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I love the Ep 4 club scene where Ilya is fully flaunting this woman to Shane because the reasoning is so nuanced- it’s all of Ilya’s hurt manifesting, yes- its jealousy, yes- but it’s also seduction. It’s Ilya saying ‘this could be you. I want it to be you’ and Shane knows that- the atmosphere of the club and the intensity of Ilya’s gaze is intoxicating and far too much and too painful. Its everything he’s denying himself and Ilya is reaching out a hand, however cloaked in hurt, and screaming ‘come back, and you can have this again’
Okay okay okay. Early on in hollanov's puppy play journey they're progressively working their way down the D/S to explicit puppy play pipeline. Shane has always enjoyed following orders, but recently they've introduced "pet", "dog" and "good puppy" etc. into the mix.
Today they're dipping their toes into training commands. They're currently working on "stay," which means Ilya is giving Shane a treacherously slow handjob without any restraints, pausing any time Shane squirms.
After a few slip-ups, Shane has finally gotten the hang of it, and is rapidly approaching the edge, looking forward to finally getting to come. And then right as he's about to get there, Ilya commands, "Speak," and Shane A) is caught off guard because it's not a command they've done before and B) is too embarrassed to actually do it. He whines Ilya's name, but he knows that's not what Ilya wants, and more importantly, Ilya knows that Shane knows that. So Ilya stops, letting go of Shane's cock completely. And Shane is Distraught. He was So Close. He's been So Good. And Ilya, faux-sympathetically, teases, "Aw, my poor puppy is shy yes? Does not want to bark for me? Poor quiet little thing." And he's petting at Shane, caressing him as he comes back down until Ilya can start up again.
Shane's surprised at the apparent grace he's been shown for failing to obey the command, but as Ilya begins his leisurely stroking again, he promptly gets too overwhelmed to really think much about it, back to focusing on "stay" as Ilya continues to torture him. After some time and one or two brief corrections due to squirming, Shane makes it back up to the edge, muscles tensing, breath picking up. He briefly fears Ilya might repeat his earlier command, still not sure he'd be able to obey. Ilya doesn't. Instead, fucking tragically, he lets go of Shane completely anyway, edging him a second time. Shane whines and whimpers as Ilya waits for him to calm down again and praises him for doing such a good job staying. "What a pretty puppy, such an obedient dog. So still. So good for me." But he's still not allowed to come.
And then Ilya starts up again, and the cycle repeats a few more times, Shane doing his absolute best to stay still unaided, thinking each time maybe this will be it. It isn't.
Eventually, once there are tears running down Shane's face, his cheeks a ruddy mess, an endless stream of pathetic, needy noises coming out of him, Ilya gets him up to the edge yet again, and somewhere in his subconscious Shane thinks that if he isn't allowed to come he may actually die.
This time, when Ilya pauses, he doesn't let go of Shane. There's a brief moment of tense silence before Ilya, steadily and seriously, commands "Speak." And what else can Shane do? With hardly any hesitation, he gives the best little yip he can manage. It's strained, it's a little hoarse, but it's undeniably a bark.
Ilya's face lights up. He tightens his grip on Shane, picking up the pace faster than he's gone this entire time. "Good fucking boy, Shane. Such a good fucking puppy for me. Beautiful. So brave. My perfect fucking dog," and with the intense, overwhelming mixture of anticipation, overstimulation, embarrassment, and heavy praise all crashing down on him, Shane comes possibly the hardest that he ever has in his life.
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So you're telling me I'm gonna get to watch evil Hudson Williams have a threesome be in the cuck chair AND have sex with a beautiful older woman who is almost definitely a witch and probably kills him afterwards?
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At San Diego Comic Con the cast of AMC+ and Crave's Yaga series tease upcoming dark feminist thriller
This ain’t your mama’s Baba Yaga.
During a Saturday panel at San Diego Comic-Con AMC+ and Crave debuted a new trailer that highlighted a wickedly dark and feminist slant to the tale of the Slavic witch Baba Yaga.
