I write fanfic (Forgotten Realms, ACOTAR, whatever strikes my fancy) and sometimes make art. Elucien/Neris stan. I do not care about your winged shadow daddies (pre-SF Cassian excepted), keep them to yourself. You can find me on ao3 as Mad_Morrigan.
Hello! Here is the list of things I have published on AO3 and on here. Comment to be added to my taglists for when I post new chapters or stories!
ACOTAR
Longer Fics
(1) Of Swords and Sorrows: an ACOTAR rewrite. Andras doesn't die; Feyre's not the only who taken to Prythian. How will the Spring Court contend with not one but THREE Archeron sisters, especially when something is definitely going on between Elain and Lucien, and Tamlin is vexed half to death with Nesta, the eldest? And what will anyone do with a truly feral Feyre?
Status: In progress (14/30 chapters)
Rated: M for violence and downstream light smut, also general vibes.
Ships: Elain/Lucien, Nesta/Tamlin, Feyre/Andras
(2) Sic Semper Tyrannis: a Clue- and The Last of Sheila-inspired murder mystery. Elain and several others receive mysterious puzzle boxes, inviting them to an exclusive party about the luxury yacht Autumn Breeze. Murder, madness, mystery, and mayhem ensue.
Status: In progress (5/9 chapters)
Rated: M for violence, downstream light smut, and character death.
Ships: Elain/Lucien, and more to be revealed as the series continues
(3) The Last Ten Days: cowritten with @limeandorange! A short(ish) fic outlining the last ten days of Nesta's freedom before becoming locked up in the House of Wind, the motley group she meets, and her whirlwind romance(?) with Prythian's own Bard himself.
Status: Complete
Rated: N/A
Ships: Nesta x OC
(4) A Thousand Threads of Fate: Elain goes to sleep on Solstice Night, still reeling from her rejection by the Shadowsinger. She wakes up in a liminal space where she's shown glimpses of worlds and meets other Elains that have never come to be. At least, not that she's aware of.
Status: In progress (4/7 chapters) - on hiatus
Rated: T
Ships: Elain/Lucien
(5) You've got Mail (Neris' Version): a modern Neris epistolary fic. (Cowritten in part with @itsblobross.) Nesta Archeron does the one thing you're never supposed to do: text the number on the bathroom stall. To her surprise, she and the mysterious stranger on the other end have more in common than she could ever have expected.
Status: In progress (22/30-something chapters)
Rated: T
Ships: Eris/Nesta, Elain/Lucien, Helion/LoA, Feyre/Rhysand, Gwyn/Emerie
(6) We Both Go Down Together (part 1 of Or Forever Hold Your Peace). Nesta needs a happily ever after. Eris needs to move after being in a holding pattern for decades, if not centuries. But a split second decision at Nesta and Cassian's mating ceremony has unforeseen consequences for everyone.
Status: Complete
Rated: M
Ships: Eris/Nesta, Elain/Lucien, minor background Feysand, implied Gwynriel
(7) The Singer Addresses His Audience (part 1.5 of Or Forever Hold Your Peace). Cassian's mating ceremony is a total catastrophe, after Mor says the unforgivable and Nesta leaves with Eris to Parts Unknown. Azriel finds himself in an awkward conversation, caught between Cassian and Morrigan and 500 years of unspoken history.
(8) The Harrowed and the Haunted (part 2 of Or Forever Hold Your Peace). Elain and Lucien find themselves in limbo after siding with Nesta when she abruptly leaves her mating ceremony with Eris Vanserra of all people. But what on earth can a trembling fawn with unpredictable powers and the exile of two and a half courts do to help? And a better question: how on earth will they be able to stand working with each other?
Status: In progress (2/5 chapters)
Rated: M
Ships: Nessian (former; mentioned), Elucien, Neris, OC x OC (Damien/Philoméne)
(9) As the Honeysuckle Embraces the Thorn: Elain grapples with life without her mate a week, a year, a decade, and a century after his passing and finds unexpected companionship in the High Lord of Autumn, Eris Vanserra.
Status: In progress (1/3 chapters)
Rated: T
Ships: Elain/Eris, Elain/Lucien
Drabbles/One Shots
(1) MadMorrigan's Curiosity Cabinet: a collection of drabbles and other short works done on tumblr, all in one collection.
