Villainette

title: se metre au vert artist: villainette author: sabeamidala rating: pg-13

summary:

“I don’t know,” Lydia sighs, settling back against the headboard. “Maybe she’s terrible. But Alli, look at her seal!” She flips the envelope over and holds it out to Allison. She observes it carefully, and her world seems to slot into place for the first time in years—even if it’s just for a brief second. She finally sees that she’s doing something…right. “Bouclier de la non protégé,” she murmurs, and smiles as she traces it. “Shield of the Defenseless,” Lydia confirms, and smiles.

Parker and Shaw trapped in an enclosed space while on a heist to rescue orphans!

So Parker is in the air ducts, because let’s be honest, when is Parker NOT in the air ducts? But she’s in there because she’s casing the joint to find the best way to steal a DIAMOND. For funsies, not for a job. 

Only the owners of the diamond are sneaky fuckers who put booby traps in the air ducts—”HEY!!” Parker yelps when the panel snaps out from under her, because she is OFFENDED on behalf of ALL AIR DUCTS EVERYWHERE. 

“Ow,” says the squishy hard thing Parker lands on. Because it turns out Shaw has already found the booby trap. 

“…Hey,” Parker says. “Who the crap puts a booby trap in the air ducts? Rude.” 

“Yeah,” Shaw huffs. “Rude.” 

“Are you here for the diamond?” Parker demands. Shaw is actually pretty comfortable, or maybe it’s that Parker has always really liked small spaces like this little thief trap. Shaw isn’t a wiggler, either. “Because it’s mine. Dibs.” 

“No?” Shaw drawls. Parker twists her head to look at her and winds up frowning at Shaw’s elbow. “There’s a diamond? You never said anything about a diamond. ….Well I still would have liked to know.”

“Are you talking to yourself?” Parker asks, trying to sit up—she accidentally elbows Shaw in the stomach, and Shaw’s knee snaps up; Parker blocks the blow the way Eliot showed her, catches the flying elbow that comes at her next. When the dust settles they have their own space, barely, and they’re glaring at each other with a new kind of respect. 

“Why are YOU here?” Parker asks. 

Shaw sighs through her nose, hesitating. Then, “There are a half dozen orphans being held captive in the basement. What,” she adds to her earpiece. “It’s not like screwing up our rescue is going to help her get the diamond.” 

“Only a half-dozen orphans?” Parker asks. She has just enough room to wiggle her phone free. “I can steal orphans. I once stole twenty of them from a warehouse. What’s your plan?” 

this is an interest post for the possibility of an allydia reverse bang! i see a ton of fabulous allydia art floating around out there, but when you take major other pairings out of the allydia tag on ao3, there are minimal fics to be found. so i figured maybe we could combine the allydia art passion with the apparent lack of inspiration to create some amazing content!

quick definition of reverse bang: a reverse bang is, essentially, the opposite of a big bang. artists sign up first, then create art for the pairing, usually accompanying an au or fic idea they’d want to see. while they’re creating, the authors sign up, and when the art is done, authors will claim at least one piece of art for themselves. if there’s an uneven number, some authors may request to write for two pieces, or some pieces might get multiple fics! after a set period of time the fics come in and the posting starts, and lots of art and fic are officially sent out into the world.

if this sounds like it would be interesting to you, whether you’d like to be an artist, an author, a cheerleader, or a spectator who’s desperate for more allydia, please reblog this post! 

in order to allow you to start planning in case the project generates enough interest to move forward, i have created a tentative calendar (note that it is extremely subject to change for a variety of reasons):

October 15th: Author and Artist Sign-Ups Open

October 26th: Artist Sign-Ups Close

December 1st: Art DUE

December 5th: Author Sign Ups Close

December 7th: Art Claims Open

December 9th: Assignments Sent Out

January 15th: Fic DUE

January 25th: Posting Begins

if you are interested and don’t want to forget about it, you can follow the bang at allydiareversebang. that way, when we begin the bang you’ll see it! you can also track the #allydiarb tag for more information. 

What is our timeline?

How old are our characters?

How did Cora survive the fire, how did she get to South America and with whom did she stay there?

Why does Derek survive being nearly ripped to shreds by Peter in 1x06 but being shallowly impaled by Derek’s claws kills Boyd in3x07? What can and can’t kill a werewolf?

Does is make sense for this character in this particular situation to act this way?

How can we make it believeable that Malia would attend High School with the other characters despite living in the woods for eight years?

Where is Malia’s (adoptive) father? How would she react towards him upon finding out he isn’t her real father?

If it’s a hitlist instead of a deadpool, shouldn’t we actually call it a hitlist to avoid confusion, even if it sounds less cool?

How can certain characters simply walk out of a mental institution?

How can we explain that a character who committed mass murder in a hospital while being filmed by multiple security cameras isn’t in prison?

Why was Braeden with Satomi’s pack? Who shot her, and why? Where did her (nearly fatal) gunshot wound disappear to?

How is Melissa allowed to do this when she’s only a nurse?

How does Meredith control the printers?

Also how did she programme the computer hidden behind a wall when she a) didn’t have the key and b) no access to the computer?

Where did the berserkers come from? How does Kate control them?

How did Kate know how to deage Derek?

How did Meredith know that Kate would use Derek to break into the vault? How did she know when Derek wasn’t a supernatural being anymore?

Why did deaging Derek make him lose his powers, and why did dying turn him into a full wolf?

How did Meredith manage to control Brunski?

Why would Meredith listen to Peter’s rantings and believe he would build a world that’s safer for humans when all he talked about was creating a stronger supernatural species?

Is it really necessary for the plot to have two teenagers hook up in the dirty basement of a mental asylum without protection?

Where did various characters disappear to and how do we explain their absence (Danny, Isaac, Ms Morrell)?

What are the powers of Kira, Lydia, the emissaries etc.?

Why is Kate a werejaguar?

How does a fox make physical manifestations of its tails?

Does it make sense to suddenly have a supernatural ward in Eichen House when its existence has never come up in previous seasons even though it would have presented a viable option to retain supernatural criminals?

What did the alpha pack really want to do with the power they amassed?

Do we really need to fridge another female character for Derek Hale’s tragic backstory?

Why is Peter suddenly growing stronger again?

Do we really need to add this many new characters, especially villains?

Should we scrap this slo mo fight scene for a character driven one?

Why would the nogitsune leave a voicemail on Allison’s phone, and how was it suddenly turned off when she didn’t do it?

Do we really need to include this heavily romanticised dub-con sex scene?

How can we make sure to show the audience the characters are still grieving the loss of their loved ones other than a few sad looks and one line in the finale?

If Scott lived with his father pre season 1, how can we work out a believable storyline for their estrangement in season 3b? Why did Scott move to his mother?

Why would Jennifer try to get the werewolves to committ suicide in Motel California when they don’t fit into any of the categories she needs for her sacrifices?

How do we deal with the emotional fallout of certain scenes, like Scott trying to kill himself, or making creepy advances towards Allison while possessed?

Are our characters distinguishable and unique instead of cardboard cutouts of recycled tropes (especially women, POCs and LGBT characters)?

Should we really include this plot line when it is dropped in the next episode and not mentioned again, or rather spend the time on something more important?

Does this plot really make sense?

No, ask again. Really? Are you sure?

Things Jeff Davis and his team spend a lot of time discussing: