i ❤️ harry du bois
sheepfilms
Alisa U Zemlji Chuda
RMH
"I'm Dorothy Gale from Kansas"
h

#extradirty
Cosmic Funnies
he wasn't even looking at me and he found me
taylor price
Show & Tell
NASA
AnasAbdin
cherry valley forever
Not today Justin
I'd rather be in outer space 🛸

oozey mess

JBB: An Artblog!

PR's Tumblrdome
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@ufofblog
i ❤️ harry du bois

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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roots pt 2 / acrylic & pens in sketchbook
Harry sketch i never post anywhere
waiting for low tide - one of my favourite disco elysium moments

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Sophie Blackall (Australian, b. 1970, Melbourne, Australia, based Brooklyn, NY, USA) - Illustration from the book If You Come To Earth, 2020, published by Chronicle Books.
Gustave Baumann
American, 1881-1971
Grand Canyon
woodcut in colors
titled lower left; signed Gustave Baumann in pencil lower right; numbered I 35 125 lower right; with artist's chop in pencil, verso
Grogan and Company
MS APPLE WHAT
https://pitchfork.com/features/cover-story/fiona-apple-interview/
i’m speechless
where is she
FIONA IF YOU FOLLOW ME PLEASE HMU
When it was Possible to Concentrate, The World Felt like A Perpetually Unfolding Miracle
PJ Harvey photographed by Maria Mochnacz in 1993, published in i-D magazine that same year. This is a rarely seen picture from the photo shoot of the Man-Size single.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Michael Royce “Night Moth” tufted acrylic yarn on monks cloth 2019
joanna newsom lyrics in the style of jenny holzer’s inflammatory essays
Anima (2019) dir. Paul Thomas Anderson
the fact that no one’s going apeshit over this scene in fleabag is ridiculous

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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When Jo March said “but I’m so lonely” it hit me so hard. I was already crying a little but I just started full on sobbing. It was so raw and real and relatable and exactly the struggle of being a woman who wants to be fierce and strong and independent and have her own life where she is appreciated for all that she is but still so longing to be loved.
It is such a real thing in my life and those of countless women. To think, I do not need a man (or a woman). To think, I am my own person and I am valuable in my own right. But I long to be valued. Not because I have no value inherently, but because I want someone to recognize who I am and what I have to offer. I want to love and be loved and have companionship and warmth and care and family (maybe even one of my own) and just goddamn love in my life because I deserve it and we all deserve it. Yes I’m strong. Yes I am more than love. But that doesn’t mean I should live without love. I just want to be appreciated outside the merits of marriage. I want to be who I am and do what I do and be a whole complex human person who earns and gives love every day because that IS humanity.
It meant so much to me to hear it and it was so close to home. It echoes back to when meg says “just because my dreams are different than yours doesn’t mean they’re unimportant”. Jo says it differently, but it is a call back tot his idea that there are many dreams to have in life, and while career and independence are allowed and encouraged to be high on the list, that doesn’t mean love can’t be high up too. We all want to be loved, and we shouldn’t have to choose.
Thank you Greta Gerwig for writing that whole monologue and that specific line, and thank you Saiorse Ronan for performing that scene so well.
when this part of only skin hits