kit duckworth

1957

eley kishimoto/sonja nuttall/philip treacy a/w 1995-6 in techno textiles: revolutionary fabrics for fashion + design - sarah e. braddock + marie o'mahony (1998)

The cross that granted Brigid’s protection was, in Ireland, referred to as the cros-Bríde, or Brigid’s Cross. It was usually made from weaved rushes, straw, cord, sedge, or vine, and could take on a variety of shapes. It was a symbol of the perpetual cycle of the seasons, of the certainty that light and summer would always return, and its four arms represented the four-sided structure of the Celtic year. 

"This is going to drive me into my own heart"

Brush and ink on paper

anyways. ingeborg bachmann

Alex Colville, Kiss with Honda, 1989, acrylic polymer emulsion on hardboard

Etching ,  27 x 19 cm.

from tsuboi asuka, ceramic art, 1991

Vincent van Gogh, Peasant Burning Weeds, 1883

Mid-19th century cardboard keepsake box containing poetry verses.