tuulentupa

It's a lot, for books aimed at eleven year olds who want to read about kids turning into fun animals.

On the podcast, the two (American) hosts happened to get onto the topic of the post-9/11 Iraq War and their reactions to it. They were both children at the time and as such could not be expected to have particularly nuanced views of US military policy. The person who hadn't read Animorphs was unsurprised by the declaration of war; that's what you did. Someone attacks America, America goes to war. That's how a country protects itself, through military revenge. The Animorphs fan, about the same age, had been devastated and against the war from the start. War was a Big Deal and, while sometimes unavoidable, should be a last resort; a lot of people were going to die, and a lot more were going to get hurt, and no matter how the war shook out it was still going to be horrible. They attributed this perspective, of course, to the series that had taught them about the horrors endemic to war in an engaging way at such a young age -- to Animorphs.

people carved trenches 3,000 years ago and filled them with chalk in the shape of a horse but what’s interesting is that if you fail to maintain the horse by adding new chalk regularly, it will disappear. for 3,000 years, we’ve been filling in chalk in this horse so it doesn’t disappear.

we’ll never know what the purpose of the horse was originally. we’ll never know if it had ritual or spiritual significance or if it was just art. but we do know that people maintained it then, and, even though the meaning of the horse has long been lost to time, we continue to maintain it now.

the people who made this horse are long dead, but they live through us still, don’t you think?

Idk when I was younger, you could just go and go and find exciting new websites full of whatever cool things you wanted to explore. An overabundance of ways to occupy your time online.

Now, it's just... Social media. That's it. Social media and news sites. And I'm tired of social media and I'm tired of the news.

You're right that the internet is smaller than it used to be, but there's still some cool stuff left in the corners. I'd recommend checking checking out Neocities if you haven't--it's an independent web hosting platform like Geocities of the old web, and there are hundreds of interesting and active pages discoverable both through their search function and through web buttons (links attached to small pictures with the title of a website) within the websites themselves. Here are three examples of web buttons you may find in link pages:

Most Neocities websites have link pages or button collections with anywhere from tens to hundreds of these. Don't be afraid to explore!

If you're looking for something more like a search engine, I can point you towards Marginalia. It's not a particularly smart engine, but it's perfectly usable if you've ever been taught to use search engines back when they were mostly run through keywords instead of full sentence comprehension. There's also an "about" and "tips" section on the front page with more information. The algorithm of Marginalia can be filtered by the user to allow, disallow, or require JavaScript depending on your needs, plus there are filters designed specifically to prioritize web 1.0 sites or mostly text-based ones. It is possible to search for modern websites with it, but it can return websites from just about any decade (since the invention of the web, obviously) so long as they contain the information you're looking for. For example, here are some random interesting sites I've found using Marginalia:

Native Languages of the Americas: Native American Cultures

BASIC HTML COMPETENCY IS THE NEW PUNK FOLK EXPLOSION!

Earthbound Text Labs by Bill Eager

The possibilities for discovery are truly endless.

Now you might want to know about directories. These make browsing for websites easier, but require you to read through and judge which ones to visit, as there aren't algorithms ranking the sites besides the whim of whoever coded the directory. Some of them have themes, others don't. Here are two that I've used:

Yesterlinks Directory

Ichigo Directory

Directories can be harder to come by just by surfing the net, but they aren't impossible to find. Many personal websites have their own directories of interesting sites hidden within them.

Webrings are similar to directories, but are actually more community-based. You have to register your website to be a part of a webring, usually by sending an email to whoever runs it and meeting some kind of entry criteria. For example, my personal website used to be a part of a webring called Sweet Dreams, which was for websites that heavily utilize color palettes and images of cute things, particularly sweets. Webrings will give you access to a widget upon entry that allow visitors and other members to browse between the registered websites in a massive ring, ergo, where the term gets its name. Webrings can have any theme or criteria for entry. If you can make a website about it, you can find a webring for it.