Rated: T for non-explicit violence.
Ships: Beron/Unnamed first wife, Beron/Lady of Autumn, Elain x Lucien, Jurian x Vassa, Eris x Elain, Eris x Nesta, Nesta x Tamlin
(2) Anemones: the last night of Pomona Danaan - soon to become The Lady of Autumn - and her attempts to write the perfect goodbye letter to Helion.
Rated: G for lack of spice
Ships: Beron/Lady of Autumn, Helion/Lady of Autumn
Planned/Not Yet Published
(1) The Wanting Comes In Waves - summary TBA
(2) The Bachelor and the Bride - the story of what brought Damien Vanserra from the Court of Rot, and Philoméne Vernell of the Court of Harvests, together over the past two centuries.
Ships: Beron/Lady of Autumn, Philoméne/Damien, Philoméne/Galen
(3) The Hazards of Love - summary TBA
(4) Easy Come, Easy Go - summary TBA
(5) The Cauldron: fresh off of being laid off and her three-year engagement broken, Elain Archeron takes on a pastry chef role across the country at a struggling San Francisco restaurant owned by executive chef Eris Vanserra and meets the crew of misfits trying to keep The Cauldron alive.
Ships: Elain/Lucien, with downstream ships to follow
My Art
(1) Elain Week 2025: Psyche
(2) Tamlin Week 2025: Free Day (Serious Tam)
(3) Tamlin Week 2025: Free Day (Cursed Lion Tam)
(4) Elucien Week 2025: New Beginnings
(5) Eris Week 2025: Burn
(6) ACOTAR Secret Santa 2025: Erislain
(7) Tamlin Week 2026: Free Day (Sad Tamlin)
Forgotten Realms
(1) The Pride Before the Fall: a Netherese archmage reflects - and then rejects fate - as his city crashes to the ground all around him.
Rated: G. Nothing spicy here, minus a bit of language.
Ships: nope
(graphics by @saradika-graphics, and banner by @limeandorange!)
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finished the official neris coloring page for @nerisweek by the incomparable @themadmorrigan! I had so much fun doing this and I can’t wait for Neris week to be here!
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Since I did a whole-book review for ACOTAR, I figured I should do one for ACOMAF as well. And, yeah. It certainly... was. Dear god, it was a slog. So much densely-packed bullshit, most of it from Rhysand. I will say though, that unlike, say, the second and third books of Crescent City, the plot of this one was at least relatively straightforward, if dull and poorly-executed. So I'll give it a D- overall. My heart wants to make it lower, but if I'm being realistic, I at least knew what was going on most of the time, even if I didn't like it. So, yeah.
Obviously not spoiler-free, etc, etc. Because it'll be an unhinged rant as much as anything else.
And also, TW. This book being what it is, there's going to be lots of talk of sexual assault. I actually lost count of how many posts I had to put that warning on. But, what can ya do? Rhysand is a major character. That means there's plenty of assault to go around!
Okay, plot first. For all I said the plot was relatively straightforward, the book does seem very confused about where it should put its focus. There's essentially two major parts to the plot - the King of Hybern (who has yet to receive a name) is (or so Rhys tells us) planning to invade Prythian so that he can then invade the (also unnamed) human lands, because he's evil and wants slaves and Make Fairydom Great Again and blah blah. He's our major shallow caricature villain who exists primarily off-page for this book. So, he obviously needs to be Stopped.
The other major part of the plot is that, for some reason, Rhysand, the evil High Lord of the Night Court who spent most of his page-time last book sexually assaulting or torturing Feyre in some capacity, has decided he needs her help, specifically, for defeating Hybern. Oh, and also, Tamlin has randomly turned into an abusive dickwad since last book (well, so the book says. More on that in a bit) and Feyre needs to escape. How convenient that the Night Court wants her instead! So very lucky that Tamlin made it so easy for her to leave right then...
Now, with all that being said, you might think that the plot is about Feyre having to learn to work with the guy who repeatedly sexually assaulted her so that the Greater Evil of Hybern can be defeated, and they'd go around doing stuff that would lead to Hybern's defeat. And if you think that, you're probably new here, because this is a Maas book, dammit, and we absolutely cannot have interesting plot stuff happen on-page!
