Vhenan

0:00 - 0:47

plays right after defeating elgar’nan, this is the dread wolf theme as solas is staggering down the steps monologuing to rook about how his plan to tear down the veil must go on.

rook intercepts the lyrium dagger and here is where they make the choice to either trick, fight, or redeem solas.

0:48 - 1:18

the music is tense, but the dread wolf theme slows and starts to morph into something else.

rook turns to solas, saying how they do not wish to fight him and are given another dialogue choice after choosing the ‘redeem’ option.

1:19 - 1:30

the music sort of dins out here to just the cello/violin(?).

rook is telling solas that his plan to bring down the veil is not what he needs to do nor is it in HIS best interest. i think the music fades out here because the three dialogue options you're given are very powerful in their wording and needed to be amplified.

1:31 - 1:57

the violin/cello(?) starts off and you can hear some notes resembling the inquisition theme. this is solidified by the harp joining in and then you hear notes of someone singing like the well of sorrows theme from inquisition. i like to think this is solas fighting with himself thinking of his time during inquisition (and with lavellan) and the well of sorrows theme is both playing as solas's unyielding devotion to mythal.

solas is given the lyrium dagger to make his choice. he looks down at it, and for a brief moment you can see him tapping the blade with his finger. he's pondering this plan. he looks up at rook briefly before looking back down at the dagger again. solas looks like he's going to say something, but turns away from rook and starts to walk up the steps.

1:58 - 2:05

the harp plays the inquisition motif, or at least a very short brief version of it. you can hear the singing still as lavellan steps into the doorway and looks up at solas.

2:06 - 2:23

the violin plays as solas finally reaches the top of the stairs. it almost sounds like it's pulling? it changes notes almost as if it's changing direction. solas fighting with the idea of tearing down the veil or binding himself to it.

finally he says he can't bind himself. that 'to stop those would dishonor those i wronged to come this far.' i don't know what instrument it is, i think it's a woodwind instrument and a rainstick? plays as solas says he can't bind himself to the veil. he chooses to persist in his plan despite being given a way out.

2:24 - 2:28

GOD THIS PART. the choir builds as the inquisitor's voice cuts solas off. this same string of notes sung is often used in inquisition when the inquisitor comes on screen in the past.

no other instrument is played here. it is just the voices of the choir.

'vhenan...'

2:29 - 2:37

one note of the piano drops as soon as solas turns his head from lavellan in shame. this was exactly what he feared, letting her see him like this. the inquisitor starts trying to reason with solas: 'you think you've gone too far to come back, but you're wrong.'

2:38 - 2:53

alright SO this part is EXTREMELY important and also INCREDIBLY hard to pinpoint but if you go back and listen to inquisition's 'thedas love theme' you CAN hear parts of it interwoven in this section. the cello is so overwhelming because the inquisitor is pulling solas away from his plan again.

he's wanting to listen but he's fighting so hard because he doesn't think he deserves this. even after lavellan says she forgives him! solas doesn't think he's worthy of her.

2:54 - 3:20

the cello is pulling faster to add tension to this part because once again solas rejects even the love of his life's plea! you become hopeless thinking that their love never mattered even against the fate of the world. solas says he cannot because he feels like he NEEDS to avenge mythal by bringing down the veil. he's bound by duty and pride, there is no wisdom here.

3:21 - 3:55

ALRIGHTY FOLKS THIS PART HERE OHHHH MY GOD. so the cello swells again because solas is about to tear down the veil it seems for good, because if not even his vhenan can convince him, who can?

morrigan shows up, and as soon as she stands before solas you get slammed with all three games' themes at once! first you hear origins and then 2, and then finally inquisition all interwoven together. this part is SO insane to me. holy shit!!!!!!!

i just want to say even though we are talking about the music, you will see that morrigan, rook, and lavellan are lined up from left to right. past, present, and future. i am so fucking feral over that. they did that on purpose i don't care what anyone says. anyways! back to the music.

3:56 - 4:20

the choir again! holy fuck! you can hear da2 and a little bit of origins? at least i think it's that. this is played as rook hands morrigan mythal's essence and she channels it for mythal to appear before solas. literal chills babes!

4:21 - 4:55

DO YOU GUYS FUCKING HEAR TRESPASSER? BECAUSE I SURE FUCKING DO. HOLY SHIT. I CANNOT EVEN DESCRIBE TO YOU WHAT THIS MEANS. lost elf. solas is lost. he's lost EVERYTHING up until this moment. his family, his friends, his soulmate, EVERYTHING. he's like a sad, lost, child in this moment.

anyways! lost elf starts off really quiet and slow and deep as mythal lays out her wrongs in front of solas, showing him that he alone was not the pariah of this story. mythal reminds him that she also committed the same wrongs as he did, it's not solas's alone to regret. she was there too. if not for her, solas would not have done what he did.

4:56 - 5:22

lost elf is still playing very quietly in the background! as soon as mythal appears the cello is more carefree, flowing, free! solas is free now! lavellan KNEELS before him as solas breaks down, an immense weight falling off him as he's finally free to be who he chooses. no longer bound by pride and regret.

solas stands up and realizes that what he wants is to atone. to fix his mistakes the right way, not the way mythal would have wanted or his pride would want. his wisdom sees that if he uses what he knows, he can at least start to mend the past wrongs.

5:23 - 6:02

ugh i don't know who let hans zimmer absolutely fucking COOK here but the cello starts to move faster in a more hopeful, determined state as solas binds himself to the veil and promises to soothe the titan's dreams, help find a cure for the blight, and atone for all his mistakes. it really fills you with a sense of relief and pride for him! like yeah babe you do that! proud of you!!!

6:03 - 7:14

ok so i actually have been crying the entire time lol! i literally cannot stop. so this part! so many big feelings. lavellan steps up to solas, telling him that he won't make this journey alone. the main chorus of lost elf starts to play and i cannot tell you when you hear the cello and the fucking violin start playing TOGETHER because solas and lavellan are finally TOGETHER after being literally put through the fucking wringer for 10 fucking years.

and the SYMBOLS CRASHING TOGETHER WHEN THEY KISS IS JUST HOW I FEEL ALL THE TIME ABOUT THEM. lost elf is THEIR theme. this is not just solas's theme anymore this is solas AND lavellan's theme. they made it their theme. this is about them now, your honor!

alright so that's how i feel about all of that because this theme literally has rocked me to my core. the entire sequence is insane. the past motifs of the past games being used destroys me. and then lost elf comes in and just smacks the nail in the fucking coffin.