Hear my soul speak. Of the very instant that I saw you, Did my heart fly at your service.
Happy Pride!
Dusting off the old favourites, just because...I mean, do I need a reason?
illustration by me

shark vs the universe
dirt enthusiast
YOU ARE THE REASON

roma★

blake kathryn
let's talk about Bridgerton tea, my ask is open
we're not kids anymore.
Stranger Things
h
Three Goblin Art

★
"I'm Dorothy Gale from Kansas"

Cosmic Funnies
Jules of Nature

Product Placement

oozey mess
he wasn't even looking at me and he found me
$LAYYYTER
ojovivo
seen from Norway

seen from Puerto Rico

seen from United States
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seen from United States

seen from Malaysia
seen from Malaysia

seen from Norway
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seen from France
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seen from Canada

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@uselesseaweedbrain
Hear my soul speak. Of the very instant that I saw you, Did my heart fly at your service.
Happy Pride!
Dusting off the old favourites, just because...I mean, do I need a reason?
illustration by me

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Okay, in listening to Evanescence's album Fallen, I desperately wish CW Supergirl had done a Grey's Anatomy/Coldplay style musical episode, where they just dramatically sing Evanescence songs.
Fallen as an album works during the period where Kara is in the Phantom Zone, and I could assign a song to most of the primary characters. However, the song I have earmarked for Lena in this conceptual episode would require Lena learning the Supergirl truth *just* before Kara gets zapped to the PZ.
Which honestly may have been a better narrative than what the show actually gave us, so... I wouldn't mind exploring this further.
Okay, I've got sort of a roster for the album in a supergirl musical episode. Except the songs wouldn't necessarily belong in one episode, because while they mostly center on the rift and subsequent foray to the phantom zone, they don't necessarily fit into one episode.
Going Under - Lena, still angry and hurt, almost overwhelmingly so. Her swirling emotions threaten to sweep her underwater, and never let her reach the surface again.
My Immortal - Alex, grieving the loss of Kara to the Phantom Zone, blaming herself for Kara's sacrifice. She's struggling to maintain her hope, even as Kara's rescue feels more and more impossible.
Whisper - Kara, in the Phantom Zone, trying to cling to her will to live, hopelessness creeping in with the perpetual cold. As she fights off phantoms left and right, she clings to the memories of her life and friends on earth.
Imaginary - Nia, trying to dream a way to Kara, yet failing to understand the visions her dreams show her. She feels useless and helpless as she tries to navigate her way through dizzying and confusing dreams, as her frustration and desperation grows.
Hello - Kara, after her rescue, perhaps? I could see it as her hallucinating herself as Kara Zor-el, trying to reconcile her currently broken self with the paragon her parents wanted her to become, and the hero she's embodied for years.
My Last Breath - Lena, after Kara's rescue, hurting as she sees Kara hurt, struggling to figure out how to help a hero, when she herself, is just... Lena. And yet-- though may just be a pitiful human that Kara didn't want to trust, despite Lena's own hurt at being deceived for so long.... she's devoted to Kara. She knows that, and she owns it. She'll be there, for whatever Kara needs.
Bring Me To Life - Kara, after her rescue, still trying to connect with the world around her. She feels distant and cold, but can't find her way back to herself alone. So she reaches to the only person she knows can help: Lena.
Taking Over Me - Lena, as she sees Kara start to lose her battle with the depression and suicidal ideation borne of her time in the phantom zone. Lena recognizes the signs, knows them intimately from her own experiences, and clings to Kara, hoping beyond hope that her friend will reach out to her in return.