Instead, the book is mostly about three things:
Making sure that we know that Rhysand was Secretly Good all along and has the Most Tragic of all pasts in the series;
Making sure we know that the Night Court (well, Velaris, specifically, the rest of the Night Court only counts as part of the Night Court when Rhysand wants something from it) is Better than the Spring Court in every conceivable way and;
Some truly astonishing feats of mental gymnastics performed as we brush all the outright evil shit Rhys did last book under the rug, so that he and Feyre can fall in love and the book can try and pretend it's not a fucking horror story.
And not gonna lie, that's pretty much it. In its almost 650 page run length, the only things our protagonist does that are actually related to defeating Hybern are: going to the Summer Court to steal the Book of Breathings (which they could probably have just asked for, but, ya know, they're the Good Guys™, so obviously they have to steal it), meeting (briefly) with the mortal queens so they could set themselves up as minor antagonists, and then the final confrontation with Hybern in the last ~10% or so of the book. The rest of the Hybern-related stuff (e.g. the entire subplot with him collecting the Cauldron legs, gathering info about the mortal queens and Hybern, trying to decipher the book, etc) all happened completely off-page, resolved by non-protagonists. If we're being generous, it amounted to maybe 200-250 pages of content.
So, what was it doing for the other 400+ pages? Well, like I said above. We spend part of the early book at the Spring Court, so it can show (well, "show") us how horrible and abusive Tamlin has become in the wake of UtM, and also so we can wallow in Feyre's trauma and depression resulting from the same. The first time I read this book, I honestly thought her depression was portrayed pretty well, and that the breakdown of the relationship was quite believable. This time, while I still think the breakdown of the relationship could have been believable, I'm a lot less enthused on the trauma-portrayal. Mostly because, well, it's not all applied equally.
There's a very simple method to work out the hierarchy of trauma in this book. And this is also probably where we've given up talking about the plot and will descend into mostly ranting complaints about everything, because it's all kind of tangled up in this.
The most valid of all traumas is Rhysand's. If it affected him negatively, then any other negative effect on any other character is immediately superseded and disregarded, assuming he's not appropriating it to further his own angst, ofc. Up to and including his sexual assault of Feyre UtM! He felt really bad about it, see, and feels even more bad about it when he makes her repeat the performance at Hewn City in this book (yes, really!), so any trauma Feyre might have had related to such activities? Yeah, completely irrelevant, it's brushed aside and forgotten about with barely so much as a mention, if that. The book just straight-up ignored that the assault happened for a good 75% of its run length, and when it was finally forced to confront it by literally having Rhysand make her repeat it in Hewn City, no, this will never not be fucking outrageous, it was veeeeeeery careful to dance around what actually happened and use terms like "the clothes she was made to wear UtM" while conveniently omitting the "by Rhysand" part. It also never really mentions the actual assault, just the skimpy clothes and forced drinking. Utterly galling and hypocritical that, in a book that's meant to be all about Feyre recovering from her trauma UtM, we just straight-up ignore one of the biggest contributions to it. Fucking ridiculous.
But, of course, with Rhys's angst being the most Valid and Important, we get to hear a lot about it. We learn all about his Tragic Past as Amarantha's servant, which he obviously only did for the Greater Good of saving his court.......... well, not actually, of course, he literally only saved Velaris and threw the rest of his court under the bus to do so, but! Rhys has declared that everyone else in his court are evil barbarians who deserve to die, so that not only makes it okay to do this, but even makes it Good and Noble and Heart-Wrenching! Such Sacrifice! Weep for him! Weep for how he was forced to vicitmise himself to Amarantha! Er, well, again, maybe not actually? The book is very strange on this topic. It simultaneously wants him to be her victim, for cheap and easy rape victim cred (and I feel unclean just typing that so flippantly, but, well, that's ultimately all the book uses it for. See my rant in..... one of the earlier chapters, I want to say 18? The same one where I rant about Jaime Lannister), while also refusing to allow/accept that he might have to relinquish his agency in the process.
