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"Termine ta vie l'Âme satisfaite, telle l'Olive arrivée à maturité tomberait en bénissant la Terre qui l'a portée et en rendant grâce à l'arbre qui l'a fait croître"

Chansons

Tetraktys

Je Suis Venu Te Dire Que Je M'En Vais (Live, Casino de Paris / 1985) by Serge Gainsbourg

There’s something hauntingly eternal about Serge Gainsbourg’s “Je Suis Venu Te Dire Que Je M’En Vais,” especially in its live 1985 rendition at the Casino de Paris. Performed just a few years before his death, this version is fragile, oddly intimate, and steeped in the melancholia that Gainsbourg wore so well. It’s a chanson classique that resonates with French poetic tradition, infusing love, loss, and resignation into every whispered phrase.

A provocateur and poet, Gainsbourg was more than just a musician—he was an icon who challenged France’s cultural norms. Whether through scandalous duets or smoky ballads, his work has never been easy to forget. This live performance, in particular, captures the vulnerability beneath the persona. His voice is slurred and weary, lending unusual weight to the already poignant lyrics:

“Je suis venu te dire que je m’en vais / Et tes larmes n’y pourront rien changer.”

Originally released in 1973, the song speaks of a painful departure, cold and inevitable. But the Casino de Paris version adds another layer—a faded lover returning to say goodbye, possibly to his own youth, his own myth. There’s no orchestration to hide behind, only a man and his truth.

Cette œuvre est une enluminure de Jean Fouquet, intitulée "Remise de l'épée de connétable à Bertrand du Guesclin", réalisée vers 1455-1460 et figurant dans les "Grandes Chroniques de France".