DEAR READER
Claire Keane
Cosmic Funnies

Love Begins

pixel skylines

★
Lint Roller? I Barely Know Her

"I'm Dorothy Gale from Kansas"
todays bird
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
noise dept.

祝日 / Permanent Vacation

Discoholic 🪩
Keni
we're not kids anymore.

Kaledo Art
he wasn't even looking at me and he found me
seen from Netherlands
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seen from Denmark
@vincrane

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Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)
protect the little one
thought about Grace’s eureka claps
+ bonus:
accommodating high fives and fist bumps, baby
Apparently my stepdad and I are fucking psychically linked because ?? every single time he makes chili for dinner I get a migraine. Without fail. And it became like a ha ha running joke because it happened so many times but now I’m living 3 hours away from my parents and I just texted my mom and
WHAT IS HAPPENING TO ME
Happy disability pride month
via @ninjahijabimuse
this is so much better i love it

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common grackle and red-winged blackbird best friends forever!!!
a doodle while i work on the next pages
Link to doc
Computa make these guys that have nothing to do with each other yet have weirdly similar parallels super gay and into each other

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Simon’s ability to navigate is cracked asf to Eridians!!! /pos
OKAY so idk if this is canon cus I can’t find the post but someone made a post about how Eridians apparently don’t have a spacial memory/recall/remembered spacial awareness like we do, and therefore if they walked through a room and “saw” it, then tried to walk through the room “blind” aka deaf and unable to echolocate, they’d be totally lost. They don’t retain awareness of how to navigate that space. Unlike humans, who can mentally visualize the navigable area of a room they can no longer see, allowing us to walk around in the dark with some semblance of where things are. That post mentioned how confused Eridians would be seeing Grace walk around his house in the dark and not run into Everything, he actually seems to know where he’s going.
And then I had a realization while rewatching Iron Lung. THEY WOULD FIND WHAT SIMON DID INCONCEIVABLE. Absolute freak of nature shit. And what I mean is his ability to map his surroundings and learn them and navigate them. Simon literally could never effectively see things while moving, all he had was a proximity radar and occasional shitty photos that would only ever be “how things looked 3 seconds ago”, and he mapped the area in the blood ocean with decent success and at certain points no longer even needed his map. He managed to gain a sense of his surroundings outside the ship, and understand those surroundings, navigating essentially blind. Only knowing/discovering if something is in front of him once he’s right there almost up against it, close to collision. Building a visual of the space by approaching a direction until he is stopped. And that method of navigation?
In all reality, what most accurately describes the way Simon navigated is by feel. Simon navigated by touch.
….and I think I need to make some fanworks about that.
Simon who doesn’t trust easily. Simon who fucking EARNED being called the Butcher. Simon who would kill again if he needed to. Simon who only knows how to fight, tooth and nail. Simon who uses every weapon at his disposal. Simon who has been desperate and starving all his life.
Simon who isn’t used to being full. Simon who doesn’t know what getting resources without strings attached means. Simon who just wants to live.
Grace who has never starved before. Grace who is kind. Grace who has never had to fight like Simon. Grace who knows how to lead with an open palm. Grace who is patient. Grace who waits
THERE IS HD SIMON/MARKIPLIER HARNESSED TIDDY EVERYWHERE
Omigod sometimes the internet is FANTASTIC
I have been thinking in the AU in which Simon gets to Erid first and is "adopted" by the pressunted widow Adrian... do you think that when Rocky compares Simon (who by this point I assume has deal with some of his trauma and is more stable) with Grace, Rocky comes to the realization that all humans are not like Grace.
Adrian gets a jumpy, but strong human that doesn't think that sleep is for the weak, while he just had the luck to get the leaky ADHD clumsy human who refuses to sleep his eight hours as humans should.
More Bloody Mary sketches cause apparently this fixation isn’t going away anytime soon

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One thing I like about BloodyMary is that Grace will not swear and Simon will swear a lot.
Grace, fucks up an experiment he was doing: "Aw, shoot darn."
Simon, drops something: "FUCK"
I like to think that once Grace knew about Simon love for trees and nature he asked the eridians to add a small forest to the dome as a welcome gift. However, when they grew closer, he wanted to give Simon something that he could grew himself, and Grace personally gave him biogenetic modificated seeds and little tree sprout that can grow in Erid.
I also like to think that in Eden giving seeds, leaves, or anything related to a tree and nature to someone is a well know, and quite fancy, way to ask someone to marry you, since trees are not only something super weird, but also has a lot of religious meaning for those who grew in Eden. If you give someone something related to a tree and they return the favour, at the eyes of Eden culture, you got married.
So when Grace gave Simon those seeds and little tree sprout, Simon broke in tears, for the emotion of having his own tree and been seen as spouse material, Grace's spouse. In a rush Simon took a leave of one of the trees of the forest and gave it to Grace, as a way to say that he accepts Grace purpose and hugs him with all he had.
In Eden kisses and anything carnal is seen as a waste of energy, resources and time, and probably sinful, with all the cultish- religious guilty-sacrifice mentality, so a hug means a lot.
Simon, super emotional and very happy, drowning in his tears, hugging Grace as if he wants to squeeze the life out of it: I promise you that I will be worthy of this honour.
Grace, thinking "wow, he really loves the nature, good for him to have a pasion", trying his best to return the hug without losing his breath, nor squashing the tree sprout: I know, I know, you are already worthy, buddy.
Simon just cries harder.
And that is how from Simon perspective their are happily married, while Grace is thinking that having a human friend again is awesome.