s very important how soft the sound was.

Use your own common sense, as well; some sounds and descriptors don’t generally work well together. “Deliberate shriek” probably wouldn’t work well, and neither would “languid grunt,” but again, this is all very situational - play around! Have fun.

          Writing sex scenes. If you read those three words and you’re interested I don’t have to say much more huh?

       A disclaimer if you will that this is just covers the two physical genders we see the most, with a bit about managing with non/neutral genders, xeno sex, jellies, hermaphrodites, and gender shifters, and stuff. If anyone has a problem with any gender doing anything, then they can skip that part. If you have any issues with any of the terminology I use, you can go elsewhere. I’m not here to be PC or make you feel better about what you’re reading or take care of your issues, I’m just here to drop information for people who might need it and I’m not nice about it. Trigger Warnings I guess for general sexuality, but I keep the really nasty harder triggers out of it. Oh and it’s REALLY LONG AND DETAILED (It’s 13,400 words or so if you’re asking.)

       So: suck it up, put on your big girl panties, and deal with topics you might find uncomfortable or badly phrased as maturely as possible. Get ready to giggle like 13-year-olds at the word nipple. We’re going into the five-alarm-flame-bait-NSFW-headache known as sex! (No seriously, this is NSFW. 18+ only material.)

Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.

Gaze - To look steadily and intently, especially in admiration or thought.

Glance - A brief or hurried look.

Peek - A quick and typically secretive look.

Peer - To look with difficulty or concentration.

Scan - To look over quickly but thoroughly.

Observe - To watch carefully and attentively.

Inspect - To look at closely in order to assess condition or quality.

Stare - To look fixedly or vacantly at someone or something.

Glimpse - To see or perceive briefly or partially.

Eye - To look or stare at intently.

Peruse - To read or examine something with great care.

Scrutinize - To examine or inspect closely and thoroughly.

Behold - To see or observe a thing or person, especially a remarkable one.

Witness - To see something happen, typically a significant event.

Spot - To see, notice, or recognize someone or something.

Contemplate - To look thoughtfully for a long time at.

Sight - To suddenly or unexpectedly see something or someone.

Ogle - To stare at in a lecherous manner.

Leer - To look or gaze in an unpleasant, malicious way.

Gawk - To stare openly and stupidly.

Gape - To stare with one's mouth open wide, in amazement.

Squint - To look with eyes partially closed.

Regard - To consider or think of in a specified way.

Admire - To regard with pleasure, wonder, and approval.

Skim - To look through quickly to gain superficial knowledge.

Reconnoiter - To make a military observation of a region.

Flick - To look or move the eyes quickly.

Rake - To look through something rapidly and unsystematically.

Glare - To look angrily or fiercely.

Peep - To look quickly and secretly through an opening.

Focus - To concentrate one's visual effort on.

Discover - To find or realize something not clear before.

Spot-check - To examine something briefly or at random.

Devour - To look over with eager enthusiasm.

Examine - To inspect in detail to determine condition.

Feast one's eyes - To look at something with great enjoyment.

Catch sight of - To suddenly or unexpectedly see.

Clap eyes on - To suddenly see someone or something.

Set eyes on - To look at, especially for the first time.

Take a dekko - Colloquial for taking a look.

Leer at - To look or gaze in a suggestive manner.

Rubberneck - To stare at something in a foolish way.

Make out - To manage to see or read with difficulty.

Lay eyes on - To see or look at.

Pore over - To look at or read something intently.

Ogle at - To look at in a lecherous or predatory way.

Pry - To look or inquire into something in a determined manner.

Dart - To look quickly or furtively.

Drink in - To look at with great enjoyment or fascination.

Bask in - To look at or enjoy something for a period of time.