things that I believe in my HEART are on the Beatles' message to Earth (Project Hail Mary)
taumoeba (obviously)
instructions on how to use taumoeba (obviously)
50+ hrs of unedited footage of Grace fucking up a bunch of stuff in the ship
so much info about Eridian language
1700+ hrs of unedited footage of Grace and Rocky fucking up a bunch of shit in the ship
Cannot emphasize how much info on the eridian sentence structure there is here
a weirdass knit sweater pattern that takes people weeks to realize is for Rocky
literally hundreds of pages of Grace just describing Eridian linguistic history which like honestly isn't even his field why should we even listen to this guy- (hes the only one to ever fucking met an intelligent alien Dave. we'll take him at his word)
Why the Goldilocks Zone is for Idiots Part 2: Biological Diversity all across the Petrova Line (subtitled "We haven't found them yet BUT THAT DOESNT MEAN THEY DONT FUDHING EXIST-")
what are essentially just those reaction videos "Alien watches Legally Blonde for the first time" "Alien gives thoughts on movie Cats (2019)" "You'll never believe what this Alien thinks of the movie Fantastic Mr. Fox"
Grace's modified cardigan charts because someone was asking for them on his Ravelry and he never actually got around to posting them
(people have already fully recreated this cardigan just months after his launch. but they appreciate it)
very respective, kind eulogies for everyone who died in this mission (Grace AND Rocky's crew)
a lace shawl pattern inspired by the petrova line with a beaded fringe. knitters everywhere weep in despair because those instructions are gOD AWFUL, the man had 0 (zero) test knitters AND THERES NO PICTURES FUCK
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what companies who sell you anti aging stuff don't want you to know is that if you're chill about aging, your perception of attractiveness changes as you get older. there is no "wall" where you suddenly become ugly and unfuckable because in my experience what actually happens is you get into your thirties and suddenly realize that people in their thirties are hot as fuck and the "flaws" that the beauty industry wants you to panic about are a feature not a bug, and based on the std statistics in nursing homes I don't really expect that trajectory to change.
i think i don't really vibe with most other fans of my favorite male characters is because they usually depict them too much of a man, and i am not interested in men, i am interested in The Character. and i am not saying that they should depict them as women, or nonbinary, or should depict them as feminine, no, not at all. but there's like, you know, you can depict a male character as The Character, and you can depict them as The Man. do you get me? like, i go to the fandom looking for art and fics, and it's just, regardless of his actual characterization, it's all just fantasizing about some kind of an abstract dominant patriarch, wearing my favorite character's face. it may be the most totally-wouldnt-have-normal-relationships (and sometimes even would-literally-abuse-you) kind of guy, and you join a dedicated space for his fans, and all they talk about is how they want to marry and start a tradcore 50s style nuclear family with him. it can be a guy who's arrogance and attempts of domination are explicitly shown to be a facade that hide the fact that he's actually kind of a massive pathetic wet loser, and you go to his fics, and they're all depicting him as a caricaturish daddy dom. at this point it's like, do you even like the character at all, or do you just like The Man, and project this man onto whatever character you find visually attractive? and these people kind of, really really poison actual discussion of the character, who is kind of a fucked up evil person (i only like *those* types, so im talking about them) because they see analysis of the actual character as an attack on their fantasized daddy dom husband, who is actually isn't The Character at all, and is simply a face of the day for The Man
b) I found the paper they’re citing and it’s actually really sweet and a really cool study to read! not at all too dense
some highlights:
this is VERY sweet
(this paper came about bc they were having trouble identifying participants by ‘traditional’ recruitment methods like posting flyers and contacting LGBT networks/support groups, and also didn’t want to skew the data toward people who would frequent these)
they also tried making profiles on dating sites but…..