What do I mean by that? Well, his sob story is told with an undertone that he was, at some level, always in control of what happened there. Presumably because the book simply cannot fathom an instance where a man (sorry, male) is actually legitimately victimised by a woman. It assumes that he must have "allowed" it to happen, that it was a concession on his part, rather than.... well, for want of a better word, a "victory" on the woman's part. Because males are just so dominant and in-control, ya know? And so, the book makes sure we know it was ultimately Rhys's decision to become Amarantha's servant. It's done ambiguously enough at first that it kinda works - maybe it's just cope on his part, maybe it was just a lesser of two evils situation, etc - but later on, the book gives us some more detail. And we learn that Rhys essentially sought out Amarantha, chose to respond to her advances, and may or may not have used his mind-control powers to make her think it was the best sex of her life, and thus make her want to keep him as a sex slave. Yeah. Yeahhhhh. Really muddies the waters on whether he's actually a victim here, especially if mind-control was involved. And it's a shame, because there's so few works that ever portray male victims of sexual assault at all, let alone with any kind of dignity.
But, uh, I got a bit side-tracked there. It happens a lot with this book, unfortunately. As you can probably see with just that little sample, there is a lot of bullshit jammed into it. But, we were talking about the hierarchy of angst, right?
Below Rhysand, we have the Inner Circle and Feyre. I write it like that because, while it's less egregious in this book, I am 99.99% certain that they are given higher precedence than her in subsequent books, if the baby drama of ACOSF proves anything. But, for this book, it's largely an irrelevant distinction. Anyway, as long as Rhysand isn't hurt more by whatever is happening, these guys are the top trauma dogs. If they don't like it, and Rhysand wasn't the one who did it to them, then whoever did the Bad Thing is irredeemably evil, and so is everyone around them. And thus we get things like Tamlin and everyone at the Spring Court being abusive and thus irredeemably evil; Mor's family and the entire Hewn City being hedonistic and abusive and thus irredeemably evil; every single Illyrian being backwards and barbaric and thus irredeemably evil........ it's all a bit much, quite honestly. Especially when we start to see how Rhys and co actually interact with these people (e.g. breaking every bone in Kier's body over a minor insult that Rhys essentially orchestrated himself). It's just... ugh. The fact that Rhys is a despotic tyrant is irrelevant, Mor's family was mean to her that one time (okay yeah, it was pretty horrific, but the point stands), that means everyone in HC deserves to be treated like absolute dirt! And the book 100% expects you to roll with this.
Also worth mentioning with Feyre's trauma, specifically, is just how damn selective it is. Lucien's red hair and the red flower petals on her wedding aisle are enough to send her into full-blown panic attacks, because it reminds her of the blood of the faeries she killed, or something; Mor's red dress and Amren literally drinking blood in front of her, though, are all a-okay and not even worth a blip on the radar. The Spring Court bodyguards are stifling and signs of controlling abuse, but Cassian and Azriel acting like bodyguards even after she's asked them not to is all fine and dandy. And etc, etc, etc. Also, approximately nothing of what Rhys did to her seems to have left any lingering trauma, and indeed, the book even tries to attribute some of his actions to Amarantha instead (while trying to appropriate some of Tamlin's actions for him), which is absolutely insane.
The Spring Court deserves special mention, of course. I mentioned above how the book tells us that Tamlin turned into an abusive dickwad since last book. And... yeah. In the hierarchy of trauma, Tamlin's is the least valid of all. Absolutely nothing he does could ever possibly have a sympathetic or understandable motivation, in the book's eyes - even as it pays lip service to the idea that his actions might be motivated by trauma, it's clear it doesn't really believe it, and more to the point, really does not want the readers to believe it. It's all quite cleverly framed, really, to make it sound like Feyre is making "undeserved" excuses for him, but, well... the excuses are true. He spent several months forced to watch Feyre be tortured and assaulted UtM (by Rhysand, but don't tell the book that), finally culminating in literally watching her die. You kind of expect a dude to be fucked up after that. And in a display of true crying irony, the one time controlling dickwad behaviour is vaguely "jusitified" (like, it's still wrong, but you know why and where it's coming from, at least) is the one time a Maas book flips out over it and calls the guy abusive. Rhys does things that are just as bad (if not worse!) as Tamlin, yet we don't hear a peep about it from the book.
And, as well, in the grand scheme of things, and after re-reading with a more critical eye...... I really don't think what Tamlin did in this book was all that bad. Rhys set the bar in hell with his two-month roofie-assault spree last book, after all. But, let's look at what actually was happening in this book.