Now, you might be wondering about social media alternatives. I can't offer much, but I can nudge you towards the idea of forums. Here's one I found that could really use some traffic. I also browse a bit on MelonLand forum, which is actually closed right now--it's currently closed on Mondays--but on any other day of the week, you can find a fun community there dedicated to web revival. You can find it through MelonLand's main page. I'd also recommend checking out SpaceHey, which is a MySpace clone that's customizable and easy to use.

Are you a word nerd like me, and my father before me?

Then may I introduce you to...

I am begging the UK trans community and its allies to attend the Mass Lobby at Parliament on June 25th, 11am-4pm, organised by Trans Solidarity Alliance.

The new EHRC Code of Practice pushes trans people out of toilets, hospital wards, and community spaces. It normalises gender policing based on appearance and stereotypes. It becomes statutory guidance in the UK by the end of June.

Trans people are now legally their assigned gender at birth and must join gendered spaces accordingly, but if they are perceived as their lived gender, they can also be ejected from those spaces. The guidance says: either break the law, or don’t pass too well.

A mass lobby is where you invite your MP to discuss your concerns with you in-person. Ask your MP to:

Demand full parliamentary scrutiny, debate, and use their free vote on the EHRC Code of Practice.

Support any motions rejecting the EHRC guidance. As of June 4th, Labour MP Nadia Whittome has submitted a prayer motion - Early Day Motion 240.

Write to Bridget Phillipson, the Minister for Women and Equalities about our concerns

Your MP does not have to be an ally, they do not have to respond to your email for you to show up and greencard them (details below the cut.) What matters is that as many people as possible show up.

I cannot stress this enough: Showing up in person matters. It is much more effective than petitions, emails, and letters.

It is a horrible, stressful time, and I am so sorry if you're trans and live in the UK. But I was at last year's mass lobby and the line for greencarding alone stretched around the back gates. It was a record breaking mass lobby and made us impossible to ignore. Let's do even better this time. Details under the cut:

I have a writing question.

Have you ever written an epilogue before finishing a work?

I have an epilogue almost completely written and im not even 100% sure how they get there. I know basically how i want the story to end but the details need work.

I am here to tell you that I wrote what will be the epilogue for The Door Into Starlight (when it finally gets completed...) in 1980. I absolutely knew—even at that early stage—what was going to happen, and how it was (and is) all going to end.

And I had no damn idea how my characters and I were going to get there, either. (In fact, some of the most important details have only become plain to me in the last few years.) ...So don't despair.

The development of story is rarely linear, no matter how much we'd like it to be. A whole lot of writers have run up against this simple fact, at one point or another in their careers, and—trying to brute-force the situation into compliance—have wasted vast amounts of time and energy bashing their (figurative) heads against a rock-hard wall of resistance as they've tried to force story to grow in a linear way.

Sometimes, however desperate you are for it to do that, it just will not. (Though sometimes, I think just to throw us off our game[s], sometimes it does.) At such times, the thing to do—because frankly, you don't have much choice—is this:

Write down what you've got and then move on.

...This is something I've become used to over many years. In (pausing to attempt an estimate) maybe thirty out of fifty novels, I've absolutely routinely gotten the beginning first, and then the end... and have wound up spending a while staring at an empty-looking middle. (Though this staring period pretty quickly became a lot shorter for me once the habit of a reliable outlining workflow settled itself in... making it a lot easier to quickly structure and exploit what out-of-order pieces manifested themselves.)

Your own writer-brain's typical story-development pattern will probably take some time to develop and settle. This is fine, so don't sweat it. The beginning of your career will be about building and deepening the neural channels in which story runs as it grows, and all kinds of life- and work-events will affect this gradual development. Everybody's storygrowing patterns differ... so just let yours proceed to ingrain themselves at their own speed.

...Because they're going to anyway. 😏

Portrait of a Sunflower

Paint the reality you want to see. Paint the dead flowers back to life.