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It’s weird that Aragorn has a reputation for being a Loner™ when every time the heroes go to a new place they find out Aragorn Has Friends There. If you could theoretically have friends there, then Aragorn Has Friends There
They meet Aragorn in Bree, turns out he’s Friends with Gandalf, then makes Friends with the hobbits, then they arrive at Rivendell and what a twist he’s also Friends with the Rivendell elves! especially Arwen and Elrond! There’s an elf from Mirkwood in their fellowship who was already his Friend, but he also quickly becomes Friends with the dwarf from Ered Luin who hates that elf’s guts. Boromir of Gondor initially WANTS to hate him but within a couple weeks he’s calling Aragorn his brother. The Fellowship arrives at Lorien and oh Aragorn didn’t bring it up but he’s also Good Friends with Galadriel and Haldir and Celeborn and all them too! They travel to Rohan and Aragorn’s like “oh yeah I didn’t mention it before but I’m Friends with the people of Rohan, I knew King Theoden as a kid, and–”. He even makes Friends with his horse
Aragorn tries to befriend everyone, from a 3-foot tall hobbit who’s not yet an adult to an elf-queen-sorceress older than the moon. He doesn’t seem grim/lonely because he’s friendless, he seems grim and lonely because he has so many friends, in so many places, that he’s always missing someone
#I feel it speaks to the lotr themes of what makes kingship #that aragorn’s most notable powers are his healing and ability to make friends (lullabyknell)
I love that Gandalf and Aragon are two sides of ‘oh it’s that guy’ coin. When Gandalf shows up everyone says it with a tone of Well What Bullshit Is Gonna Go Down Now? With Aragorn it’s Honey Look! The Feral Cat Came Back!!! Who Wants A Treat? And aragorn’s ’…I do’
I would actually go as far as to say that MOST abuse is unintentional. I think most people will go through their lives without ever experiencing intentional abuse. People are abusive because they're selfish, because they're stressed, because they care more about what society thinks they should do than the impacts of their actions on their children and partners, because they think what they're doing is correct, because they've made it make sense in their own heads, because they think they can fix their victims, they think they can fix their relationships, they think they can stop you from leaving, they think they can make you a better partner to them, they think that means you need to do what they want. We've sort of constructed mental illness in a way that doing this shit to other people counts as a form of mental illness because it is anti social behavior in the literal sense— it is behavior that causes social harm.
I don't say any of this to excuse it. I think everyone needs to be more aware of this because if you think abuse has to be intentional you will never realize you are capable of abusive behavior. You will never realize you are being shitty to the people you love, because YOU know what you mean, YOU know you don't mean any harm. But you're doing harm. You need to pay attention to the impact you have on other people, and you need to do it all the time, Especially when you feel least capable of doing so. Sorry! You live in a society. Get your head out of your ass.
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy who’s got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didn’t say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. I’m not entirely sure why he keeps coming back here anyway. We’re pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures I’d put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so I’m not sure why I asked.
There’s not much room left in his nothing now. When he comes back for repairs I’ve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though I’ve been rudely encroaching on his nothingness to the point where it’s barely even there. How he squeezes his nothing back into a body so full, I’ll never understand. But it’s a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. It’s like he’s watching, even though I know the reading glasses I put inside his helmet were just for fun. I’m careful to put it all back exactly the way it was when he last left. There’s no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like he’s looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. There’s nothing there. I ask him what’s wrong, and again he points. It’s the most emotion I’ve ever seen from him, and it’s barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When I’m finished he holds the breastplate, but he doesn’t put it on right away. I ask him if something’s still wrong. He says nothing, and puts it on. I tell him I can’t add anything else. Even if he could ask, there’s no room left.
Next time he comes back, there’s nothing wrong with his armor—he lets me check to make sure. I ask him what he’s doing here. Out from one of many pockets, he retrieves a tiny rusted knife. It’s in miserable condition, barely worth saving. I tell him I could make him a nice new one, but I’ll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but I’m not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. It’s candy. I ask if I can eat it. He says nothing. I eat it. It’s flavored with cinnamon. I’m surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but it’s my own fault so I can’t complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him I’ll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave it’s dark outside. He follows me out of the forge. I ask him where he’s going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when I’ve finally had enough of pretending to be a bear, but he doesn’t move to leave.
I ask if he’s going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know he’s not going to say anything ever, so I fill the silence. I tell him I’m grateful for the sweets, I tell him about how his various components are made, I tell him I’ve never met anyone made of nothing before. I tell him it’s a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone else’s empty armor with trinkets. I’m not sure if that’s really why he does it. I tell him I don’t have room to be filled with anything on the inside, not like him. I’m not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe it’s nothing at all.
—
I didn’t edit this even a little bit. Thanks for reading!
This is why Pride is not just a party. It's a joyful celebration, but it's also a pointed and colourful two-finger salute to a world that stood back whilst so many of us died. And we'll never go quietly, never again.
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The whole movie scene where Grace calls Stratt to say that Carl and him made a baby is made 1000% funnier when you remember that this was the scientist she selected to be the first to study the completely unpresidented and unknown alien life form, and if this alien lifeform had a horrifying and unpresidented effect on human biology then Dr. Grace would have been the first to have shown any symptoms.
Do you think she had a moment of terror? of belief? Do you think her fingers twiched over her tablet ready to give the orders to quarentine everyone who ever interacted with the apperently slow acting mpreg microbe? Did her mind go to every Alien movie and ao3 trope that could have explained the situation? Did she wonder briefly about the ethical and political implications of keeping a maybe sentient maybe alien child? with human parent(s)???? in a pseuto-governmental lab?
