94. Le Charme discret de la bourgeoisie (1972), dir. Luis Buñuel

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94. Le Charme discret de la bourgeoisie (1972), dir. Luis Buñuel

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Jeanne d'Arc
1903
Albert Lynch
93. Bakha satang / Peppermint Candy (1999), dir. Lee Chang-dong
mame @ veronique leroy fw16

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untitled by sophie_splean on Flickr.
“For a number of years, I was deeply involved with a man. We were well suited emotionally and the relationship became very interdependent. Jealousy was used to inspire passion. His concept of relationships was rooted in the romantic idealism of James Dean and Roy Orbison. I craved the dependency, the adoration, the satisfaction, the security, but sometimes I felt claustrophobic. We were addicted to the amount of love the relationship supplied. We were a couple. Things between us started to break down, but neither of us could make the break. The desire was constantly reinspired at the same time that the dissatisfaction became undeniable. Our sexual obsession remained one of the hooks.
One night, he battered me severely, almost blinding me. He burned a number of my diaries. I found out later that he had read them. Confronting my normal ambivalence had betrayed his absolute notion of romance. His conflict between his desire for independence and his addiction to the relationship had become unbearable.
After two years of anger and mourning, I was face to face with him on the street for the first time since that night. We said hello. I looked into his eyes. Later I was able for the first time to remember my real desire for this man and I understood how intense that bond was. Despite all the destruction, I could still crave that love. I had to face the irreconcilable loss.”
Nan Goldin, The Ballad of Sexual Dependency.
Nastasja Kinski photographed by Harry Benson for Vogue Paris, 1976
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Not the Son of Desert Storm, But the Child of Chechnya -- Vatican Shadow

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Favorite Characters: Ilana Wexler ↳ “My biggest weakness is that I lose my purse a lot. But my biggest strength is that I always get it back.
You feel me? 2015
rare crested peyote, cool as shit. this is older than any of us
Dorian Leigh and Evelyn Tripp by Irving Penn, New York, 1950

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90. Zhestokost / Cruelty (1960), dir. Vladimir Skuybin