A bottomless curse, a bottomless sea.
Misplaced Lens Cap

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$LAYYYTER

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❣ Chile in a Photography ❣

ellievsbear
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Not today Justin
Color Me Curious
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if i look back, i am lost

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YOU ARE THE REASON
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@tumblrisweird
A bottomless curse, a bottomless sea.

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human susie :3
Finally got to play a bit of Big Walk with some friends! What an incredibly delightful game.
Huge things happening this week 🎉💥💥💥💥💥💥

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new bass cover
So it turns out that Flock cameras have a button on the back.
And if you press it down long enough you can just connect to it like an access point. There’s also NO 2FA on signing in to the network.
There’s better protection for your Steam account than a network tracking millions of people.
Flock Safety cameras had no passwords, allowed root access in 30 seconds, and shared data with federal agencies — across 100,000 US deployme
awesome

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I do think the Hank Green AI thing makes it abundantly clear that if you have ADHD or any other mental illness and/or you are prone to addiction you need to avoid AI at all costs. This shit will rope you in, and if you have a mental illness that say, starves your brain of dopamine, you're gonna be extra susceptible to that. I won't use AI for a lot of reasons but one of the big ones is knowing how it would fuck with my ADHD and bipolar. Like yes, it's bad for the environment and giving money to rich scumbags and runs on plagarism, but even more than all that, it's straight up not safe at all and you really shouldn't use it if for no other reason than to protect yourself from whatever the fuck it might do to you.
abelds have this funky ability where they hear disabled people say they "can't" do something and instead of hearing "can't" as in, cannot, they hear "i can if i push myself and i just don't wanna". which is really interesting!
ねこのひです
ねこのひですが…
It's the cat day, the cat day, but......
なんでキサマそこに!
Shit, why you're there!?
Metal HUD
Happy 40th Anniversary to one of my favorite series!

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👏👏👏
So--when I was in my mid-twenties and the Disaster Ex tried to make me kill myself, the local mental hospital didn't have any beds open in the usual ward for attempted suicides.
What they did have was a single spare bed in the small, comfortable, quiet, wildly expensive facility for girls with eating disorders.
They asked each of the young women currently living there if it was acceptable that I might occupy a bed in one of the rooms for a while, just the long weekend while I was waiting for a doctor's evaluation. I hadn't been violent, I had gone with the cops without putting up any fight at all, and I was still and I was small and all those things were sufficient for me to be deemed safe. So up they sent me, to somewhere high in Western Psych, above the smells and sounds of the denser-packed wards, above where the care workers were harried and frustrated, to a gentle space with seven or eight young women in it.
I was five foot three, and I weighed about 115 pounds. I was underweight for my frame, as a fair amount of that weight was martial arts muscle; I would probably have been ten pounds heavier if I were healthy, with the amount of activity I got.
I was at least two inches shorter than pretty much every other young woman there, six or seven inches shorter than one of them, and I had at least thirty pounds on several of them. The tallest was not allowed to walk, she had to sit in a wheelchair and be pushed around, because her condition was so advanced that the motion would undo what good her hard work had done.
And over the course of the four or five days I was there, multiple of them came up to me alone to quietly tell me that I had the *perfect* body, and they wished they could be as skinny as I was. That I needed to live, because I was beautiful, and if they were as beautiful as I was, they wouldn't need to be here.
Their eyes were on me all the time, in the hours that I wasn't sleeping. I spent a lot of time sleeping, and we took our meals separately (I not needing to be monitored while I ate, and not having my food weighed), but we spent a fair amount of time sitting around in the little shared living room space, talking about movies and magazines and books we'd loved, talking about our families. I didn't talk about my family; they didn't pry.
They were all so fucking nice.
And I could have broken any one of them over my narrow knee. They each thought they were bigger than I was.
Their brains lied to them, every time they looked at a mirror. Every time they looked down at their own thighs. What they saw was not what I could see. They had bright, beautiful eyes in dark hollows, and I could count their vertebrae, could see their ribs winging when they breathed, could see the motion of every tendon on the backs of their hands.
They weren't celebrities. They weren't being paid to have particular bodies, nor were they deep in the toxic sea of having strangers take photos of them to sell to gossip rags if they stepped out of doors in old jeans. They had families and loved ones who were doing everything that they could to protect them, to uplift them and help them be healthy. They were just everyday people--a nurse, a couple of students, a couple of recent college grads, a young woman who had decided it was time to really get help because she wanted to be a mother--and still they'd been so injured by the neverending fucking deluge of body-image bullshit that they were dying of it.
That was in 2009. Things are worse now. I think about them still. I hope that they're all right.
And in case some people aren't aware: anorexia is deadly. There is a point at which your body looses the ability to digest food and you are no longer capable of improving.
The whole "but what about making sure artists receive credit for their work?" objection to copyright reform is especially irritating because treating moral rights (i.e., the right to attribution, etc.) as descending from or strictly subordinate to commercial exploitation rights is a uniquely American perspective. Not only are these two things separable, they are in fact separated in the vast majority of intellectual property regimes – it's basically just the United States that treats attribution rights as a strict subset of commercial rights. Hell, the US schema is arguably worse in terms of ensuring that artists are properly credited than nearly any conceivable alternative, as treating the right to attribution as a subset of commercial rights means that the right to attribution can be signed away. There are lots of places where it's simply inalienable!
(Of course, this also goes for US copyright abolitionists banging on about how giving up the right to attribution is a necessary sacrifice – like, no, it isn't. These things are separable. Treating them like the one inherently descends from the other is literally just you guys.)