EXCUSE ME WHAT THE FUCK?!
I love that she is exposing the ugly stuff that goes on in washington. This is why the politicians hate her so much but the people love her.
What was that bit about âdraining the swampâ again?
Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
AnasAbdin
taylor price
trying on a metaphor

Janaina Medeiros

shark vs the universe
hello vonnie
Sade Olutola
Game of Thrones Daily
Peter Solarz
One Nice Bug Per Day
$LAYYYTER

@theartofmadeline
h
let's talk about Bridgerton tea, my ask is open

çĽćĽ / Permanent Vacation
Monterey Bay Aquarium

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@tiredntrying
EXCUSE ME WHAT THE FUCK?!
I love that she is exposing the ugly stuff that goes on in washington. This is why the politicians hate her so much but the people love her.
What was that bit about âdraining the swampâ again?

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Pillsbury Cake Mix, 1954 ad detail.
Nancy and Dwayne, Danville, Virginia, Emmet Gowin, 1970, printed 1977, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/8791/
2021 LETS GOOO
Who is this reporter, they are my hero!!!
CALL TO ARTISTS
Artist Lab: Art Meets History in New Mexico
Deadline: 28 February 2021. Visual artists with an established practice are invited to apply for Artist Lab: Art Meets History in New Mexico, a four-week program designed to foster the integration of history into contemporary art practices. The Lab is presented as a collaboration between 516 ARTS, Kolaj Institute, and Albuquerque Museumâs photo archives. The Lab looks at how our divergent histories of race, conflict, and colonialism inform how we imagine our futures. Participating artists are asked to work from their own peopleâs history, to confront that history, and to imagine a future that offers justice, fairness, and support for all people. A goal of the lab is a proposal for a body of artwork to be considered for a group exhibition at 516 ARTS in 2022. MORE
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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape oneâs thinking of art history and redefine the canon of visual culture that informs the present.
SUBSCRIBE | CURRENT ISSUE | GET A COPY
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The cat. 1887. Cover detail.
Internet Archive
cats be like you want to pet me so bad it makes you look stupid
miracles in february. wealth in february. love in february. comfort in february. laughter in february. bliss in february. success in february. friendship in february. beauty in february. joy in february. harmony in february. blessings in february. balance in february. soul in february.
âIn school, we never talked about who works in the museums, who paints the walls after an exhibition, who sells the art, or who owns the gallery and why. We saw culture through the keyhole of individualism, which made it almost impossible to connect the conditions for working people in general with our bleak economic prospects as painters. No wonder the solutions we came up with were always unsatisfying and self-helpy: Wake up early! Apply for those grants! Sell yourself! For me, these tactics dissolved after probably the tenth time installing a show by a living artist, and the artist didnât even show up to hang. It became impossible to think of an art show, or even an artistâs career for that matter, as solely attributable to the artist. But rather than being some kind of saddening encounter with dismal Oz behind the curtain, it clarified the art world: a tenuous group project I was a part of, embedded in the political problems of the day, swaying with the larger forces of history.â
â Robin Kaiser-Schatzlein, The Artist Isnât Dead
RÊponse de femmes: Notre corps, notre sexe, 1975 (dir. Agnès Varda)

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Yohji Yamamoto: AW98 Lookbook, photographed by Inez Van Lamsweerde.
[ FULL SCAN : âYohji Yamamoto - AW98 Lookbookâ ]
Columbo: Ransom for Murder (1971).
Juno Birch for Selfridges

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It should be illegal or something to sing âThis Land Is Your Landâ without the secret verses
You took one of the greatest hobo anthems ever written and turned it patriotic. Thatâs basically a war crime.
Secret verses??!??
At the beginning:
As I went walking that endless bread line My landlord gave me a 2-week deadline And Labor Action ran a better headline: âThis land was made for you and me!â
This land is their land, it isnât our land From the plush apartments to the Cadillac car land From the Wall Street office to the Hollywood star land This land is not for you or me
So take your slogan and kindly stow it If this was our land, youâd never know it So letâs get together and overthrow it âCause this land was made for you and me
And then in the middle:
As I went walking, I saw a signpost And the sign said âNo Trespassing!â But on the backside, it didnât say nuthin âCause that side was made for you and me
Holy shit.
American folk singer Woody Guthrie, who wrote other songs such as Tear The Fascists Down, All You Fascists Bound To Lose, Miss Pavlichenko, and like 6 tributes to Sacco and Vanzetti, was what you might call a âcommunistâ
Ava Gardner photographed by Man Ray, 1950.Â