At first, we see that Tamlin is initially unwilling to let Feyre do things like visit a random village, on the basis that he has no guards to send with her. We'll ignore the fact that the bride of the lord *not* having guards is a completely stupid and ahistorical complaint for the sake of sanity. But, we also see that he compromises and relents pretty quickly, arranging things so that she can go. And based on Feyre's narration at various points, we can conclude that she's been on several such trips before, or else on hunting trips and things like that. She's not locked in the house, is what I'm getting at. Tamlin is being overprotective, but it's clear that he recognises that, and is taking the steps he can to try meet her halfway while also juggling the rebuilding of his court and whatnot. And don't get me wrong, I'm saying this as someone who doesn't even particularly like Tamlin. This book just does him so dirty, I feel compelled to defend him.
One thing that's also worth noting about Tamlin's trauma and the subsequent abusive behaviour it causes. He's mostly concerned that Feyre will be killed/abused again like she was UtM. He's worried that he won't be able to protect her, that his enemies will be coming for her, that all the defences the Spring Court can muster will be inadequate and she'll be taken again. And then, what happens? Rhysand, the guy who tortured, roofied and assaulted Feyre for two months UtM, Rhysand, who has been cultivating a reputation as an evil bastard for 500 years, waltzes right into the Spring Court, straight past any defences, and kidnaps Feyre from her own wedding. Right under Tamlin's nose, proving that all his fears about being unable to protect her and other High Lords wanting to kidnap her were right. So, he tightens security. And then, Rhys waltzes right past those defences and kidnaps Feyre again, and mocks Tamlin to his face for how pathetic they were. And yet, we're meant to think Tamlin's being unreasonable when he insists on upping the guards? I want to know what the fuck SJM has been huffing to think that makes any kind of sense. Probably Rhysand's farts.
Because this is a rambling rant now with no direction, let's jump straight to the most egregious thing Tamlin does. The big thing is, of course, when he "locks her up." Which, well, he does. But there's two very important things to keep in mind there. When that happened, he had been called very urgently to the border, and was in the process of departing when Feyre confronted him about wanting to go to. She was severely depressed and malnourished at this point (because she hadn't been eating, and the book has a... somewhat strange fixation on that), and she was refusing to take no for an answer. She knows archery, yes, and I still maintain that Tamlin's refusal to train her in faerie stuff was stupid and unreasonable, but at this point, even if he was training her, well, she wouldn't be anywhere near trained for battle yet. She was showing clear and alarming disregard for her own well-being. But, the call away was urgent, and he doesn't have time to argue with her, and so, he seals the manor, trapping her inside (because she expressly intended to follow him), intending to discuss it further on his return. Was it a dick move? Yeah, arguably. But given the circumstances, I can understand why he did it.
The second important thing to remember, that the book never acknowledges in any capacity, is that by that point, Rhysand has locked her up in (one of) his house(s) not once, but twice! But I guess, since his house is on top of a mountain and doesn't have windows, that... makes it okay? Yeah, nah, she's just as trapped there as at Spring, even more so, since she can't even visit Night Court villages or go hunting. And Rhysand straight-up laughs in her face when she asks to leave. But, no. No, Tamlin is the asshole for locking her up, and Rhys is her saviour for doing the same.
Actually, before I rant any further, I'm going to save myself and you guys a lot of time: it's the fucking hypocrisy. That is the biggest problem with this book. Rhys is the best, and everyone else sucks, even if, by every conceivable objective measure, he sucks the most out of the lot of them. The book will lie, gaslight, omit, retcon, villify, you name it, it does it, in order to make Rhys the best and never in the wrong about anything ever. That is all. We can all go home now.
Because that really is the rub of it. Most of the rest of this book's flaws would be eyeroll-inducing at worst, were it not for the omnipresence that is the narrative stroking of Rhysand's dick. Instead, they become rage-inducing. I hate him and everything about him so, so, so fucking much.
You'll notice that I haven't really said much about anything not Rhysand-related. And that's because, honestly, there really isn't that much to say. We are very much in the Rhysand show now. Like, sure, the Inner Circle is there. They definitely exist. But they mostly exist to be Rhys's 2-kool-4-u friends who rule the Night Court with nepotism, pre-packaged as a friendship group for Feyre's convenience. They're all stereotypical selfish Maas "good guys", to varying degrees of low-keyness based on how much spotlight they've had so far.