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As my contribution to lesbianism today I spent the past 30 minutes getting lost in Katie McGrath edits.
That’ll be all. Thank you.
THIS SCENE WAS SOOOOO BLATANTLY GAY BRO
LIKE WHICH STRAIGHT WOMN TALKS LIKE THIS???? NAME ONE WHO DOES.
Ugh! My heart!
A thing I've been talking to @falsealarm about a lot lately is the concept of Kara visiting Kate in Gotham and like. Meeting Kate at the gay bar she's (theoretically) developing. Can you imagine this noodle in a bar full of drunk queer girls I just.
first of all, kara IS a noodle and i just love that so much.
but second, YES THIS. oh GOD.
the amount of attention she’d draw because she’s just so CHARMING and STRONG and has such a GOOD FACE. as soon as she walks in, everyone’s attention would be on her and she would be oblivious to it until she realizes that oh, yes, they’re looking at HER and oh… it’s ~that~ kind of bar. and she would be stumbling over her words and walking into things and adjusting her glasses because–everyone here is SO pretty, Kate!–and kate would be like – does that whole schtick ACTUALLY work? and kara, of course, won’t have any idea what she’s talking about and just be adorably confused and not sure how to answer. and kate would want to be annoyed, but would find the whole thing SO entertaining, especially the way Kara is just so NICE to everyone. she accepts drinks and dances with strangers to be Chivalrous and Good and its just so DIFFERENT because she’s genuine about it…
and eventually they reach the comfortable buzzed place where they can have Good Bro Talks and kate would get her to open up about Lena and oh….. suddenly everything makes SENSE.
YES PLEASE ALL OF THIS.
Perfection.
"I wish I had something that could store energy and also absorb vibrations."
The faithful and compressable spring:
Natural Black Hair Tutorial! Usually Black hair is excluded in the hair tutorials which I have seen so I have gone through it in depth because it’s really not enough to tell someone simply, “Black hair is really curly, draw it really curly.”
The next part of Black Hair In Depth will feature styles and ideas for designing characters and I will release it around February. If you would like to see certain styles, please shoot me a message!
YES! BOOSTINGGGG FOR MY FOLKS WHO WANNA/NEED TO KNOW HOW