Did she wonder exactly what Carl's role in this is? Because even if shes only known Dr. Grace for three days max and cannot yet be certain of the immence aroace vibes the man radiates Carl is a professional on the job so how was he involved?? Is he just the embodyment of the "not the step father but the father who stepped up"???? should she buy him a t-shirt with that phrase?????? Is he biologically involved in a way that only a biologist of esoteric slime molds or insects or sea cucumbers would recognise?????? Is she going to have to kidnap a mycologist to understand this????????? What exactly is her policy on paternity leave according to Project Hail Mary's closest orginizational structure to an HR department and how is she going to explain this to the UN.
50-ish pages into Project Hail Mary (which I have not read before) and like, I did read The Martian, I generally knew what I was getting into with Andy Weir's oeuvre and frankly, I really enjoyed his first book when I read it. Tore through it in less than a day. Some of what he does is genuinely quite fun and his plots are pretty interesting.
--But also I'm feeling very glad that I saw the movie of this one first, and would honestly recommend that order to anyone else I've intrigued by absolutely losing my mind over it, just because it really is significantly better--and I'm almost never a "The movie was better" guy when it comes to adaptations. But the themes and emotional beats are just so much stronger in it. As it stands I'm enjoying reading the book for the bonus little bits and pieces of information, and I'm interested in knowing more about the changes and why they were made, but I really do think the book is better as a chaser with extra chewy trivia and characterization bits, versus as an intro to the story.
I don't know, a large part of it is because movie!Grace feels like a much more distinct, unique, developed character whereas book!Grace is a lot more "Mark Watney..... 2! This time he's a teacher" in a way that makes me glad I got to know movie!Grace first. But also, in the era of so many movie remakes and etc that are just worse versions of the originals it is really fun to be reminded that adaptations are sometimes just. Better.
Hi, my name is James Webbony Dark'ness Dementia Raven Space Telescope and I am a telescope in space (that's how I got my name) and I have a five-layer aluminum-coated Kapton sunshield protecting my instruments and gold-coated hexagonal primary mirror segments like limpid tears and a lot of people tell me I look like Lady Gaga (AN: if you don't know who she is, get the hell out of here!). I'm not related to the Hubble Space Telescope, but I wish I was because he's a major fucking hottie. I'm an infrared telescope but I am much larger than Spitzer. I have 18 primary mirror segments. I also study exoplanets, and I go to a telescope school in L2 where I'm in orbit (I was launched in 2021). I can see distant galaxies (in case you couldn't tell) and I wear mostly gold. I love space, and I take all my photos there. For example, today I was taking a photo of the Cartwheel Galaxy, which is about 500 million light years away. I was using my NIRcam, NIRspec, MIRI, and FGS-NIRISS. I was walking outside L2. It was around 1 million miles away from Earth and there was no sun, which I was very happy about. A lot of preps stared at me. I unfolded my primary mirrors at them.
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(1) "Are You Scared Yet, Laika?" by Gus Gresham // (2,3,4) Combined quotes of the scientists who sent Laika to space, nitter.net/yo_adrianididit // (5) "First Dog In Space" by Brennig Davies, Combined quotes of the scientists who sent Laika to space, nitter.net/yo_adrianididit // (6) "Are You Scared Yet, Laika?" by Gus Gresham // (7,8,9) "Laika" by Claire Williamson // (10) Combined quotes of the scientists who sent Laika to space, nitter.net/yo_adrianididit, THE SAD, SAD STORY OF LAIKA, THE SPACE DOG, AND HER ONE-WAY TRIP INTO ORBIT, Smithsonian Magazine // (11) "Are You Scared Yet, Laika?" by Gus Gresham
Really hate that most people don’t understand the difference between “self-expression” and “artistic-expression.”
I say this as someone who sells pottery, and many people who see my art assume I am using art as an outlet to “express myself.”
I am not.
I use art to challenge myself. A lot of what I do is the equivalent of doing a hard sudoko or a half marathon, answering the question of “can I do this?”
I use art to question things and explore ideas. Finding physical synthesis between concepts and working out a design to its end state.
I use art to make money. I make some things just because I suspect they’ll sell well, and I keep making them when they do.
This idea that an artist is “putting themselves out there” every time they create is not only stupid, but harmful, and it kills critique and analysis.
Yes every creative work is influenced by its creator, but the most preliminary step of analysis is to define the purpose of a work of art (functional, narrative, entertainment, persuasive, decorative, ceremonial, etc.) and a vanishingly small percentage of that is self-expression. Even then, it’s generally tied to the self’s relationship with something else—perception, society, etc.
It’s very tiresome to have people assume they know you because they like (or dislike) your art, to make assumptions about who you are and how you approach the world. It’s nothing new— people called the Impressionists insane and the Fauvists degenerate. And now people are expected to hand out their identities and traumas to prove they have the right to explore certain subjects.
But to actually understand art, you have to contextualize it beyond assuming it’s just what the artist felt like making at the moment and it’s somehow coming from their deepest soul, or you’ll badly misinterpret most art you come across.
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