Honestly, I think the best summary of this book is that it basically reads like a bad ACOTAR fix-fic. Someone didn't like that Feyre didn't end up with the hot villain after UtM, so they decided to make their own version. Tamlin suddenly does a 180 in terms of character, Feyre's bargain with Rhys is miraculously intact despite it being "lifelong" and the fact that she died, there's this whole heretofore unmentioned part of the Night Court that is actually super cool and not evil, we get to meet all their annoying OCs, the canon abuse Rhys subjected Feyre to last book is either ignored, excused, or attributed to someone else, what little character Feyre had is dropped or forgotten as is convenient for the "hook up with Rhysand" plot.... it really is an absolute fucking mess. The only way any of it makes sense is if you ascribe to the theory that Rhys has actually been daemati-ing her (and likely everyone else, esp Tamlin) this entire time. I have chosen this as my headcanon in order to preserve my sanity.
So, yeah, D-. I hate it so much that I want it to be worse, but the fact that the plot is mostly straightforward does give it a bit of a leg-up there. I'll leave it at that for now - if you want all the sordid details, they're in my chapter snarks.
Your reviews validate my hater status and ilysm for it. 😂 please never stop, unless you need a well deserved vacation, or, you know, to actually read something good 🫡
Anyone is welcome to participate in celebrating her with art, writing, moodboards, playlists, headcanons or any other kind of creative endeavors. Please tag @loaweekend and use the #loaweekend2026 tag so I won't miss your contribution and can reblog it here. ❤️
🔥🍂✨❤️☀️
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Tag properly
Please make sure that any potentially disturbing or triggering content is tagged. Let's stay safe and take care of each other. Thank you. ❤️
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Please no negativity on works created for the event. We all have our own ideas and interpretations, let's live and let live.
A lot of institutions intentionally use complex language as a weapon. They rely on people not understanding beyond a certain level to get you to sign agreements you shouldn't sign! To skip over the fine print that you should read and be put off by! There are people deliberately profiting off of this kind of ignorance.
Having an incomplete understanding of language can put your employment, housing, and benefits at risk. Understanding language protects that quality of life you're so concerned about.
There's a reason that right wing and extreme conservatives always try and take control of education first. Take away peoples' understanding and knowledge and blinker them to make them easier to lead and control. The GOP are doing a prime job of it in red states, packing the curriculum with religious and right-wing propaganda. It's a standard opening move.
It's happened in the rise of every fash-led movement. Take out the scientists and the philosophers and the educators, especially the people who look at the world and try and work out how to make it better.
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so today a public health official guy came into my class to give a lecture on disaster awareness and he was talking about house fires and mentioned that the reason people most likely die during a house fire is because they refuse to leave their pet inside or they go back to get their pet. and right when he said this my friend immediately turned his head and looked at me and in that moment I had the most complete and genuine acceptance take over my body. I would 100% in front of my family and Jesus himself walk straight back into some raging inferno that was once my house to go get my fat cat. I nodded back
the best part of this post is reading all the tags from animal people who would also go back to save their pets. like no hesitation. walk backwards from heaven straight back into hell. someone even said they would go back for their fish. amazing
If you are a person who would walk into a blazing inferno for your animal, and your pet has free movement around the house, here’s a training exercise that could help save you both:
1) Set off your smoke alarm or play the sound on your phone (if your home has no smoke alarms, pease get some!)
2) stand BY THE FRONT DOOR to hand out treats
Do this a couple times and then keep it up NO EXCEPTIONS. Accidentally set the alarm off cooking? Treats by the door. Smoke alarm sound on TV? Treats by the door. Changing your smoke alarm batteries twice a year like you’re supposed to? Give them a test run and your pets get treats by the door.
Most dogs and cats will clue in VERY quickly that hearing that specific sound means go to the front door and wait for treats.
If there’s an emergency and even if you leave by another way, you will still know the most likely place your pet(s) is and can direct first responders to help.
You can also do this for any other kind of emergency alarm. My friend had both her cats trained to go to the front door for a tsunami siren.
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