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✨ suit handles ✨
sfw for @i-am-robie and see my side twitter for @jazzfordshire‘s version
Apex AU #1
I'm still puzzling out the plot of the actual hunt, but I do have some thoughts on who Lena and Kara would be in this movie, and how they would meet and interact.
Lena would be an elite climber-- sending first summits left and right. In the movie, Charlize Theron's character lost her climbing partner, so I was thinking maybe Lex would be her climbing partner, at least initially. But then an event happens where Lena trusts Lex, and Lex betrays her somehow, resulting in a significant injury she has to claw her back from. And from then on, she doesn't trust anyone-- not even (or especially, rather) the other climbers who audition to fill Lex's spot once Lena is back to climbing like she used to.
I think Lena would eventually settle on selecting Jack Spheer to fill the slot on her team. He's affable and knowledgeable, and doesn't push her for intimacy or try to steamroll her. He respects her, and is happy to just be coworkers, if not amicable friends. Except Lena still trusts no one but herself now. And eventually, something happens on the wall where Jack is advocating for one course of action, and her gut stubbornly insists on another-- and doing it her way gets *Jack* hurt (or dead, depending on how angsty we want it).
So Lena goes into the wild with a mindless sense grief and guilt, and a massive hangup about trusting not only others, but now herself as well. She's adrift, and is kind of wandering, going where the wind takes her.
Meanwhile, Kara would be former military-- pararescue (the people who rescue the special forces), or something like it. And then after her honorable discharge, she gets into search and rescue on the civilian side. She's seen some shit. And eventually, Kara stops seeing the outdoors less as something to admire and enjoy, and more as a continuous threat just waiting to kill hapless humans.
She goes into the same wild as Lena, but for her it's an active effort to recenter and learn to love the outdoors again. To heal from her time in the military, and just... breathe.
They meet at one of the last gas stations outside the park, as total strangers to one another. A trio of grungy locals are heckling and harrassing Lena as she tries to pay and leave without a confrontation. Kara, with all the chivalry the military trained into her, steps in on her behalf. She tells the men to layoff, congenially at first, then more forcefully with a painful arm twist when one of them reaches for her.
They sulkily disperse after that, and Kara heads outside to the gas pumps to check on Lena. Who "had it covered", of course, but.... "thank you." They get to talking and it turns out they're headed towards the same area, in a sense. Lena plans to kayak down the river to a lake known for its peaceful seclusion, while Kara plans to rock climb up to the same lake.
"Who knows," Kara says with a warm grin, "maybe we'll meet at the middle."
"Yeah. Maybe."
It's not much more than that, really. But even so, as Lena drives away, she realizes that for the first time in months, she's smiling.
Medieval Supercorp AU
EDIT: it’s this gifset
Continuing from this gif inspiration by @weinzapfel, have this full angstified story overview:
This makes me think Lena and Kara are both noblewomen of a kingdom at peace. They grow up together at court, sharing tutors and charming the king with their adorable antics while they’re young enough to be adorable.
And then as they grow older, everyone continues to assume that they’re the best of friends, which they are, but little do their parents know that their afternoon rides through the forest take them to a hidden copse of trees where they cuddle gently in dappled sunlight.
Their eventual marriages of politic are a distant future, leaving them with a present that is just the two of them, happy and in love.
Trouble comes, as all trouble must, when the King dies with neither an heir nor a ratified succession plan. The two greatest families in the realm, the Luthors and the Els, each claim a right to the throne, sparking a year of discord and unrest at court. At first, their youth and their stations as younger children of each family leave them out of the fray, but when forces storm the castle one night, all that changes.
Lena and Kara are sequestered together when the assault begins. No one tells them whose family is storming the Citadel, and so they wait in wary apprehension to see which crest comes bursting through the door.
It’s the el mayarah.
For a brief moment, Kara is relieved, because she knows her family’s forces won’t harm Lena. Not if Kara speaks for her. But these soldiers don’t heed Kara’s protests as they rip Lena from her arms and drag her from the room. Kara struggles to follow, but the soldiers shove her back and lock her in.
By the time she is finally released, she demands to see Lena, decrying her friend’s treatment and the brutish actions of her house in taking the stronghold. To her shock, her family knows nothing of Lena’s whereabouts. They had stormed the castle, yes, but they hadn’t entered the living quarters until that morning.
At first they believe Kara mistaken, but the staff confirm they witnessed the same. A search of the castle is ordered, but no trace of Lena remains to be found. She has disappeared, and with no Lena to present as proof of her survival, the Luthor family not only refuse to acknowledge the Els as the rightful rulers, they swear vengeance for the murder of their beloved daughter, cruelly mistreated and killed by the rebels.
Years pass, and the realm falls into further turmoil. The Els maintain their hold on the citadel, but the Luthors have established their own capital city safe on the far side of the northern mountains. Lex Luthor and Kal El have destroyed each other in the conflict– Lex on the battlefield, and Kal at the hands of a Luthor assassin in retribution.
Kara is now the surviving heir, though her family elders rule in her stead as she gets a crash course in regency. It’s hard for her to embrace her duties however, as doubt eats away at the back of her mind as to what happened to her best friend. With no answers, she wonders if her family did in fact had something to do with her disappearance and presumed death. She has nightmares, none of which she clearly remembers but leaves her with a deep unease she can’t shake. For years, she struggles to rise above and be what her family needs, but can’t fully engage in her role with half her soul missing.
