Hey Tumblr, long time no see. Weâre slowly making a come back here. In the meantime, here are some photos of Toshiro Mifune visiting the Dersu Uzala production in the Soviet Union.Â

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@thekurosawaproject
Hey Tumblr, long time no see. Weâre slowly making a come back here. In the meantime, here are some photos of Toshiro Mifune visiting the Dersu Uzala production in the Soviet Union.Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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So the Riatlo reissue of âRanâ made the box office top 50 this weekend. Thatâs kinda cool! We at the Kurosawa Project missed it in theaters this time, but were lucky enough to have seen it on the big screen in 2014 with a Tatsuya Nakadai Q&A afterward.Â
A very rare color photo from what appears to be the âYojimboâ set. Looks like lunch time. AK at center in the brown coat.Â
A bit of a strange photo here. What seems to be a press conference - note the micrcophone - with the cast of âDersu Uzalaâ, sat to Kurosawaâs right, and Mifune, who had nothing to do with that movie, on Kurosawaâs left.Â
âDersu Uzalaâ was shot in the Soviet Union over the course of a year, to get the full spectrum of weather in Sibera. According to accounts from the set, Kurosawa drank a bottle of vodka a day during filming. Maybe to keep himself warm?
Some greatt photos from the set of Kurosawaâs first post-war release, âNo Regrets for Our Youthâ (1946).Â
âThe Men Who Tread on the Tigerâs Tailâ (1945) was started before the end of the war, finished after Japan surrendered, and not released until the early 50â˛s because SCAP banned portrayals of feudal Japan, fearing they would arouse feelings of allegiance to the Emperor and nostalgia for old ways in the Japanese public.Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Cineclub LuzSilente, a cinema club in Mexico City, made this awesome poster for âThrone of Bloodâ (1957).Â
Terrible Infant up to their shenanigans again with this video of the final duel in Sanjuro set to Big Sean.Â
Posted this on FB the other day and forgot to migrate it over here, so weâre probably late to the Tumblr party, but...
It looks like Criterion is gonna put out Dreams! They posted this on Instagram today, and the screen in the background and paintings in the foreground are all clearly from the soldier/tunnel dream.Â
Which is your favorite dream sequence?Â
Takashi Shimura + Rick Ross = Boss
We pulled this eight minute clip from Samaritan Zatoichi, the 19th film in the Zaotichi series, to make a point about the elastic tone of these movies, which is similar to that of the Connery Bond films in its combination of absurd humor and serious violence.Â
You can read a full post addressing problems with contemporary franchise films when compared to Zatoichi and classic Bond, as written by Kurosawa Projectâs founder, here, via Terrible Infant.Â
Buy the Zatoichi box set via Criterion. Seriously. Itâs worth it.Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Yesterday we shared the opening credits of âThe 400 Blowsâ as set to the opening music of âThrone of Blood.â Hereâs the companion piece, the (slightly edited) opening of âThrone of Bloodâ set to the opening theme from âThe 400 Blows.â You can check out a blog post about it here.Â
So we swapped the opening audio tracks for âThrone of Bloodâ (1957) and âThe 400 Blowsâ (1959). Hereâs âThe 400 Blowsâ opening - you can see both on this blog.Â
Kurosawa before the burning castle, bull horn in hand, directing âRanâ (1985). I wrote a blog post for Terrible Infant on âRanâ, exploring the role of Buddhism in the film and arguing with Stephen Princeâs interpretation from his book âThe Warriorâs Camera.â Check it out!
The founder of The Kurosawa Project is now involved in Terrible Infant, a film collective. Heâs blogging on the Terrible Infant site about everything from Truffaut and Cuaron to the auteur theory and anti-establishment samurai films. Check out the Terrible Infant Facebook page for all the updates.Â
Toshiro Mifune, pictured here on set for âThe Bad Sleep Wellâ (1959), will receive a star on the Walk of Fame in Hollywood in 2016.
 Iâm sure we all know this, but Mifune starred in 16 Kurosawa films, including âSeven Samuraiâ (1954), âRashomonâ (1950), âThrone of Bloodâ (1957), âYojimboâ (1960), and âHigh & Lowâ (1963). Kurosawa discovered him during an open audition and had to fight the studio committee to accept Mifune into its acting program.Â
Mifuneâs first starring role was in âSnow Trailâ (1947), a thriller written by none other than Kurosawa, who wrote far more scripts than he had time to direct, despite how prolific he was.Â
Tarantino will also get his star in 2016, which feels appropriate, given his love of Japanese film. Read more about it.

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Behind the scenes of âRed Beardâ (1965). The film was shot over an entire calendar year (plus some) to take advantage of all natural weather conditions possible. Â
A rare production still from from âThe Idiotâ, Kurosawaâs Dostoyevsky adaptation. In his book âThe Warriorâs Cameraâ, and on his Criterion DVD commentary tracks, Stephen Prince talks at length about Dostoyevskyâs influence on Kurosawa.Â
Kurosawaâs original cut of âThe Idiotâ has been seen by very few people - only those who attended the filmâs Japanese premier - and will never been seen again. Running longer than four hours, it was cut down several times, the final edit being done by the filmâs producer w/o Kursoawaâs consent or participation. All the footage cut from the original edit was destroyed in a fire.
Kurosawa was so distraught by the experience of working on âThe Idiotâ he nearly quit making films. The success of âRashomonâ at the Venice Film Festival - which came on the heels of the disaster of âThe Idiotâ; AK didnât even know âRashomonâ played at Venice - changed his mind.Â