Based on the play by Kat Sandler, who serves as writer and showrunner, Yaga reimages the witch, who is known to live in a hut on chicken legs, and potentially as a murderous seductress or powerful enchantress depending on the author of the tale.
In Sandler’s version, Yaga is a contemporary mystery thriller that follows Rapp (Noah Reid), a private investigator who arrives in a small coastal town to investigate the disappearance of a young heir to a powerful fishery, Henry Park (Hudson Williams). He finds himself at odds with an apprehensive local detective, Carson (Clark Backo); a charismatic university professor with a taste for younger men, Katherine (Carrie-Ann Moss), and a labyrinth of enigmatic suspects, secret lives and ancient magic.
The trailer started with a voiceover from Moss’ Katherine, explaining the myth of Baba Yaga in a luxurious dimly lit living room across from a slightly moist and a little horny, Williams’ Henry. “There are versions of her all over the world. Sometimes she’s an ugly old witch. She lives in a [dilapidated] house on chicken feet. Sometimes she’s a wise woman, an enchantress, a healer. Sometimes she helps a hero on his quest. Sometimes she tests him. Sometimes she kills them. Sometimes she eats them. Sometimes she fucks them. But, she always has a name.” Katherine says seductively.
Then in a series of quick cuts, the series’ characters, especially Williams, are caught in compromising x-rated and dangerous positions from lustful thrusts and sweaty threesomes to blood sacrifice and errant chicken feathers revealing an old, haggard witch. The last frame revealed a release of October 2026.
As soon as the steamy trailer was over, Reid quipped: “[Hudson] cannot keep his hands off himself. I mean, I don’t blame him.”
Williams, who could not be at the panel in person, addressed the audience in a pre-recorded video where he teased that the show was “a blast and a wild one to film.”
Confirming his co-star, Reid stressed William’s role is “a wild performance that is scary hot,” adding: “I think anyone who knows Hudson’s work from Heated Rivalry is in for an interesting ride. You’ll get to know a different side of Hudson’s actor league capabilities.”
Moss, who also could not attend in person, shared well wishes for all that wanted to watch the series when it debuts in the Fall.
Other surprises at panel also included another clip that featured Backo’s Carson and Detective Rapp meeting each other the first time upon being called to seemingly investigate a person seen burning on a makeshift pyre in the woods. The clip also featured another haunting voiceover from Yaga explaining the mystery that shrouds her lore, alluding perhaps to the show’s mission to dismantle what we know about the witch. “You say I’m wicked as the night but wise and powerful as the sea. You say I eat naughty children and their bones. You say I’m ugly and lonely and that no one will love me,” Yaga cries in the trailer. “No one will love me. Who will love such a beast, such a witch as I am.”
Sandler explained that the show was “a feminist revenge-tinged reimagining of the myth that is sexy, propulsive, vicious and scary.” As to why she baked the dark fairytale into that of a detective narrative, Sandler added: “I think the detective mystery element of it is a really big piece of it. And it comes so much from a pastiche of all of the stuff that I have loved my whole life and that we kind of pulled out of our childhoods like Snow White and the Seven Dwarves, Cinderella, Grimm Fairytales. But it’s also that the theme of witches is so aligned with [bad behavior and darkness]. So, I think a feminist bent is good for right now, and that maybe we’ve been burning the wrong witches for centuries, and this show is about what would happen if a witch survived long enough to hunt back and tell her own story.”
Yaga is produced by Blink49 Studios and Front Street Pictures in partnership with Crave, with David Frazee and Rachel Talalay the co-directors. The series is executive produced by Mackenzie Donaldson, Andrew Miller and Moss and produced by Charles Cooper. The series is distributed globally by Sphere Abacus, a Bell Media company.
Hudson. Drink your greens powder. Drink your water. Get your coffee in. Get your protein Up. Do a few pushups. Take a power nap. Oil yourself. Put on your Little Socks. Me and 20 of my bitches are coming to your city and we are expecting to 20 vs 1 you
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