m1nd can you draw me an ant ill give you one gazillion dollars
I like it when they get people to sign the camera lense
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he wasn't even looking at me and he found me

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@tridentialspark
m1nd can you draw me an ant ill give you one gazillion dollars
I like it when they get people to sign the camera lense

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heaaaart my
son my son hi heart ily giving you blankets and pillowwssss im not babying him i just want to show this fella love please guys please
I agree with the anon, M1nd, you are a great artist!
Do you have a favorite thing you like to draw?
i uh. haven't posted in a bit have i. whatever. go my @oath-to-stay-whole swap au
AUAUHHEHHEHEOEOEHEHEHEHE E E EEEE STATARSESSSS STAAARES
I haven’t read through it all properly yet I got lost 😭 but I get the general idea auGghhh AUUGHHHH AAUUHGHHH /pos

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Everybody focuses on Too Many Fingers as the iconic gen AI art fuckup, but I personally kind of love the ones where it just completely loses track of relative scale, particularly in scenes with multiple humans. There will be a bunch of regular people, then off to one side will be the Gnome.
(It does perplex me when folks try to pass those ones off as their own work, mind you. I can understand overlooking Too Many Fingers, as losing count of one's fingers is an error that even human artists regularly commit, but how do you not notice the Gnome?)
I won't say that transcripts of video meetings have become particularly more or less accurate in the LLM era, but it is a bit exciting to have gone from transcribers who will sometimes misrepresent what was said in order to push a personal agenda to transcribers who will sometimes just lie for no reason.
And transcribers who randomly screw up homonyms.
That part hasn't changed – human transcribers do that all the time, too.
And dat's what punk is really all about
Real photos of the event, since the original Twitter post seems been written by a bot using an AI image.
This pictures were taken by Enrico Scuro during the italian punk festival Bologna Rock in 1979.
Skiantos were considered an art, comedy and performative band and they leave the stage that night famously screaming: "You do not understand a fucking thing: this is avant-garde, you piece-of-shit audience."
What they did was conceptual and protest art, the denial of putting a show against the expectative of it. Punk was born in part as a rejection of the grandiosity of progressive rock: no 20-minute solos, no stages with pyrotechnics, no distance between the band and the listener.
But there's an irony that Skiantos pushed to the limit: as soon as punk became a spectacle, it also began to betray its own code. Counterculture and performance art.
Y'all, what Google's doing with their forthcoming mandatory AI portal is not inexplicable. The fundamental conflict of interest of commercial search engines is that they want to keep you browsing the search results for as long as possible in order to maximise their ad revenue, but if you're stuck browsing for too long and never find a result worth clicking through to, you'll just stop using their service. Making the use of conversational AI mandatory means they can at least potentially deliver satisfactory results without ever allowing users to leave Google, and thus capture 100% of the potential ad revenue. This was always the plan.
There's a thing in Classics studies where you'll read surviving descriptions of Ancient Greek automata which attribute all manner of near-lifelike behaviour to them – then you look at the reconstructed plans for the automaton in question, and it's a device with roughly the sophistication of a wind-up mouse.
The broad consensus seems to be that the authors of such descriptions are exaggerating for clout. For my part, I look at all the people in the year 2026 who've managed to genuinely convince themselves that LLMs are not only sapient, but smarter than they are, and I think: hmm.

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It's interesting seeing established artists who've made the jump to AI optimise and refine their prompts to better satisfy the Algorithm until every single image has exactly the same vibe, then become genuinely mystified when people get bored and leave. It's like watching a human being experience model collapse.
Historically, one of the most reliable sources of widespread banditry was rulers ramping up military recruitment for major wars, then cutting their soldiers loose afterwards without pay, leaving a bunch of heavily armed men with military experience floating around broke and homeless.
Knowing this, whenever someone jokingly refers to raccoons as "trash bandits", I get a vivid mental image of, like, a raccoon succession crisis leading to a raccoon civil war, the aftermath of which forced the former soldiers of the losing side (who are all raccoons) to take up the life of the raccoon outlaw.
Level 1: The text supports a transgender reading of the protagonist.
Level 2: The text supports a transgender reading of the author.
Level 3: The text supports a transgender reading of the reader.
Level 1: Asylums are scary because there's crazy people there.
Level 2: We shouldn't treat mental health facilities as objects of horror because it stigmatises mental illness.
Level 3: Asylums are scary because there's psychiatrists there.
she's only about 3 blueberries tall :3

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Ultimately I suppose my take on "AI" is something like
Anything branded "AI" is automatically grift-adjacent. "Artificial intelligence" is a non specific term which truly means nothing. It can apply to basic statistical models, massive natural language models, image processing models, to prediction or categorization or input-output models. It's just completely non specific in a way that makes it useless. If something is called "AI" the first question should be "No but what is it actually? What math are you actually doing?"
Chatbot style input-output LLMs appear to be uniquely horrible for the human brain. We are very bad at interacting with something in natural language (even very broken natural language) and not projecting human intelligence on it. This is well know as the ELIZA effect and it appears to be pretty hard coded into human cognition. Humans have a strong tendency to hand over their critical thinking to these tools in a process known as cognitive offloading. This alone makes me believe that chat interfaces should be effectively banned from consumer facing products, and question if they have any use anywhere. It's unclear if this effect is unique to the chat interface or inherent to natural language models of all kinds, but regardless we should not be rolling these tools out in schools until we know.
"AI" companies have essentially exclusively behaved badly. They kicked off their products with the largest scale theft of intellectual property in history, one that's unlikely to ever be prosecuted. They peddle their products as tools to help people cheat, lie, and grift. They openly valorize men who say truly despicable things (one, two, three to start). They're rotting the US economy and betting the entire house on rolling snake eyes. They're using underhanded tactics to get their products into businesses and schools, and to spam their polluting energy hungry data centers across the globe. They're categorically untrustworthy.
Statistical modeling, in general, is fine. We need predictive algorithms to tell us how bad the next heat wave is going to be. Translation tools, in my opinion, are a net good for travellers and those living in foreign countries. Image detection algorithms have made huge strides in medicine. All of this is good. But "AI" companies are doing none of it, and they're making it harder by driving up the price of compute (because the price of compute is what their stock price is pegged to).