Then one day Kara’s having a rare moment of escapism, participating in a hunt with some of her closest friends. During a break, one of the scouts comes thundering in through the brush. Kara’s tease about scaring off the game dies on her lips when she sees the page’s frantic gaze and desperate puffing breath.
“Your Majesty– we’ve found something.”
Something is a pit set into the ground, deep enough that the sunlight filtering in through the canopy can’t find the bottom. Their torchlight can, and Kara’s blood chills at the sight of iron shackles dangling on long chains from a bolt in the wall.
“What is this place?” she asks, half to herself. Her mind races, piecing the puzzle together. If this was a prison, then there must have been traffic to and from. Her eyes scan the forest floor around the mouth of the pit, and feels her heart seize when the light of her torch glints against something metal half-hidden among the detritus. “Nobody move.”
Her party all freezes, and Kara reaches down and lifts the golden chain of a familiar necklace from the dirt. From it dangles the crest of the House of Luthor, adorned with a long tear drop pearl.
“Is that…”
Lena’s.
“Clear out. Retrace your own footsteps. If there’s tracks, we need to find them.”
There are no tracks. Lena’s pendant is tarnished with time and the elements. If Lena had been there, it had been months ago, if not years. For the first time wielding the powers vested in her as the royal heir, Kara launches another wide scale search, the largest since Lena’s initial abduction.
This time, they find her.
Deep in a vassal’s dungeon, royal guards find Lena chained in the dark, pale and gaunt from years of imprisonment. The vassal lord is arrested and held for questioning, while Lena is installed and seen to in proper rooms on the estate until she’s well enough to travel. Kara’s duties keep her from traveling to the vassal’s holdings herself, but the moment Lena arrives back in the capital she’s aching to visit, but heeds her mother’s warning to let Lena get comfortable first, so that she isn’t overwhelmed. She’s been sleeping most of her days regardless. So Kara gives her a day to settle in, but when evening falls, she can’t wait a moment longer.
She knocks softly on Lena’s door, and enters on shaking legs. Lena sits wrapped in a shawl near the windows, which have been left open to admit the cool evening breeze. It’s a long moment before Lena turns to regard her, and when she does, she rises only to dip into a deep curtsy.
“Your Majesty.”
“Lena–” Kara surges towards her, to lift Lena to equal footing, to embrace her, to hold her so tight she’d never let go… But Lena recoils from her touch, and Kara stops short. “I’m sorry, I– I didn’t mean…”
But Lena can’t meet her gaze, and in her features Kara reads the distrust, the suspicion. And in that moment Kara knows that Lena believes that her family ordered her imprisonment.
“We didn’t order it,” Kara says.
Lena nods, but says nothing, gaze still askance. Her discomfort is plain, and so Kara does the only thing she can. She turns to leave.
“Word has been sent to your family. At this time of year, the mountains will be impassable, but I give you my word that you will be safe here until they are able to send an emissary to collect you.”
Just before she leaves, Lena finally speaks. “I still dream of you,” she whispers, trembling with tears. “Every time I reach for you, you disappear into the darkness. I don’t– I don’t think I’ll survive if I reach for you again and you’re not there.”
Kara pauses, then returns to stand before Lena. Her head is bowed, tears glistening on her cheeks. Kara’s own throat locks around the sobs rising in her chest.
“Then let me reach for you.”
She slowly, carefully, reaches up and cups Lena’s damp cheeks between her palms. The moment their skin touches, a sob pulls from Lena’s chest, and finally she reaches for Kara, clinging to her as the years of fear and helplessness releases in a flood of tears. Kara holds her all through the night, spilling no small amount of tears herself.
When morning comes, the light shines on them both, together once more.
It's always hard reading about the violence committed to steal America, but the buffalo is always like... That's some inhuman shit. Everyone is burning in hell for that one. Wdym there were thirty to sixty MILLION buffalo in 1800, and by 1900 there were only 300 left. THREE HUNDRED. Do you know, can you fathom the amount of purposeful cruelty required to kill NINETY NINE PERCENT of a population of an animal, just to spite and murder the living Native people who existed and thrived with them? All this, for White Power and Entitlement?? Sickening.

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Lena Luthor edit I made 😊
The Hand: Annabelle Dinda
I have grown to realize a lot of you severely underestimate just how much antiblackness we have to swallow for the sake of our personal peace and our livelihoods. I'm not saying that to be mean or to make you go into a guilt spiral- that would be a useless reaction anyway- but I do want you to consider it. That what you believe to be peace is not just because it "is".
"Well if it was important why didn't anyone say it sooner?" "if it was important, why didn't they say it was racist?" peer, a good 75-80% of what I might say to the white and/or nonblack people that offend me directly goes swallowed for the sake of my paychecks and running water, or God forbid to avoid a bullet. Or if I'm online (where that number shrinks significantly), to be left the fuck alone 🤣
Y'all are very used to not having to hear that feedback bc we've been forcibly socialized into accepting that you won't take it well and often have the power to make it not worth our while to speak. Retaliation is common. That's why it's perturbing to folks when Black people DO speak up. Interrupts the status quo 😅
This page explores our cultural assumption that I or we (or the ones in formal and informal power) have a right to comfort, which means we